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Ignaz Kirchner
Ignaz Kirchner (born Hanns-Peter Kirchner-Wierichs; 13 July 1946 – 26 September 2018) was a German actor who made a career on German-speaking stages, especially at Vienna's Burgtheater where he played for 30 years. A character actor, he worked with leading stage directors. He often played opposite Gert Voss, both in classical drama such as Shakespeare's Antonio, with Voss as Shylock, and as Jago, with Voss as Othello, and especially in black comedies, such as Goldberg in Tabori's '' Die Goldberg-Variationen'' (with Voss as Mr. Jay), and in Neil Simon's ''The Sunshine Boys'', Beckett's '' Endspiel'' and Genet's '' Die Zofen''. Kirchner and Voss were named '' Schauspielerpaar des Jahres'' twice, in 1992 and 1998. Career Born in Wuppertal, Kirchner was raised from age ten in a Jesuit boarding school in Vorarlberg, Austria. He later chose the name of Ignatius of Loyola as his stage name. He first was an apprentice in a book shop, and then trained in acting at the Schauspielschule B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Power Of Darkness
''The Power of Darkness'' (russian: Власть тьмы, Vlast′ t′my) is a five- act drama by Leo Tolstoy. Written in 1886, the play's production was forbidden in Russia until 1902, mainly through the influence of Konstantin Pobedonostsev. In spite of the ban, the play was unofficially produced and read numerous times. Overview The central character is a peasant, Nikita, who seduces and abandons a young orphan girl Marinka; then the lovely Anisija murders her own husband to marry Nikita. He impregnates his new stepdaughter, then, under his wife's influence, murders the baby. On the day of his stepdaughter's marriage, he surrenders himself and confesses to the police. Production history French theatre pioneer André Antoine staged ''La Puissance des Ténèbres''—a French translation of the play, by Pavlovsky and Oscar Méténier—in Paris at the Théâtre Montparnasse on 10 February 1888 to great acclaim. Constantin Stanislavski, the Russian theatre practitioner, had wante ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignatius Of Loyola
Ignatius of Loyola, Society of Jesus, S.J. (born Íñigo López de Oñaz y Loyola; eu, Ignazio Loiolakoa; es, Ignacio de Loyola; la, Ignatius de Loyola; – 31 July 1556), venerated as Saint Ignatius of Loyola, was a Spain, Spanish Catholic priest and theologian, who, with Peter Faber and Francis Xavier, founded the religious order of the Society of Jesus (The Jesuits), and became its first Superior General of the Society of Jesus, Superior General, in Paris in 1541. He envisioned the purpose of the Society of Jesus to be Missionary, missionary work and Education, teaching. In addition to the vows of chastity, obedience and poverty of other religious orders in the church, Loyola instituted a fourth vow for Jesuits of obedience to the Pope, to engage in projects ordained by the pontiff. Jesuits were instrumental in leading the Counter-Reformation. As a former soldier, Ignatius paid particular attention to the spiritual formation of his recruits and recorded his method in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heiner Müller
Heiner Müller (; 9 January 1929 – 30 December 1995) was a German (formerly East German) dramatist, poet, writer, essayist and theatre director. His "enigmatic, fragmentary pieces" are a significant contribution to postmodern drama and postdramatic theatre."With Beckett's death Müller becomes the theatre's greatest living poet." ''The Village Voice'', quoted on the backcover of Müller's ''Theatremachine'' (1995). The phrase "enigmatic and fragmentary pieces" comes from the article on Müller in ''The Cambridge Guide to Theatre'' (Banham 1995, 765). Among others, Elizabeth Wright assesses Müller's contribution to a postmodern drama in ''Postmodern Brecht'' (1989). Biography Müller was born in Eppendorf, Saxony. He joined the Social Democratic Party of Germany in 1946 which was in the course of the forced merger of the KPD and SPD subsumed into the Socialist Unity Party of Germany (Sozialistische Einheitspartei Deutschlands, SED). He was soon expelled for lacking enthusiasm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intendant
An intendant (; pt, intendente ; es, intendente ) was, and sometimes still is, a public official, especially in France, Spain, Portugal, and Latin America. The intendancy system was a centralizing administrative system developed in France. In the War of the Spanish Succession of 1701 to 1714 the French royal House of Bourbon secured its hold on the throne of Spain; it extended a French-style intendancy system to Spain and Portugal - and subsequently worldwide through the Spanish Empire and Portuguese Empire. Regions were divided into districts, each administered by an intendant. The title continues in use in Spain and in parts of Spanish America for particular government officials. Development of the system in France Intendants were royal civil servants in France under the Old Regime. A product of the centralization policies of the French crown, intendants were appointed "commissions," and not purchasable hereditary "offices," which thus prevented the abuse of sales of royal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jürgen Flimm
Jürgen Flimm (born 17 July 1941, in Gießen) is a German theater and opera director, and theater manager. After establishing himself as one of the exponents of Regietheater, Flimm was called to manage renowned theaters and festivals. His operatic productions in Germany led to an international career, with operas staged in the Netherlands, Austria, Switzerland, England, Italy, and the United States. Life and career Flimm studied the theory of drama, literature and sociology at the University of Cologne and started his career with his first position as assistant director at the Munich Kammerspiele in 1968. He had positions as director at the National Theatre Mannheim and as a senior director at the Thalia Theater in Hamburg (1973/74), then he worked as freelance director and director at the Schauspiel Cologne. In 1985, he once more joined the Thalia Theatre, where he worked as leading director for the next fifteen years and which became, under his executive, one of the artisticall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Cherry Orchard
''The Cherry Orchard'' (russian: Вишнёвый сад, translit=Vishnyovyi sad) is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by ''Znaniye'' (Book Two, 1904), and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers.Commentaries to Вишневый сад The Complete Chekhov in 30 Volumes. Vol. 13. // Чехов А. П. Вишневый сад: Комедия в 4-х действиях // Чехов А. П. Полное собрание сочинений и писем: В 30 т. Сочинения: В 18 т. / АН СССР. Ин-т мировой лит. им. А. М. Горького. — М.: Наука, 1974—1982. Т. 13. Пьесы. 1895—1904. — М.: Наука, 1978. — С. 195—254. It opened ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Dispute
:''This is for the Marivaux play, for the band, see La Dispute (band).'' ''La Dispute'' is a prose comedy written by Pierre de Marivaux, shown for the first time on 19 October 1744 by the Théâtre-Italien in the Hôtel de Bourgogne. The story involves four orphans (two boys and two girls) who have been raised in isolation, from the world and from each other. An aristocrat releases four human guinea pigs into a sinister Garden of Eden to cause them to consider the question of whether man or woman is more faithful. One of Marivaux's last pieces, ''La Dispute'' was received as a huge failure. It is a funny, erotic and cruel masterpiece. Adaptations have been created from 1972 and onward in various forms. Reception For the 2013 adaptation, editor for ''The New York Times'' Sylviane Gold wrote: "La Dispute opens with Prince and Hermiane, as a pair of exquisitely bewigged, bejeweled aristocrats, discussing with typical Marivaux finesse a lover’s question, one that would appear to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schauspiel Köln
Schauspiel Köln is a theatre and company in Cologne, North Rhine-Westphalia, Germany. It forms together with the Cologne Opera and other houses the Bühnen der Stadt Köln (Stages of the city of Cologne). The listed building has 830 seats in the Grand House, 120 in the locksmith and 60 in the refreshment room. In addition, the listed 'Halle Kalk' has 200 seats, it was used until closing in the summer of 2015 because of the danger of collapse. Since the 2013/14 season (September 2013) Depot 1 and Depot 2 have been used as interim venues during the extensive renovation of the Schauspielhaus on the site of the former Carlswerk in Schanzenstraße in Cologne-Mülheim. Ernst Hardt was the intendant before he moved on to the Westdeutscher Rundfunk in 1927. History The history of the Cologne theater begins in the Middle Ages. The first house was built in 1782, which was later called "Komödienstraße". A successor building from 1829 was destroyed in 1869 in a fire. In 1872, a new house ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Tabori
George Tabori ( György Tábori; 24 May 1914 – 23 July 2007) was a Hungarian writer and theatre director. Life and career Tabori was born in Budapest as György Tábori, a son of Kornél and Elsa Tábori. His father Kornél (Cornelius) was murdered in Auschwitz in 1944, but his mother and his brother Paul Tabori (writer and psychical researcher), managed to escape the Nazis. As a young man, Tabori travelled to Berlin but was forced to leave Nazi Germany in 1935 because of his Jewish background. He first went to London, where he worked for the BBC and received British citizenship. In 1947 he emigrated to the United States, where he became a translator (mainly of works by Bertolt Brecht and Max Frisch) and a screenwriter including Alfred Hitchcock's movie '' I Confess'' (1953). His first novel, ''Beneath The Stone'', was published in America in 1945. In the late 1960s, Tabori brought his own and the work of Brecht to many colleges and universities. At the University of Pennsylv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieter Dorn
Dieter Dorn (born 31 October 1935 in Leipzig) is a German theatre director, also for the opera, the manager of the Münchner Kammerspiele from 1983 to 2001 and now manager of the Bavarian Staatsschauspiel. Career Dieter Dorn studied at the Theaterhochschule Leipzig. In 1956, he left East Germany and studied at the ''Max-Reinhardt-Schule für Schauspiel'' in Berlin with Hilde Körber, the founder of the school, and Lucie Höflich. He was engaged at the State Theatre in Hanover from 1958 until 1961 as an actor and a dramaturge, then worked as a journalist and radio speaker for the NDR. In 1964, he returned to the theatre at the Landesbühne Hanover, then in Essen. In the early 1970s, he staged at the Schauspielhaus Hamburg and at the Schaubühne in Berlin, and as a guest in Oberhausen, Basel, Wien and the Burgtheater. Münchner Kammerspiele In 1976, Dorn moved to the Münchner Kammerspiele as a senior director, opening with Lessing’s ''Minna von Barnhelm'' with Cornelia Fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". There are many works that have been pointed to as possible sources for Shakespeare's play—from ancient Greek tragedies to Elizabethan plays. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. When ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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