|
Ignacio Maria Barreda
Ignacio María Barreda was an eighteenth-century Mexican painter, self-identified as university graduate with a ''Bachiller'' in philosophy. Mexican art historian Manuel Toussaint noted him for his portraits, including two of elite women, reproduced in his publication, and others of elite religious men. Toussaint believed he might be the official painter for the Seminario de San Camila, His 1777 single-canvas casta painting is an exemplar of this eighteenth-century genre of secular art. It is similar in some ways to the 1750 single-canvas painting by Luis de Mena, which also includes outdoor scenes near Mexico City, particularly the Paseo de Ixtacalco.Katzew, Ilona. ''Casta Painting''. New Haven: Yale University Press 2004, 180, 182 The painting, now in the Real Academia Española de la Lengua, Madrid, is one of the few signed and dated casta paintings, with a cartouche at the bottom reading: "These castes of New Spain were painted (upon the request of Lieutenant Colonel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ignacio María Barreda - Las Castas Mexicanas
Ignacio is a male Spanish and Galician name originating either from the Roman family name Egnatius, meaning born from the fire, of Etruscan origin, or from the Latin name "Ignatius" from the word "Ignis" meaning "fire". This was the name of several saints, including the third bishop of Antioch (who was thrown to wild beasts by emperor Trajan) and Saint Ignatius of Loyola. Variants include the archaic Iñacio, the Italian Ignazio, the German Ignatz, the Basque Iñaki, Iñigo, Eneko, and the diminutives Nacho/Natxo, Iggy, and Iggie. Ignacio can refer to: People * Ignacio Chávez (other) * Ignacio González (other) * Ignacio López (other) ; Arts and entertainment * Ignacio Aldecoa, 20th-century Spanish author * Ignacio Berroa, 20th-21st-century Cuban jazz drummer * Ignacio Cervantes Kawanagh, 19th-20th-century Cuban virtuoso pianist and composer * Ignacio Figueredo, 20th-century Venezuelan folk musician * Ignacio Merino 19th-century Peruvian pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casta Painting By Luis De Mena
() is a term which means "lineage" in Spanish and Portuguese and has historically been used as a racial and social identifier. In the context of the Spanish Empire in the Americas it also refers to a now-discredited 20th-century theoretical framework which postulated that colonial society operated under a hierarchical race-based "caste system". From the outset, colonial Spanish America resulted in widespread intermarriage: unions of Spaniards (), Amerindians () and Black people (). Basic mixed-race categories that appeared in official colonial documentation were , generally offspring of a Spaniard and an indigenous person; and , offspring of a Spaniard and a black African. A plethora of terms were used for people with mixed indigenous, African, and Spanish ancestry in 18th-century casta paintings, but they are not known to have been widely used officially or unofficially in the Spanish Empire. Etymology ''Casta'' is an Iberian word (existing in Spanish, Portuguese and othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casta
() is a term which means "lineage" in Spanish and Portuguese and has historically been used as a racial and social identifier. In the context of the Spanish America, Spanish Empire in the Americas it also refers to a now-discredited 20th-century theoretical framework which postulated that colonial society operated under a hierarchical race-based "caste system". From the outset, colonial Spanish America resulted in widespread intermarriage: miscegenation, unions of Spanish people, Spaniards (), Amerindians () and Black people (). Basic mixed-race categories that appeared in official colonial documentation were , generally offspring of a Spaniard and an indigenous person; and , offspring of a Spaniard and a black African. A plethora of terms were used for people with mixed indigenous, African, and Spanish ancestry in 18th-century casta paintings, but they are not known to have been widely used officially or unofficially in the Spanish Empire. Etymology ''Casta'' is an Iberian w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis De Mena
Luis de Mena was a Mexican artist who lived and worked predominantly in the middle of the eighteenth century. Mena painted religious works and has been described as "no more than a journeyman painter in 18th century Mexico." He signed a work entitled "Most Holy Mother of Light", now on display in the Serra Museum in San Diego, California. His most famous painting is in the Museo de América in Madrid, which is much reproduced as an exemplar of the casta painting genre. It is a single-canvas work from 1750 which portrays not only a variety of New Spain’s castas but uniquely features the Virgin of Guadalupe. This painting also shares more common features with others of its kind, including fruits native to Mexico and idealized scenes of daily life in the top and bottom panels. His paintings are, as a whole, more idealistic, suggesting he belonged to a school of art which emphasized the exotic and paradisiacal elements of New Spain. This approach to casta painting dominated the gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chichimecas
Chichimeca () is the name that the Nahua peoples of Mexico generically applied to nomadic and semi-nomadic peoples who were established in present-day Bajio region of Mexico. Chichimeca carried the meaning as the Roman term "barbarian" that described Germanic tribes. The name, with its pejorative sense, was adopted by the Spanish Empire. For the Spanish, in the words of scholar Charlotte M. Gradie, "the Chichimecas were a wild, nomadic people who lived north of the Valley of Mexico. They had no fixed dwelling places, lived by hunting, wore little clothes and fiercely resisted foreign intrusion into their territory, which happened to contain silver mines the Spanish wished to exploit." In spite of not having temples or idols, they practiced animal sacrifice, and they were feared for their expertise and brutality in war. The Spanish invasion resulted in a "drastic population decline of all the peoples known collectively as Chichimecas, and to the eventual disappearance as peoples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mestizo
(; ; fem. ) is a term used for racial classification to refer to a person of mixed Ethnic groups in Europe, European and Indigenous peoples of the Americas, Indigenous American ancestry. In certain regions such as Latin America, it may also refer to people who are culturally European even though their ancestors are not. The term was used as an ethnic/racial category for mixed-race that evolved during the Spanish Empire. Although, broadly speaking, means someone of mixed European/Indigenous heritage, the term did not have a fixed meaning in the colonial period. It was a formal label for individuals in official documents, such as censuses, parish registers, Inquisition trials, and others. Priests and royal officials might have classified persons as mestizos, but individuals also used the term in self-identification. The noun , derived from the adjective , is a term for racial mixing that did not come into usage until the twentieth century; it was not a colonial-era term.Rappap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cholo
''Cholo'' () is a loosely defined Spanish term that has had various meanings. Its origin is a somewhat derogatory term for people of mixed-blood heritage in the Spanish Empire in Latin America and its successor states as part of '' castas'', the informal ranking of society by heritage. ''Cholo'' no longer necessarily refers only to ethnic heritage, and is not always meant negatively. ''Cholo'' can signify anything from its original sense as a person with one Amerindian parent and one '' Mestizo'' parent, "gangster" in Mexico, an insult in some South American countries (similar to chulo in Spain), or a "person who dresses in the manner of a certain subculture" in the United States as part of the cholo subculture. Historical usage In his work ''Vocabulario en Lengua Castellana y Mexicana'' (1571), Fray Alonso de Molina reports that the word "cholo" or "xolo" derives from Nahuatl and means "paje, moço, criado o esclavo" ("page, waiter, servant o slave"). The term's use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lobo (racial Category)
''Lobo'' ( fem. ''Loba'') (Spanish for "wolf") is a racial category for a mixed-race person used in Mexican paintings illustrating the caste (''casta'') system in 17th- and 18th-century Spanish America. Definitions ''Lobo'' does not have a fixed meaning, with possible parents being a black man and an Indian woman, a ''Cambujo'' (African/Amerindian) and an Indian woman, a ''Torna atrás'' and an Indian woman, a Mestizo and an Indian woman, or a ''Salta atrás'' (of African/European ancestry) and a Mulatto woman. ''Lobo'' was a classification used in official colonial documentation, including the Inquisition trials, marriage registers and censuses. One example of a Loba is a mixed-race woman who came before the Mexican Inquisition; she had been given multiple racial labels. She was publicly known as a ''China'', was known to be a ''parda'' (a brown-skinned person), who "looked like a ''loba''", suggesting she had visible African features. There were regional differences in colon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zambo
Zambo ( or ) or Sambu is a racial term historically used in the Spanish Empire to refer to people of mixed Indigenous and African ancestry. Occasionally in the 21st century, the term is used in the Americas to refer to persons who are of mixed African and Indigenous American ancestry. Historically, the racial cross between enslaved Africans and Amerindians was referred to as a ''zambayga'', then ''zambo'', then ''sambo''. The equivalent term in Brazil is (). However, in Portugal and Portuguese-speaking Africa, ''cafuzo'' is used to refer to someone born of an African person and a person of mixed African and European ancestry. Background The meaning of the term ''sambo'', however, is contested in North America, where other etymologies have been proposed. The word is believed to have originated from one of the Romance languages or Latin and its direct descendants. The feminine word is (not to be confused with the Argentine Zamba folk dance.) In some parts of colonial Span ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castizo
''Castizo''Pronunciation in Latin American Spanish: is a racial category used in 18th-century Colonial Mexico to refer to people who were three-quarters Spanish by descent and one-quarter Amerindian. The feminine form of the word is ''castiza''. In the early 21st century, the term ''castizo'' has also come to mean mixed-race people with light skin, in comparison to ''mulattos'', ''pardos'', and ''coyotes'', who would be mixed-race people with darker skin. The category was widely recognized by the 18th century in colonial Mexico and was a standard category portrayed in eighteenth-century casta paintings. History In the taxonomic chart accompanying a work on casta paintings, ''castizo'' is given as "uncertain origin". It appears in 1543 with the meaning "class, condition, social position" (''calidad, clase o condición''). The term ''castizo'' applied to the offspring of a union of a Spaniard and a '' mestiza'' (offspring of a Spaniard and an Indian woman); that is, someone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexican Art
Various types of visual arts developed in the geographical area now known as Mexico. The development of these arts roughly follows the history of Mexico, divided into the prehispanic Mesoamerican era, the New Spain, colonial period, with the period after Mexican War of Independence, the development Mexican national identity through art in the nineteenth century, and the florescence of modern Mexican art after the Mexican Revolution (1910-1920). Mesoamerican art is that produced in an area that encompasses much of what is now central and southern Mexico, before the Spanish conquest of the Aztec Empire for a period of about 3,000 years from Mexican Art can be bright and colourful this is called encopended. During this time, all influences on art production were indigenous, with art heavily tied to religion and the ruling class. There was little to no real distinction among art, architecture, and writing. The Spanish conquest led to 300 years of Spanish colonial rule, and art producti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
