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Igino Benvenuto Supino
Igino Benvenuto Supino (29 September 1858 – 4 July 1940) was an Italian painter, art critic, and historian. Biography Igino was born to a prominent and erudite Jewish family of Pisa; his father, Moises, was a collector of medieval seals, coins and medals, who donated his collection to the Museum of Pisa.Short biography for retrospective at Bargello. After his lyceum education, he first studied first under the professor Alessandro Lanfredini in Pisa, then in 1883 at the of Florence, under professor |
Igino Benvenuto Supino
Igino Benvenuto Supino (29 September 1858 – 4 July 1940) was an Italian painter, art critic, and historian. Biography Igino was born to a prominent and erudite Jewish family of Pisa; his father, Moises, was a collector of medieval seals, coins and medals, who donated his collection to the Museum of Pisa.Short biography for retrospective at Bargello. After his lyceum education, he first studied first under the professor Alessandro Lanfredini in Pisa, then in 1883 at the of Florence, under professor |
Tino Di Camaino
300px, Tomb of Antonio d'Orso, in Santa Maria del Fiore, Florence.">Florence.html" ;"title="Santa Maria del Fiore, Florence">Santa Maria del Fiore, Florence. Tino di Camaino (c. 1280 – c. 1337) was an Italian sculptor. Born in Siena, the son of architect Camaino di Crescentino, he was a pupil of Giovanni Pisano, whom he helped work on the façade of the Cathedral of Siena. Later Tino followed his master to Pisa, where in 1311 he became responsible for the work on the cathedral. In July 1315, Tino departed Pisa for Siena, where he executed the funerary monument of Emperor Henry VII, leaving the funerary monument of Arrigo VII in Pisa unfinished. Subsequently, he executed similar works in Siena and Florence, including the famous tomb of Bishop Orso at Santa Maria del Fiore and the tomb of Gastone della Torre in the museum of Santa Croce. From 1323 he worked in Naples, under King Robert of Anjou. Again he executed several funerary monuments, including those of Catherine of A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Allori
Alessandro di Cristofano di Lorenzo del Bronzino Allori (Florence, 31 May 153522 September 1607) was an Italian painter of the late Mannerist Florentine school. Biography In 1540, after the death of his father, Allori was brought up and trained in art by a close friend, often referred to as his 'uncle', the mannerist painter Agnolo Bronzino, whose name he sometimes assumed in his pictures. Allori supplemented this training with a study trip to Rome, between 1554 and 1560, and with anatomical research which included the dissection of human corpses, provided by the Hospital of Santa Maria Nuova. In the prime of his career, Allori headed one of the "two most important workshops in Florence in the second half of the 16th century" (the other being headed by Santi di Tito). He served as First Consul of the Accademia del Disegno in 1573, and was made head of the ''Arazzeria Medicea'', Florence's state-owned tapestry workshop, in 1581. Allori also worked, under the guidance of Giorg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pisani
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camposanto Di Pisa
The Campo Santo, also known as Camposanto Monumentale ("monumental cemetery") or Camposanto Vecchio ("old cemetery"), is a historical edifice at the northern edge of the Cathedral Square in Pisa, Italy. "Campo Santo" can be literally translated as "holy field", because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Third Crusade by Ubaldo Lanfranchi, archbishop of Pisa in the 12th century. A legend claims that bodies buried in that ground will rot in just 24 hours. The burial ground lies over the ruins of the old baptistery of the church of Santa Reparata, the church that once stood where the cathedral now stands. The term "monumental" serves to differentiate it from the later-established urban cemetery in Pisa. History The building was the fourth and last one to be raised in the Cathedral Square. It dates from a century after the bringing of the soil from Golgotha, and was erected over the earlier burial ground. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto Longhi
Roberto Longhi (28 December 1890 – 3 June 1970) was an Italian academic, art historian, and curator. The main subjects of his studies were the painters Caravaggio and Piero della Francesca. Early life and career Longhi was born in December 1890 in Alba in Piedmont. His parents were from Emilia. He studied with Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him book reviews editor of the journal ''L'Arte'' in 1914. Between 1913 and 1917, Longhi, primarily an essayist, published text in ''L'Arte'' and ''La Voce'' on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi. Over the course of his career Longhi developed a fascination with Caravaggio and his followers. his book ''Quesiti caravaggeschi'' uestions on Caravaggio(1928–34), was followed by ''Ultimi studi caravaggeschi'' atest Caravaggio studies(1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio at the Royal Palace in Milan, ''Mostra di Caravaggio e dei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Pascoli
Giovanni Placido Agostino Pascoli (; 31 December 1855 – 6 April 1912) was an Italian poet, classical scholar and an emblematic figure of Italian literature in the late nineteenth century. Alongside Gabriele D'Annunzio, he was one of the greatest Italian decadent poets. Biography Giovanni Pascoli was born at San Mauro di Romagna (renamed "San Mauro Pascoli" in his honor in 1932), into a well-to-do family. He was the fourth of ten children of Ruggero Pascoli and Caterina Vincenzi Alloccatelli. His father was administrator of an estate of farm land of the Princes Torlonia on which the Pascoli family lived. On the evening of 10 August 1867 as Ruggero Pascoli was returning home from the market at Cesena in a carriage drawn by a black and white mare (''cavalla storna''), he was shot and killed by an assassin hiding in a ditch by the road. The mare continued slowly on her way and brought home the body of her slain master. The murderer was never apprehended. Giovanni Pascoli ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Bologna
The University of Bologna ( it, Alma Mater Studiorum – Università di Bologna, UNIBO) is a public research university in Bologna, Italy. Founded in 1088 by an organised guild of students (''studiorum''), it is the oldest university in continuous operation in the world, and the first degree-awarding institution of higher learning. At its foundation, the word ''universitas'' was first coined.Hunt Janin: "The university in medieval life, 1179–1499", McFarland, 2008, , p. 55f.de Ridder-Symoens, Hilde''A History of the University in Europe: Volume 1, Universities in the Middle Ages'' Cambridge University Press, 1992, , pp. 47–55 With over 90,000 students, it is the second largest university in Italy after La Sapienza in Rome. It was the first place of study to use the term ''universitas'' for the corporations of students and masters, which came to define the institution (especially its law school) located in Bologna. The university's emblem carries the motto, ''Alma Mater Studio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fratelli Alinari
Fratelli Alinari is one of the world's oldest photographic firms, founded in Florence, Italy in 1852. Its archives contain 5.5 million photographs, ranging from daguerreotypes to modern digital photos from around the world. Founding In 1852, Leopoldo Alinari founded a photographic studio. His brothers Giuseppe and Romualdo joined him two years later to establish ''Fratelli Alinari Fotografi Editori'', a photographic workshop dedicated initially to the documentation of notable Italian paintings, sculptures, monuments and architecture. They subsequently expanded the scope of their photographic project to include the towns and landscapes of Italy, as well as portrait photography and images of national costume. The brothers achieved recognition for the quality of their work, and by 1860 their portrait subjects included the Italian royal family. The three brothers shared the work of running the studio, Romualdo the eldest (1830–1891) ran the administrative aspects of the studio; L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benvenuto Cellini
Benvenuto Cellini (, ; 3 November 150013 February 1571) was an Italian goldsmith, sculptor, and author. His best-known extant works include the ''Cellini Salt Cellar'', the sculpture of ''Perseus with the Head of Medusa'', and his autobiography, which has been described as "one of the most important documents of the 16th century." Biography Youth Benvenuto Cellini was born in Florence, in present-day Italy. His parents were Giovanni Cellini and Maria Lisabetta Granacci. They were married for 18 years before the birth of their first child. Benvenuto was the second child of the family. The son of a musician and builder of musical instruments, Cellini was pushed towards music, but when he was fifteen, his father reluctantly agreed to apprentice him to a goldsmith, Antonio di Sandro, nicknamed Marcone. At the age of 16, Benvenuto had already attracted attention in Florence by taking part in an affray with youthful companions. He was banished for six months and lived in Siena, wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), known as Sandro Botticelli (, ), was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are ''The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli’s works. Botticelli lived all his life in the same neighbourhood of Florence; his only signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian painter of the Quattrocento (15th century) and a Carmelite Priest. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420 he was admitted to the community of Carmelite friars of the Priory of Our Lady of Mount Carmel in Florence, taking religious vows in the Order the following year, at the age of sixteen. He was ordained as a priest in approximately 1425 and remained in residence of that priory until 1432. Giorgio Vasari, the first art historian of the Renaissance, writes that Lippi was inspired to become a painter by watching Masaccio at work in the Carmine church. Lippi's early work, notably the Tarquinia Madonna (Galle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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