|
Iconography Of Gautama Buddha In Laos And Thailand
The iconography of Gautama Buddha in Laos and Thailand recall specific episodes during his travels and teachings that are familiar to the Buddhists according to an iconography with specific rules. The Buddha is always represented with certain physical attributes, and in specified dress and specified poses. Each pose, and particularly the position and gestures of the Buddha's hands, has a defined meaning which is familiar to Buddhists. In other Buddhist countries, different but related iconography is used, for example the mudras in Indian art. Certain ones of these are considered particularly auspicious for those born on particular days of the week. Introduction For Buddhists, the correct depiction of the Buddha is not merely an artistic matter; Buddhists believe that a properly rendered Buddha image is a hypostasis: an actual spiritual emanation of the Buddha, which possesses supernatural qualities. Although the Buddha is not a god, Buddhists seek to communicate with the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paramanuchit Chinorot
Paramanuchitchinorot ( th, ปรมานุชิตชิโนรส, or ; also spelt ''Paramanujita Jinorasa'', ''Paramanujit Jinoros'', etc.; 11 December 1790 – 9 December 1853) was a Buddhist writer and a prince of the Chakri dynasty. One of his well-known epic poems is '' Lilit Taleng Phai''. In 1851 he was appointed the Supreme Patriarch of the Rattanakosin kingdom and remained in that position until his death. Life Prince ''Wasukri'' ( th, วาสุกรี) was a child of King Rama I and Lady Chui ( th, จุ้ย), born at the Grand Palace he was the king's twenty-eight child. In 1802, he became a Samanera or novice monk at the age of 12 years old, eight years later he was ordained a Bhikkhu monk. As a monk he resided at Wat Pho and studied to become a religious scholar there. He was also learned in the Khmer and Pali languages. In 1812 he was made the abbot of the temple. King Rama III, who was his nephew, frequently called upon him to write, translate, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reclining Buddha
A reclining Buddha is an image that represents Buddha lying down and is a major iconographic theme in Buddhist art. It represents the historical Buddha during his last illness, about to enter the parinirvana. He is lying on his right side, his head resting on a cushion or relying on his right elbow, supporting his head with his hand. This pattern seems to have emerged at the same time as other representations of the Buddha in the Greco-Buddhist art of Gandhara. In Thai art For Thai Buddha attitudes ( th, ปางพระพุทธรูป; ), the reclining Buddha ( th, ปางไสยาสน์; ) can refer to three different episodes, whilst the attribute of each remains unclear. * Nirvana attitude ( th, ปางปรินิพพาน; ) * Teaching the Rahu Asurin attitude ( th, ปางโปรดอสุรินทราหู; ) * Sleeping attitude ( th, ปางทรงพระสุบิน; ) Notable examples Burma: * Winsein Tawya Budd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lotus Position
Lotus position or Padmasana ( sa, पद्मासन, translit=padmāsana) is a cross-legged sitting meditation pose from ancient India, in which each foot is placed on the opposite thigh. It is an ancient asana in yoga, predating hatha yoga, and is widely used for meditation in Hindu, Tantra, Jain, and Buddhist traditions. Variations include easy pose (Sukhasana), half lotus, bound lotus, and psychic union pose. Advanced variations of several other asanas including yoga headstand have the legs in lotus or half lotus. The pose can be uncomfortable for people not used to sitting on the floor, and attempts to force the legs into position can injure the knees. Shiva, the meditating ascetic God of Hinduism, Gautama Buddha, the founder of Buddhism, and the Tirthankaras in Jainism have been depicted in the lotus position, especially in statues. The pose is emblematic both of Buddhist meditation and of yoga, and as such has found a place in Western culture as a symbol of health ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stretching (body Piercing)
Stretching, in the context of body piercing, is the deliberate expansion of a healed piercing for the purpose of wearing certain types of jewelry. Ear piercings are the most commonly stretched piercings, with nasal septum piercings, tongue piercings and lip piercings/lip plates following close behind. While all piercings can be stretched to some degree, cartilage piercings are usually more difficult to stretch and more likely to form hypertrophic scars if stretched quickly. Dermal punching is generally the preferred method for accommodating larger jewelry in cartilage piercings. Stretching is usually done in small increments to minimize the potential for damaging the healed fistula or creating scar tissue. In North America, most stretching methods go up by a single even-sized gauge increment at a time. 0g (8 mm), is generally considered to be "the point of no return": a hole larger than this size will rarely close to a standard piercing size. Since each body is different, any ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ushnisha
The ushnisha (, IAST: ) is a three-dimensional oval at the top of the head of the Buddha. In Pali scriptures, it is the crown of Lord Buddha, the symbol of his Enlightenment and Enthronement. Description The Ushnisha is the thirty-second of the 32 major marks of the Buddha. The thirty-second of these is that the Buddha has a fleshy or cranial protuberance at the top of his head. Later sets elaborate that this is covered with hairs that curl in the direction of the sun. Later on a second definition of Ushnisha was added, which was a flame that ascends from the middle of this protuberance. Representation The first representations of the Buddha in the 1st century CE in the Greco-Buddhist art of Gandhara also represent him with a topknot, rather than just a cranial knob. It is thought that the interpretation of the ushnisha as a supernatural cranial protuberance happened at a later date, as the representation of the topknot became more symbolic and its original meaning was lost. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pāli
Pali () is a Middle Indo-Aryan liturgical language native to the Indian subcontinent. It is widely studied because it is the language of the Buddhist ''Pāli Canon'' or ''Tipiṭaka'' as well as the sacred language of ''Theravāda'' Buddhism.Stargardt, Janice. ''Tracing Thoughts Through Things: The Oldest Pali Texts and the Early Buddhist Archaeology of India and Burma.'', Royal Netherlands Academy of Arts and Sciences, 2000, page 25. Early in the language's history, it was written in the Brahmi script. Origin and development Etymology The word 'Pali' is used as a name for the language of the Theravada canon. The word seems to have its origins in commentarial traditions, wherein the (in the sense of the line of original text quoted) was distinguished from the commentary or vernacular translation that followed it in the manuscript. K. R. Norman suggests that its emergence was based on a misunderstanding of the compound , with being interpreted as the name of a particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digha Nikaya
Digha is a seaside resort town in the state of West Bengal, India. It lies in Purba Medinipur district and at the northern end of the Bay of Bengal. It has a low gradient with a shallow sand beach. It is a popular sea resort in West Bengal. History Originally, there was a place called ''Beerkul'', where Digha lies today. This name was referred in Warren Hastings's letters (1780) as Brighton of the East. An English businessman John Frank Snaith started living here in 1923 and his writings provided a good exposure to this place. He convinced West Bengal Chief Minister Bidhan Chandra Roy to develop this place to be a beach resort. An old church can be seen near the Old Digha Main gate. This place is also known as Alankarpur Digha. A new mission has been developed in New Digha which is known as Sindhur Tara which is beside Amrabati Park its a Church where it is possible to wish for the welfare of family and loved ones. The best way to visit is to book a local van rickshaw. There ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wat Phra Kaew
Wat Phra Kaew ( th, วัดพระแก้ว, , ), commonly known in English as the Temple of the Emerald Buddha and officially as Wat Phra Si Rattana Satsadaram, is regarded as the most sacred Buddhist temple in Thailand. The complex consists of a number of buildings within the precincts of the Grand Palace in the historical centre of Bangkok. It houses the statue of the Emerald Buddha, which is venerated as the country's palladium. Construction of the temple began in 1783 under the orders of Rama I, the first king of the Chakri dynasty. Since then, each successive king has been personally involved in adding, restoring and embellishing the temple during their reigns as a way of making religious merit and glorifying the dynasty. Many important state and royal ceremonies are held within the temple each year, presided by the king in person and attended by government officials. This makes the temple the nation's preeminent place of worship and a national shrine for the mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rama III
Nangklao ( th, พระบาทสมเด็จพระนั่งเกล้าเจ้าอยู่หัว, ; 31 March 1788 – 2 April 1851), birth name Thap ( th, ทับ), also styled Rama III, was the third king of Siam under the House of Chakri, ruling from 21 July 1824 to 2 April 1851. Nangklao was the eldest surviving son of his predecessor, king Rama II. His mother Sri Sulalai was one of the king's secondary wives. Nangklao was likely designated as heir by his father, his accession was uncontested and smoothly confirmed by the grand council. Foreign observers, however, falsely perceived him as having usurped the prior claim of his half-brother Prince Mongkut, who was younger, but born to queen Sri Suriyendra and thus " legitimate" according to Western customs. Under the old concept of Thai monarchy, however, a proper king must emulate Maha Sammata in that he must be "elected by the people." Ironically, Prince Mongkut may have later contributed to thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
