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Ichthyocentaurs
In late Classical Greek art, ichthyocentaurs ( el, ἰχθυοκένταυρος, plural: ) were centaurine sea beings with the upper body of a human, the lower anterior half and fore-legs of a horse, and the tailed half of a fish. The earliest example dates to the 2nd century B. C., among the friezes in the Pergamon Altar. There are further examples of Aphros and/or Bythos, the personifications of foam and abyss, respectively, depicted as ichthyocentaurs in mosaics and sculptures. The term ''ichthyocentaur'' is of late coinage, attributable to the Byzantine writer John Tzetzes in the 12th century. They are also referred as sea-centaur. Nomenclature Origin "Ichthyocentaur" is not a term in the vocabulary of Classical antiquity at all. The word's earliest known use occurs in the 12th century by Ioannes Tzetzes in his commentary ''On Lycophron'', 34 and may have been coined by him. Meaning Ichthyocentaur is a Triton represented as having the fore-legs of a horse, rather tha ...
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Ichthyocentaurs From The Fountain Of The Centaurs By AA Weinman, Jefferson City MO USA, 1927
In late Classical Greek art, ichthyocentaurs ( el, ἰχθυοκένταυρος, plural: ) were centaurine sea beings with the upper body of a human, the lower anterior half and fore-legs of a horse, and the tailed half of a fish. The earliest example dates to the 2nd century B. C., among the friezes in the Pergamon Altar. There are further examples of Aphros and/or Bythos, the personifications of foam and abyss, respectively, depicted as ichthyocentaurs in mosaics and sculptures. The term ''ichthyocentaur'' is of late coinage, attributable to the Byzantine writer John Tzetzes in the 12th century. They are also referred as sea-centaur. Nomenclature Origin "Ichthyocentaur" is not a term in the vocabulary of Classical antiquity at all. The word's earliest known use occurs in the 12th century by John Tzetzes, Ioannes Tzetzes in his commentary ''On Lycophron'', 34 and may have been coined by him. Meaning Ichthyocentaur is a Triton (mythology), Triton represented as having the ...
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Chela (organ)
A chela ()also called a claw, nipper, or pinceris a pincer (biology), pincer-like organ at the end of certain limbs of some arthropods. The name comes from Ancient Greek , through New Latin '. The plural form is chelae. Legs bearing a chela are called chelipeds. Another name is ''claw'' because most chelae are curved and have a sharp point like a claw. Chelae can be present at the tips of arthropod legs as well as their pedipalps. Chelae are distinct from spider chelicerae in that they do not contain venomous glands and cannot distribute venom. See also * Pincer (biology) * Pincer (tool) References

Arthropod anatomy {{Arthropod-anatomy-stub ...
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Paphos
Paphos ( el, Πάφος ; tr, Baf) is a coastal city in southwest Cyprus and the capital of Paphos District. In classical antiquity, two locations were called Paphos: Old Paphos, today known as Kouklia, and New Paphos. The current city of Paphos lies on the Mediterranean coast, about west of Limassol (the biggest port on the island), both of which are connected by the A6 highway. Paphos International Airport is the country's second-largest airport. The city has a subtropical-Mediterranean climate, with the mildest temperatures on the island. In 1980, Paphos was included on the UNESCO World Heritage List for its ancient architecture, mosaics, and ancient religious importance. It was selected as a European Capital of Culture for 2017 along with Aarhus. History Foundation myth In the founding myth, the town's name is linked to the goddess Aphrodite, as the eponymous Paphos was the son (or, in Ovid, daughter) of Pygmalion whose ivory cult image of Aphrodite was brought to lif ...
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Old Man Of The Sea
In Greek mythology, the Old Man of the Sea ( grc-gre, ἅλιος γέρων, hálios gérōn; grc-gre, Γέροντας της Θάλασσας, Gérontas tēs Thálassas) was a primordial figure who could be identified as any of several water-gods, generally Nereus or Proteus, but also Triton, Pontus, Phorcys or Glaucus. He is the father of Thetis (the mother of Achilles). Mythology In book 4 of Homer's ''Odyssey'', Menelaus recounts to Telemachus his journey home, and how he had to seek the advice of the Old Man of the Sea. The Old Man can answer any questions if captured, but capturing him means holding on as he changes from one form to another. Menelaus captured him, and during the course of questioning, asked if Telemachus' father Odysseus was still alive. Sinbad Sinbad the Sailor encountered the monstrous Old Man of the Sea ( ar, شيخ البحر, Shaykh al-Bahr) on his fifth voyage. The Old Man of the Sea in the Sinbad tales was said to trick a traveller into letting ...
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Zeugma Mosaic Museum
Zeugma Mosaic Museum, in the town of Gaziantep, Turkey, is the biggest mosaic museum in the world, containing 1700 m2 of mosaics. It opened to the public on 9 September 2011. The museum features of mosaic and replaces the Bardo National Museum in Tunis as the world’s largest mosaic museum.Dünyanın en büyük mozaik müzesi Gaziantep'te
he world's largest mosaic museum is in Gaziantep 8 September 2011
The museum's and

Gaziantep Museum Of Archaeology
The Gaziantep Museum of Archaeology ( tr, Gaziantep Arkeoloji Müzesi) is an archaeological museum located in the city of Gaziantep, Turkey. It housed for some years a collection of mosaics, most of which were excavated from the ancient Roman city site of Zeugma. A new museum, the Zeugma Mosaic Museum now houses those. After an overhaul of the displays the museum now houses a fine collection of finds from the region. Exhibits include a collection of paleolithic artifacts; items from a Bronze Age necropolis; Hittite, Persian, Roman, Hellenistic, and Commagene artworks and glassware; Ottoman and Islamic coins and medallions; and the skeleton of a mammoth. Attached to the museum is a garden containing a selection of stone artifacts, including pagan tombstones from Zeugma, Christian tombstones, and Hittite statuary. The museum in its current form dates from 2005, when it was substantially enlarged to house the newly discovered Zeugma mosaics. File:Gaziantep Archaeological Museum ...
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Apamea, Syria
ar, آفاميا , image =Apamea 01.jpg , alt = , caption = View of Apamea ruins , map_type = Syria , map_alt = , map_size = 200 , location = Hama Governorate, Syria , region = Ghab plain , coordinates = , type = settlement , part_of = , length = , width = , area = , height = , builder = Seleucus I Nicator , material = , built = ca. 300 BC , abandoned = 13th century , epochs = , cultures = Hellenistic, Roman, Medieval Greek, Arab , dependency_of = , occupants = , event = , excavations = , archaeologists = , condition = ruins , ownership = Public , public_access = Yes , website = , notes = Apamea ( el, Ἀπάμεια, ''Apameia''; ar, آفاميا, ''Afamia''), on the right bank of the Orontes River, was an ancient Greek and Roman city. It was the capital of Apamene under the Macedonians, became the capital and Metropolitan Archbishopric of late Roman province Syria Secunda, again in the crusader per ...
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Antenna (biology)
Antennae ( antenna), sometimes referred to as "feelers", are paired appendages used for sensing in arthropods. Antennae are connected to the first one or two segments of the arthropod head. They vary widely in form but are always made of one or more jointed segments. While they are typically sensory organs, the exact nature of what they sense and how they sense it is not the same in all groups. Functions may variously include sensing touch, air motion, heat, vibration (sound), and especially smell or taste. Antennae are sometimes modified for other purposes, such as mating, brooding, swimming, and even anchoring the arthropod to a substrate. Larval arthropods have antennae that differ from those of the adult. Many crustaceans, for example, have free-swimming larvae that use their antennae for swimming. Antennae can also locate other group members if the insect lives in a group, like the ant. The common ancestor of all arthropods likely had one pair of uniramous (unbranched ...
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Personification
Personification occurs when a thing or abstraction is represented as a person, in literature or art, as a type of anthropomorphic metaphor. The type of personification discussed here excludes passing literary effects such as "Shadows hold their breath", and covers cases where a personification appears as a character in literature, or a human figure in art. The technical term for this, since ancient Greece, is prosopopoeia. In the arts many things are commonly personified. These include numerous types of places, especially cities, countries and the four continents, elements of the natural world such as the months or Four Seasons, Four Elements, Four Winds, Five Senses, and abstractions such as virtues, especially the four cardinal virtues and seven deadly sins, the nine Muses, or death. In many polytheistic early religions, deities had a strong element of personification, suggested by descriptions such as "god of". In ancient Greek religion, and the related ancient Roman ...
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Zeugma (Commagene)
Zeugma ( grc-gre, Ζεῦγμα; syr, ܙܘܓܡܐ) was an ancient Hellenistic era Greek and then Roman city of Commagene; located in modern Gaziantep Province, Turkey. It was named for the bridge of boats, or , that crossed the Euphrates at that location. Zeugma Mosaic Museum contains mosaics from the site, and is one of the largest mosaic museums in the world. History Zeugma was founded in the early 3rd century BC as the city of Seleucia by Seleucus I Nicator, a Diadochus (successor) to Alexander the Great and Hellenistic Greek founder of the Seleucid Kingdom, on the site where he had the first bridge over the Euphrates built. In 64 BC, the Roman Republic gained control of the city. Zeugma was of great importance to the Roman Empire as it was located at a strategically important place. Up to 70,000 people lived in the city, and it became a center for the military and commerce for the ancient Romans. In 253 AD, it was destroyed by the Sassanids, but was later rebuilt. In late a ...
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Aphrodite Anadyomene
Venus Anadyomene (from Greek, "Venus Rising From the Sea") is one of the iconic representations of the goddess Venus (Aphrodite), made famous in a much-admired painting by Apelles, now lost, but described in Pliny's ''Natural History'', with the anecdote that the great Apelles employed Campaspe, a mistress of Alexander the Great, for his model. According to Athenaeus, the idea of Aphrodite rising from the sea was inspired by the courtesan Phryne, who, during the time of the festivals of the Eleusinia and Poseidonia, often swam nude in the sea. A scallop shell, often found in Venus Anadyomenes, is a symbol of the female vulva. The subject never entirely disappeared in Western art, and revived greatly in the Italian Renaissance, with further boosts in the Baroque and Rococo, and in late 19th-century Academic painting. At least one central female nude is practically required in the subject, which has contributed to its popularity. Antiquity According to Greek mythology, Aphr ...
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