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Ibifornia
''Ibifornia'' is the fourth studio album by French electronic duo Cassius. It was released on 26 August 2016. Composition Cassius were inspired to produce an album with a bright, happy tone by their experiences of listening to the Bob Marley & the Wailers album ''Exodus'' (1977).Halls, Eleanor (22 August 2016)"Finally, electronic music that will actually make you want to dance" '' GQ''. Retrieved 31 March 2017. Their intention with ''Ibifornia'' was to create a "fun electronic music without making it cheesy", due to the abundance of dark and depressing electronic dance music popular at the time. In coming up with a cheerful vibe for the LP, they decided that it would take place in a fantasy utopia land named Ibifornia. Cassius and the press release categorized the style of ''Ibifornia'' as a hybrid of funk, house, soul, Afrobeat, synthpop, psychedelia, hip hop, gospel and disco.Adams, Gregory (20 May 2016)"Cassius "Ibifornia"" ''Exclaim! ''Exclaim!'' is a Canadian music a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cassius (band)
Cassius was a French musical duo consisting of producers Philippe Cerboneschi and Hubert Blanc-Francard, better known as Zdar and Boombass (or sometimes Philippe Zdar and Hubert Boombass). Under its different incarnations the duo is likened to the "French Touch" movement of electronic music in the second half of the 1990s. Members Boombass Hubert Blanc-Francard (; aka Boombass), born 31 March 1967, is a French musician and producer. He is the son of sound engineer Dominique Blanc-Francard and the older brother of the French musician Mathieu Blanc-Francard, better known by his stage name Sinclair. Zdar Philippe Cerboneschi (, ; aka Zdar; born 28 January 1967 in Aix-les-Bains and died 19 June 2019 in Paris) was a French musician, producer and sound engineer, of Italian descent. Zdar was Dominique Blanc-Francard's assistant at studios +XXX (Plus30) when he met Boombass in 1988. Outside the Cassius group, Zdar was producer and sound engineer. He was the owner of the French recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Sherburne
Philip Sherburne is an American journalist, musician and DJ based in Barcelona. He coined the term "Microhouse" (in a 2001 article for ''The Wire'')Cox, Christoph; Daniel Warner (Eds.) (2004). ''Audio Culture: Readings in Modern Music''. Continuum International Publishing Group, 319.Michaelangelo Matos (April 7, 2010)"Pantha Du Prince: Techno Music A Rock Fan Can Love" ''NPR Music''. and appeared in the film ''Speaking in Code''. Career Sherburne is a critic and columnist for ''Pitchfork'' and ''The Wire''. He is also the electronic/dance editor for Rhapsody.com. He regularly appears on Resident Advisor and eMusic.com and has contributed to a number of publications which include: ''The New York Times'', ''Spin'', ''Slate'', ''frieze'', ''XLR8R'', ''Wired'', Rhapsody, Spain's ''Trax'', and Germany's ''Groove'' and '' De:Bug''. His has also contributed to books such as ''Audio Culture: Readings in Modern Music'', ''Time Out 1000 Songs to Change Your Life'' and ''The Pitchfork 500: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelia
Psychedelia refers to the psychedelic subculture of the 1960s and the psychedelic experience. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline (found in peyote) and psilocybin (found in magic mushrooms) and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance the psychedelic experience. Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, tabla, electronic effects, sound effects and reverb, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another. A psychedelic experience is characterized b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrobeat
Afrobeat is a Nigerian music genre that involves the combination of West African musical styles (such as traditional Yoruba music and highlife) and American funk, jazz, and soul influences, with a focus on chanted vocals, complex intersecting rhythms, and percussion.Grass, Randall F. "Fela AnikulaThe Art of an Afrobeat Rebel". ''The Drama Review: TDR''. MIT Press. 30: 131–148. The style was pioneered in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who is responsible for popularizing the style both within and outside Nigeria. Distinct from Afrobeat is Afrobeats – a sound originating in West Africa in the 21st century, one that takes in diverse influences and is an eclectic combination of genres such as hip hop, house, jùjú, ndombolo, R&B and soca. The two genres, though often conflated, are not the same. History Afrobeat was developed in Nigeria in the late 1960s by Fela Kuti who, with drummer Tony Allen, experimented with different c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soul Music
Soul music is a popular music genre that originated in the African American community throughout the United States in the late 1950s and early 1960s. It has its roots in African-American gospel music and rhythm and blues. Soul music became popular for dancing and listening, where U.S. record labels such as Motown, Atlantic and Stax were influential during the Civil Rights Movement. Soul also became popular around the world, directly influencing rock music and the music of Africa. It also had a resurgence with artists like Erykah Badu under the genre neo-soul. Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the lead vocalist and the chorus and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls, and auxiliary sounds. Soul music reflects the African-American identity, and it stresses the importance of an African-Ameri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utopia
A utopia ( ) typically describes an imaginary community or society that possesses highly desirable or nearly perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book ''Utopia (book), Utopia'', describing a fictional island society in the New World. However, it may also denote an intentional community. In common parlance, the word or its adjectival form may be used synonymously with "impossible", "far-fetched" or "deluded". Hypothetical utopias focus on—amongst other things—equality, in such categories as economics, government and justice, with the method and structure of proposed implementation varying based on ideology. Lyman Tower Sargent argues that the nature of a utopia is inherently contradictory because societies are not homogeneous and have desires which conflict and therefore cannot simultaneously be satisfied. To quote: The opposite of a utopia is a dystopia or cacotopia. Utopian and dystopian fiction has become a popular literary catego ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exodus (Bob Marley & The Wailers Album)
''Exodus'' is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following ''Rastaman Vibration'' (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, ''Exodus'' thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith. On 3 December 1976, an assassination attempt was made on Bob Marley's life in which his chest was grazed and his arm was struck with a bullet, but he survived. Following the assassination attempt, Marley left Jamaica and was exiled to London, where ''Exodus'' was recorded. The album was a success both critically and commercially; it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Marley & The Wailers
Bob Marley and the Wailers (previously known as The Wailers, and prior to that The Wailing Rudeboys, The Wailing Wailers and The Teenagers) were a Jamaican ska, rocksteady and reggae band. The founding members, in 1963, were Bob Marley (Robert Nesta Marley), Peter Tosh (Hubert Winston McIntosh), and Bunny Wailer (Neville Livingston). During 1970 and 1971, Wailer, Marley and Tosh worked with renowned reggae producers Leslie Kong and Lee "Scratch" Perry. They released four albums before signing to Island Records in 1972. Two more albums were created before Tosh and Wailer left the band in 1974, citing grievances over label treatment and ideological differences. Marley carried on with a new line-up, including the I-Threes that put out seven more more albums. Marley died in 1981. The Wailers were a groundbreaking ska and reggae group, noted for songs such as "Simmer Down", "Trenchtown Rock", "Nice Time", "War", "Stir It Up" and "Get Up, Stand Up". History Early years The band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect units to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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