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IanniX
UPIC (Unité Polyagogique Informatique CEMAMu) is a computerised musical composition tool, devised by the composer Iannis Xenakis. It was developed at the ''Centre d'Etudes de Mathématique et Automatique Musicales'' ( CEMAMu) in Paris, and was completed in 1977. Xenakis used it on his subsequent piece ''Mycènes Alpha'' (1978) and two other works. It has also been used by composers such as Julio Estrada, (''Eua´on'' (1980)), Jean-Claude Risset (on ''Saxatile'' (1992)), Jorge Antunes (''Interlude de l'opéra Olga'' (1992)), François-Bernard Mâche (''Hypérion'' (1981), ''Nocturne'' (1981), ''Tithon'' (1989), ''Moires'' (1994), ''Canopée'' (2003)), Takehito Shimazu (''Illusions in Desolate Fields'' (1994)), Gérard Pape (''Le Fleuve du Désir III'' (1994)), and Curtis Roads (''Purity'' (1994) and ''Sonal Atoms'' (1998)). Aphex Twin implies that he uses UPIC in an interview where he is asked what software he uses and he replies that, "UPIC by Xenakis puts almost everything ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Sound Control
Open Sound Control (OSC) is a protocol for networking sound synthesizers, computers, and other multimedia devices for purposes such as musical performance or show control. OSC's advantages include interoperability, accuracy, flexibility and enhanced organization and documentation. The first specification was released in March 2002. Motivation OSC is a content format developed at CNMAT by Adrian Freed and Matt Wright comparable to XML, WDDX, or JSON. It was originally intended for sharing music performance data (gestures, parameters and note sequences) between musical instruments (especially electronic musical instruments such as synthesizers), computers, and other multimedia devices. OSC is sometimes used as an alternative to the 1983 MIDI standard, when higher resolution and a richer parameter space is desired. OSC messages are transported across the internet and within local subnets using UDP/IP and Ethernet. OSC messages between gestural controllers are usually transmitted o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Computer Music
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century. History Much of the work on computer music has drawn on the relationship between music and mathematics, a relationship which has been noted since the Ancient Greeks described the "harmony of the spheres". Musical melodies were first generated by the computer originally named the CSIR Mark 1 (later renamed CSIRAC) in Australia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digitising Tablet
A graphics tablet (also known as a digitizer, digital graphic tablet, pen tablet, drawing tablet, external drawing pad or digital art board) is a computer input device that enables a user to hand-draw images, animations and graphics, with a special pen-like stylus, similar to the way a person draws images with a pencil and paper. These tablets may also be used to capture data or handwritten signatures. It can also be used to trace an image from a piece of paper that is taped or otherwise secured to the tablet surface. Capturing data in this way, by tracing or entering the corners of linear polylines or shapes, is called digitizing. The device consists of a rough surface upon which the user may "draw" or trace an image using the attached stylus, a pen-like drawing apparatus. The image is shown on the computer monitor, though some graphic tablets now also incorporate an LCD screen for more realistic or natural experience and usability. Some tablets are intended as a replacement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MaxMSP
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations. The Max program is modular, with most routines existing as shared libraries. An application programming interface (API) allows third-party development of new routines (named ''external objects''). Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial extensions to the program. Because of this extensible design, which simultaneously represents both the program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive music performance software. History 1980s: Miller Puckette began w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Csound
Csound is a domain-specific computer programming language for audio programming. It is called Csound because it is written in C, as opposed to some of its predecessors. It is free software, available under the LGPL-2.1-or-later. Csound was originally written at MIT by Barry Vercoe in 1985, based on his earlier system called Music 11, which in its turn followed the MUSIC-N model initiated by Max Mathews at the Bell Labs. Its development continued throughout the 1990s and 2000s, led by John Fitch at the University of Bath. The first documented version 5 release is version 5.01 on March 18, 2006. Many developers have contributed to it, most notably Istvan Varga, Gabriel Maldonado, Robin Whittle, Richard Karpen, Iain McCurdy, Michael Gogins, Matt Ingalls, Steven Yi, Richard Boulanger, Victor Lazzarini and Joachim Heintz. Developed over many years, it currently has nearly 1700 unit generators. One of its greatest strengths is that it is completely modular and extensible by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SuperCollider
A particle accelerator is a machine that uses electromagnetic fields to propel charged particles to very high speeds and energies, and to contain them in well-defined beams. Large accelerators are used for fundamental research in particle physics. The largest accelerator currently active is the Large Hadron Collider (LHC) near Geneva, Switzerland, operated by the CERN. It is a collider accelerator, which can accelerate two beams of protons to an energy of 6.5 TeV and cause them to collide head-on, creating center-of-mass energies of 13 TeV. Other powerful accelerators are, RHIC at Brookhaven National Laboratory in New York and, formerly, the Tevatron at Fermilab, Batavia, Illinois. Accelerators are also used as synchrotron light sources for the study of condensed matter physics. Smaller particle accelerators are used in a wide variety of applications, including particle therapy for oncological purposes, radioisotope production for medical diagnostics, ion impl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pure Data
Pure Data (Pd) is a visual programming language developed by Miller Puckette in the 1990s for creating interactive computer music and multimedia works. While Puckette is the main author of the program, Pd is an open-source project with a large developer base working on new extensions. It is released under BSD-3-Clause. It runs on Linux, MacOS, iOS, Android and Windows. Ports exist for FreeBSD and IRIX. Pd is very similar in scope and design to Puckette's original Max program, developed while he was at IRCAM, and is to some degree interoperable with Max/MSP, the commercial predecessor to the Max language. They may be collectively discussed as members of the Patcher family of languages. With the addition of the Graphics Environment for Multimedia (GEM) external, and externals designed to work with it (like Pure Data Packet / PiDiP for Linux, ), framestein for Windows, GridFlow (as n-dimensional matrix processing, for Linux, , Windows), it is possible to create and manipul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Ministry Of Culture
The Ministry of Culture (french: Ministère de la Culture) is the ministry of the Government of France in charge of national museums and the . Its goal is to maintain the French identity through the promotion and protection of the arts (visual, plastic, theatrical, musical, dance, architectural, literary, televisual and cinematographic) on national soil and abroad. Its budget is mainly dedicated to the management of the (six national sites and hundred decentralised storage facilities) and the regional (culture centres). Its main office is in the in the 1st arrondissement of Paris on the . It is headed by the Minister of Culture, a cabinet member. The current officeholder has been since 20 May 2022. History Deriving from the Italian and Burgundian courts of the Renaissance, the notion that the state had a key role to play in the sponsoring of artistic production and that the arts were linked to national prestige was found in France from at least the 16th century on. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CCMIX
CCMIX (Center for the Composition of Music Iannis Xenakis, 2000), formerly Les Ateliers UPIC PIC workshops CEMAMu (Centre d'Etudes de Mathématique et Automatique Musicales, 1972), and EMAMu (Equipe de Mathématique et Automatique Musicales), was a research institute and a center for contemporary music. It was established by composer Iannis Xenakis with the support of the French Ministry of Culture in 1966 to encourage interdisciplinary research between arts and sciences. The center is best known for producing UPIC (Unité Polyagogique Informatique CEMAMu, 1977). Following an audit by the French Ministry of Culture in late 2006, CCMIX was reorganized as the Centre Iannis Xenakis (CIX) with a narrower focus on the safeguarding, development, and dissemination of the intellectual heritage of the work of Iannis Xenakis. Since December 2010, it has been located at the University of Rouen. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphex Twin
Richard David James (born 18 August 1971), best known as Aphex Twin, is an Irish-born British musician, composer and DJ. He is known for his idiosyncratic work in electronic music, electronic styles such as techno, ambient music, ambient, and jungle music, jungle. Journalists from publications including ''Mixmag'', ''The New York Times'', ''NME'', ''Fact (UK magazine), Fact,'' ''Clash (magazine), Clash'' and ''The Guardian'' have called James one of the most influential or important artists in contemporary electronic music. Raised in Cornwall, James began DJing at free party, free parties and clubs in the area in the late 1980s. His debut EP ''Analogue Bubblebath,'' released in 1991 on Mighty Force Records, brought James an early following; he began to perform across the UK and continental Europe. James co-founded the independent label Rephlex Records the same year. His 1992 debut album ''Selected Ambient Works 85–92'', released by Belgian label Apollo Records (Belgium), Apollo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Composition
Musical composition can refer to an original piece or work of music, either vocal or instrumental, the structure of a musical piece or to the process of creating or writing a new piece of music. People who create new compositions are called composers. Composers of primarily songs are usually called songwriters; with songs, the person who writes lyrics for a song is the lyricist. In many cultures, including Western classical music, the act of composing typically includes the creation of music notation, such as a sheet music "score," which is then performed by the composer or by other musicians. In popular music and traditional music, songwriting may involve the creation of a basic outline of the song, called the lead sheet, which sets out the melody, lyrics and chord progression. In classical music, orchestration (choosing the instruments of a large music ensemble such as an orchestra which will play the different parts of music, such as the melody, accompaniment, counte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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