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King Crimson
King Crimson are a progressive rock band formed in 1968 in London, England. The band draws inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following. Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, '' In the Court of the Crimson King'' (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous de ...
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Giles, Giles And Fripp
Giles, Giles and Fripp were an English rock group, formed in Bournemouth, Dorset in August 1967. It featured brothers Michael Giles on drums and vocals and Peter Giles on bass guitar and vocals, and Robert Fripp on guitar. The band's music showed an eclectic mix of pop, psychedelic rock, folk, jazz, and classical influences. The group eventually evolved into pioneering progressive rock band King Crimson. Career When the group formed in their native Bournemouth area, the Giles brothers sought a singing keyboard player through a newspaper advertisement. Robert Fripp, a guitarist, responded and was hired even though he was not skilled on keyboards and could not sing. Between late 1967 and late 1968 the group lived in Brondesbury Road, London. Throughout their time at the house they made many demo recordings. The early demos soon led to a recording contract with UK Decca's newly formed Deram Records division. In April 1968 the group recorded an album '' The Cheerful Insanity ...
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Kirsty Hawkshaw
Kirsty Hawkshaw (born 26 October 1969) is an English electronic music vocalist and songwriter. In addition to her work as a solo artist, she is known as the lead vocalist of early 1990s dance group Opus III, and her collaborative work with other musicians and producers. Career Kirsty Hawkshaw is the daughter of the late British production music/film music composer and disco record producer Alan Hawkshaw, who was known for composing themes for TV programmes such as ''Grange Hill'' and Channel 4 game show ''Countdown''. Her mother is German-born Christiane Bieberbach.''The Champ (The Hawk Talks)'', Alan Hawkshaw autobiography, published 2011. At a rave in 1990, she was noticed by producers Ian Munro, Kevin Dodds and Nigel Walton, who at the time were known as A.S.K. and were signed to MCA Records UK. The trio had released a single called "Dream", when she was invited to appear on stage as their dancer. It was through this meeting that they would form a dance act called Opus ...
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Electronic Music
Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroacoustic music). Pure electronic instruments depended entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer. Electromechanical instruments can have mechanical parts such as strings, hammers, and electric elements including magnetic pickups, power amplifiers and loudspeakers. Such electromechanical devices include the telharmonium, Hammond organ, electric piano and the electric guitar."The stuff of electronic music is electrically produced or modified sounds. ... two basic definitions will help put some of the historical discussion in its place: purely electronic music versus electroacoustic music" ()Electroacoustic music may also use electronic effect uni ...
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When You Made The Mountain
"When You Made the Mountain" is an "environmentally themed" electronica/dance song recorded by English electronic music group Opus III with vocals by Kirsty Hawkshaw. It was released in 1994 as the lead single from their second album, '' Guru Mother'' (1994), and received positive reviews from music critics. The track got as far as number 75 on the UK Singles Chart, but it would go all the way to number-one on the US '' Billboard'' Hot Dance Club Play chart, giving the act their second and final chart-topper in the United States. Critical reception William Cooper from AllMusic viewed "When You Made the Mountain" as a "strong" track. Larry Flick from '' Billboard'' described it as a "jaunty, futuristic anthem that has a more fully realized song structure and an assured vocal." He added, "A dancefloor smash that should get close listen from radio pundits." Linda Ryan from the '' Gavin Report'' commented, "As with their 1992 hit, "It's a Fine Day", Opus III manage to convincingly t ...
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It's A Fine Day
"It's a Fine Day" is a song written by English poet and musician Edward Barton. It was originally recorded in a cappella in 1983 by Jane, and later by Opus III for whom it was a major international hit in 1992. Original recording by Jane Barton wrote the lyrics as a poem when living in the Hulme area of Manchester. It was originally sung unaccompanied by, and credited to, Jane – that is, Jane Lancaster, Barton's girlfriend. They recorded and released it independently, and it was played by radio DJ John Peel. It was then heard by Iain McNay of Cherry Red Records, who obtained the rights to the record and released it more widely on his label in 1983. It reached number 5 on the UK Indie Chart, and later appeared, credited to Jane and Barton, on their eponymous mini-album, ''Jane and Barton''. This version of the song appeared on the 2013 indie-pop compilation album, '' Scared to Get Happy: A Story of Indie-Pop 1980–1989''. Jane's unaccompanied vocal version of the song wa ...
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PWL International
Pete Waterman Entertainment (PWE) is the production company one-time pop and dance record label owned by British pop mogul Pete Waterman. The label, originally PWL (Pete Waterman Limited), is most famous for being the home of hit record producers Stock Aitken Waterman. History After producing many hits for other record companies, PWL launched its own label in 1987 (PWL Records) with the single "I Just Can't Wait" by Mandy Smith. The next single was the biggest selling single of the year: "I Should Be So Lucky" by Kylie Minogue. As a record label, PWL enjoyed success with Australian artists such as Kylie Minogue and Jason Donovan and Dutch dance group 2 Unlimited. As a production house they produced hits for English artists such as Rick Astley, Dead or Alive and Bananarama on other record labels. In the US, PWL America was established in 1989 and specialized primarily in hip-hop music, launching the careers of MCs Ed O.G. and Diamond D. In 1992, it was renamed Chemi ...
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Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period befo ...
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Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated '' Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fon ...
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