|
I Remember Yesterday
''I Remember Yesterday'' is the fifth studio album by American singer-songwriter Donna Summer. It was released on May 13, 1977, seven months after the release of her previous album. Like her previous three albums, it was a concept album, this time seeing Summer combining the recent disco sound with various sounds of the past. ''I Remember Yesterday'' includes the singles " Can't We Just Sit Down (And Talk It Over)", "I Feel Love", the title track, " Love's Unkind" and " Back in Love Again". "I Feel Love" and " Love's Unkind" proved to be the album's most popular and enduring hits, the former of which came to be one of Summer's signature songs. The album was recorded in Munich at Musicland Studios and Arco Studios with Summer's long-term collaborators and production team headed by producers Giorgio Moroder and Pete Bellotte. Arrangements were handled by Thor Baldursson. The artwork was designed by Gribbitt! with photography by Victor Skrebneski. Music Side One of the LP saw Su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donna Summer
LaDonna Adrian Gaines (December 31, 1948May 17, 2012), known professionally as Donna Summer, was an American singer and songwriter. She gained prominence during the disco era of the 1970s and became known as the " Queen of Disco", while her music gained a global following. Influenced by the counterculture of the 1960s, Summer became the lead singer of a psychedelic rock band named Crow and moved to New York City. In 1968, she joined a German adaptation of the musical ''Hair'' in Munich, where she spent several years living, acting, and singing. There, she met music producers Giorgio Moroder and Pete Bellotte, and they went on to record influential disco hits together such as " Love to Love You Baby" and "I Feel Love", marking Summer's breakthrough into international music markets. Summer returned to the United States in 1976, and more hits such as " Last Dance", her version of "MacArthur Park", " Heaven Knows", " Hot Stuff", " Bad Girls", "Dim All the Lights", "No More Tears (E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Skrebneski
Victor Paul Skrebneski (December 17, 1929 – April 4, 2020) was an American photographer born in Chicago to parents of Polish and Russian heritage. He was educated at the School of the Art Institute of Chicago in 1943 and attended the Illinois Institute of Technology from 1947 to 1949. He set up his own studio in Chicago in 1952. The Art Institute of Chicago had an exhibit of his work in 1969. Skrebneski is most known for his fashion photography and his work for the ad campaigns of Estee Lauder, Inc., notably his fifteen-year collaboration (1970-1985) with model Karen Graham creating the portrait portfolio marketing campaign known as 'The Estee Lauder Woman.' The longevity and format of this campaign make it unique in the annals of marketing. A single portrait of Graham was placed in fashion magazines each month depicting an element in the idealized life of 'The Estee Lauder Woman,' often photographed in black and white, an unusual medium for cosmetics, fragrance, and skin care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ticknor & Fields
Ticknor and Fields was an American publishing company based in Boston, Massachusetts. Founded as a bookstore in 1832, the business would publish many 19th century American authors including Ralph Waldo Emerson, Nathaniel Hawthorne, Henry James, Henry Wadsworth Longfellow, Harriet Beecher Stowe, Henry David Thoreau, and Mark Twain. It also became an early publisher of ''The Atlantic Monthly'' and ''North American Review''. The firm was named after founder William Davis Ticknor and apprentice James T. Fields, although the names of additional business partners would come and go, notably that of James R. Osgood in the firm's later years. Financial problems led Osgood to merge the company with the publishing firm of Henry Oscar Houghton in 1878, forming a precursor to the modern publisher Houghton Mifflin Harcourt. Houghton Mifflin revived the Ticknor and Fields name as an imprint from 1979 to 1989. Company history Early years In 1832 William Davis Ticknor and John All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Albums Of The Seventies
''Christgau's Record Guide: Rock Albums of the Seventies'' is a music reference book by American music journalist and essayist Robert Christgau. It was first published in October 1981 by Ticknor & Fields. The book compiles approximately 3,000 of Christgau's capsule album reviews, most of which were originally written for his "Consumer Guide" column in ''The Village Voice'' throughout the 1970s. The entries feature annotated details about each record's release and cover a variety of genres related to rock music. Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Down Deep Inside (Theme From "The Deep")
"Down Deep Inside" is the theme song from the 1977 film '' The Deep''. The film's score was written by British composer John Barry and the lyrics to the main theme were added by disco singer Donna Summer. The track was released as a single and became a hit in some European countries, including the U.K. The film soundtrack LP also contained a slower tempo version of the song, and an extended version of the original later appeared on a CD version of Summer's 1978 ''Live and More ''Live and More'' is the first live album recorded by American singer-songwriter Donna Summer, and it was her second double album, released on August 28, 1978 by Casablanca Records. The live concert featured on the first three sides of this d ...'' album. The song was nominated for a Golden Globe Award for Best Original Song. Chart performance The song was a hit on the US dance chart, as well as a top-five hit in the UK and a top-ten hit in the Netherlands. Charts Certifications References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Barry (composer)
John Barry Prendergast (3 November 1933 – 30 January 2011) was a British composer and conductor of film music. He composed the scores for eleven of the ''James Bond'' films between 1963 and 1987, as well as arranging and performing the "James Bond Theme" for the first film in the series, 1962's '' Dr. No''. He wrote the Grammy- and Academy Award-winning scores to the films ''Dances with Wolves'' and ''Out of Africa'', as well as the scores of ''The Scarlet Letter'', ''Chaplin'', '' The Cotton Club'', ''Game of Death'', ''The Tamarind Seed'', ''Mary, Queen of Scots'' and the theme for the television series ''The Persuaders!'', in a career spanning over 50 years. In 1999, he was appointed with an OBE for services to music. Born in York, Barry spent his early years working in cinemas owned by his father. During his national service with the British Army in Cyprus, Barry began performing as a musician after learning to play the trumpet. Upon completing his national service, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
