I Like To Rock (song)
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I Like To Rock (song)
"I Like to Rock" is a song by Canadian rock band April Wine written by primary lead singer and songwriter Myles Goodwyn. The song appears on the band's eight studio album '' Harder ... Faster'' (1979) as the second single. The song features Myles Goodwyn's rough-and-ready vocals over the band's well known combination of hard rock and blues rock. The song was a moderate success when released in 1980, reaching #75 on the Canadian Hot 100, #86 on the ''Billboard'' Hot 100, and #41 on the UK Singles Chart, their highest peak in the UK. It has gained substantial popularity internationally since the 1980s, becoming a mainstay of April Wine's setlist. The song is arguably the band's signature song, and has become a staple of classic rock and album-oriented rock radio stations in both the US and Canada Content Song Like many of the group's other songs, "I Like to Rock" is sung by Myles Goodwyn, accompanied by blues rock electric guitar and hard rock sounds. The final verse of the song ...
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April Wine
April Wine is a Canadian rock band formed in 1969 and based in Halifax, Nova Scotia. Led by singer-guitarist-songwriter Myles Goodwin since its inception, April Wine's first success came with its second album, '' On Record'' (1972), which reached the top 40 in Canada and yielded two hit singles: "Bad Side of the Moon", a top 20 hit in Canada; and "You Could Have Been a Lady", a number 2 song in Canada. The band would go on to enjoy international success during the rest of the 1970s and early 80s, releasing more than 20 albums. History Early years Although April Wine officially began in late 1969 in Waverley, Nova Scotia, their roots can be traced to St. John's, Newfoundland and Labrador, in 1967/68, where brothers David and Ritchie Henman grew up playing music together before moving to Nova Scotia. Three of the founding members - David Henman (guitar), Ritchie Henman (drums), and their cousin Jim Henman (bass) - were originally in a band named Prism (n ...
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Classic Rock
Classic rock is a US radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format comprises rock music ranging generally from the mid-1960s through the mid 1990s, primarily focusing on commercially successful blues rock and hard rock popularized in the 1970s AOR format.Pareles, Jon (June 18, 1986)"Oldies on Rise in Album-Rock Radio" ''The New York Times''. Retrieved April 19, 2019. The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s. Although classic rock has mostly appealed to adult listeners, music associated with this format received more exposure with younger listeners with the presence of the Internet and digital downloading. Some classic rock stations also play a limited number of current releases which are stylistically consistent with the station's sound, or by heritage acts which are still active and producing new music."New York Radio Guide: Ra ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Rush (band)
Rush was a Canadian rock band formed in 1968 in Toronto, that was comprised primarily of Geddy Lee (bass, vocals), Alex Lifeson (guitar), and Neil Peart (drums, percussion, lyricist). The band formed in Toronto in 1968 by Lifeson, drummer John Rutsey, and bass guitarist/vocalist Jeff Jones, who was immediately replaced by Lee. After Lee joined, the band went through several lineup configurations before arriving at its classic power trio lineup with the addition of Peart in July 1974, who replaced Rutsey four months after the release of their 1974 self-titled debut album; this lineup remained intact for the remainder of the band's career. Rush achieved commercial success in the 1970s with '' Fly by Night'' (1975), '' 2112'' (1976), ''A Farewell to Kings'' (1977) and '' Hemispheres'' (1978). The band's popularity continued throughout the 1980s and 1990s, with albums charting highly in Canada, the US and the UK, including '' Permanent Waves'' (1980), '' Moving Pictures'' (1981) ...
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Tom Sawyer (song)
"Tom Sawyer" is a song by Canadian rock band Rush, originally released on their 1981 album '' Moving Pictures'' as its opener. The band's lead singer, bassist, and keyboardist, Geddy Lee, has referred to the track as the band's "defining piece ... from the early '80s". It is one of Rush's best-known songs and a staple of both classic rock radio and Rush's live performances, having been played on every concert tour since its release. Background and recording The song was written by Geddy Lee, drummer Neil Peart, and guitarist Alex Lifeson in collaboration with lyricist Pye Dubois of the band Max Webster, who also co-wrote the Rush songs " Force Ten", "Between Sun and Moon", and "Test for Echo". According to the US radio show ''In the Studio with Redbeard'' (which devoted an episode to the making of ''Moving Pictures''), "Tom Sawyer" came about during a summer rehearsal vacation that Rush spent at Ronnie Hawkins' farm outside Toronto. Peart was presented with a poem by Duboi ...
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Le Studio
Le Studio (later renamed Studio Morin Heights) was a residential recording studio in the Laurentian Mountains near the town of Morin-Heights, Quebec, Canada built in 1972 by recording engineer and producer André Perry, Nick Blagona and Yaël Brandeis. The studio, where artists recorded and stayed, was the venue for many notable Canadian and international artists, including Rush (it was nicknamed "Rush's Abbey Road"), The Police, Bee Gees, Chicago, David Bowie, April Wine and Cat Stevens and Vain. Perry described the facility as "like the United Nations. I had people from London, New York, Quebec, all over the world." Renowned for its retreat-like location as well as its state-of-the-art equipment, it was one of the earliest studios to install a Solid State Logic SL 4000 mixing console and RADAR digital-recording equipment. Perry sold the studio in 1988. In 2008 the studio had gone out of business, and as of 2015 the property was up for sale. On 11 August 2017, the bui ...
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Recording Studio
A recording studio is a specialized facility for sound recording, mixing, and audio production of instrumental or vocal musical performances, spoken words, and other sounds. They range in size from a small in-home project studio large enough to record a single singer-guitarist, to a large building with space for a full orchestra of 100 or more musicians. Ideally, both the recording and monitoring (listening and mixing) spaces are specially designed by an acoustician or audio engineer to achieve optimum acoustic properties (acoustic isolation or diffusion or absorption of reflected sound echoes that could otherwise interfere with the sound heard by the listener). Recording studios may be used to record singers, instrumental musicians (e.g., electric guitar, piano, saxophone, or ensembles such as orchestras), voice-over artists for advertisements or dialogue replacement in film, television, or animation, foley, or to record their accompanying musical soundtracks. The typical ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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(I Can't Get No) Satisfaction
"(I Can't Get No) Satisfaction" is a song recorded by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff by Richards is widely considered one of the greatest hooks of all time. The song lyrics refer to sexual frustration and commercialism. The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, ''Out of Our Heads'', released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US. In the UK, the song initially was played only on pirate radio stations, because its lyrics were considered too sexually suggestive. It later became the Rolling Stones' fourth number one in the United Kingdom. It is one of the world's most popular songs, and was No. 31 on ''Rolling Stone'' magazine's 500 Greatest Songs of Al ...
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The Rolling Stones
The Rolling Stones are an English rock band formed in London in 1962. Active for six decades, they are one of the most popular and enduring bands of the rock era. In the early 1960s, the Rolling Stones pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, multi-instrumentalist Brian Jones, guitarist Keith Richards, bassist Bill Wyman, and drummer Charlie Watts. During their formative years, Jones was the primary leader: he assembled the band, named it, and drove their sound and image. After Andrew Loog Oldham became the group's manager in 1963, he encouraged them to write their own songs. Jagger and Richards became the primary creative force behind the band, alienating Jones, who had developed a drug addiction that interfered with his ability to contribute meaningfully. Rooted in blues and early rock and roll, the Rolling Stones started out playing covers and were at the forefront ...
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Day Tripper
"Day Tripper" is a song by the English rock band the Beatles that was released as a double A-side single with "We Can Work It Out" in December 1965. The song was written primarily by John Lennon with some contributions from Paul McCartney and was credited to the Lennon–McCartney partnership. Both songs were recorded during the sessions for the band's ''Rubber Soul'' album. The single topped charts in Britain, Ireland, the Netherlands and Norway. In the United States, "Day Tripper" peaked at number five on the ''Billboard'' Hot 100 chart and "We Can Work It Out" held the top position. "Day Tripper" is a rock song based around an electric guitar riff and drawing on the influence of American soul music. The Beatles included it in their concert set-list until their retirement from live performances in late August 1966. The single was the first example of a double A-side in Britain. Its success popularised the format and, in giving equal treatment to two songs, allowed recording ...
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