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I Got My Mind Made Up
"I Got My Mind Made Up (You Can Get It Girl)" is a single by the disco band Instant Funk, recorded and released in 1978, which was later included in their self-titled sophomore album. Song Background The original production of this song was done on 8 tracks and was a simple 3 minute R&B song. It was transferred to 24 track tape at Blank Tapes, NYC and work began on it by the producer Bunny Sigler and engineer Bob Blank. Among other things, Bunny brought in a woman to say 'say what?' throughout the record. Standing behind her, his directions ("scream") were amplified and used as part of the production. Remixing was done manually (no computerization) and was attempted by Walter Gibbons, Ken Cayre (the owner of Salsoul Records) and finally by Larry Levan. Done in Blank Tapes's old studio A, on a console that was not automated, the remixes were done with spicing tape, playing a small section of the music and then resetting the console, then recording the next piece. For the groove part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instant Funk
Instant Funk were an American 1970s and 1980s disco band, best known for their disco classic, "I Got My Mind Made Up (You Can Get It Girl)". History Instant Funk came out of Trenton, New Jersey consisting of Raymond Earl, drummer Scotty Miller and guitarist Kim Miller. The group was then called The Music Machine and they were very successful as a back-up band for The Manhattans, Bunny Sigler and also the TNJs. Throughout their careers, Instant Funk would be the back-up band for many stars, including Lou Rawls, Loleatta Holloway, The O'Jays, MFSB, Curtis Mayfield and Evelyn Champagne King (they are the backing band on the hit single, "Shame"). The group relocated to Philadelphia in 1976 to release its first album, ''Get Down With the Philly Jump'', as they started to formulate their own sound. The group followed this album up with a release for former MFSB guitarist Norman Harris' new record label Gold Mind, with front man Bunny Sigler entitled "Let Me Party With You". The Gold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsoul Records
Salsoul Records is an American New York City based record label, founded by three brothers, Joseph Cayre, Kenneth Cayre, and Stanley Cayre (the Cayre brothers). Salsoul issued about 300 singles, including many disco/post-disco 12-inch releases, and a string of albums in the 1970s and early 1980s. The label started in business in 1974, went defunct in 1985 and was relaunched in 1992. Artists such as The Salsoul Orchestra (led by Vincent Montana Jr), Aurra, Skyy (band), Skyy, Inner Life, Rafael Cameron, Edwin Birdsong, Instant Funk, Loleatta Holloway, Civil Attack, Double Exposure (band), Double Exposure, Love Committee(Gold Mind), First Choice (band), First Choice, Joe Bataan, The Strangers, Moment of Truth, Vaughan Mason & Butch Dayo, Carol Williams (musician), Carol Williams, Jocelyn Brown, and Charo were at one time part of their roster. Bethlehem Music Company's catalogs, which included Salsoul Records, Bethlehem Records (a jazz label) and others, were licensed by Verse musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
He's The Greatest Dancer
"He's the Greatest Dancer" is a 1979 song by the American vocal group Sister Sledge. Released on February 3, 1979, the song was written and composed by Bernard Edwards and Nile Rodgers, and recorded for the group's successful 1979 album '' We Are Family''. ''Billboard'' named the song No. 66 on its list of "100 Greatest Girl Group Songs of All Time." Background The song was released as the lead single from the album at the beginning of 1979, crossing over from the clubs – its 12″ version was shared by the " We Are Family" and " Lost in Music" tracks – to R&B radio, giving Sister Sledge a number one hit on both Billboard's Dance and R&B charts in March 1979. The song reached number nine on the ''Billboard'' Hot 100 in May. It might have risen higher except that, in the same month, Atlantic Records, prompted by the overwhelming club response to "We Are Family," sent the last-named track to radio. The song was also a hit in Australia (No. 5), the Netherlands (No. 1) and the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sister Sledge
Sister Sledge is an American musical vocal group from Philadelphia, Pennsylvania. Formed in 1971, the group consisted of sisters Debbie, Joni, Kim, and Kathy Sledge. The siblings achieved international success at the height of the disco era. In 1979, they released their breakthrough album '' We Are Family'', which peaked at number three on the ''Billboard'' 200 and included the 1979 US top-10 singles "He's the Greatest Dancer" and " We Are Family". A third single, " Lost in Music", reached the US top 40. "We Are Family" earned a Grammy Award nomination for Best R&B Performance by a Duo or Group with Vocal. Their other US singles include a 1982 remake of Mary Wells' 1964 hit "My Guy", "Mama Never Told Me" (1973), and " Thinking of You" (1984), before reaching number one on the UK Singles Chart with the song "Frankie" in 1985. Remixed versions of three of their singles in 1993 returned them to the UK Top 20. Although Kathy undertook a solo career in 1989, she continued to tour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Year-End Hot 100 Singles Of 1979
This is a list of ''Billboard'' magazine's Top Hot 100 songs of 1979. The Top 100, as revealed in the year-end edition of ''Billboard'' dated December 22, 1979. See also * 1979 in music * List of Billboard Hot 100 number-one singles of 1979 * List of Billboard Hot 100 top-ten singles in 1979 This is a list of singles that have peaked in the Top 10 of the ''Billboard'' Hot 100 during 1979. Donna Summer scored five top ten hits during the year with " Heaven Knows", " Hot Stuff", " Bad Girls", "Dim All the Lights", and "No More Tears ... References {{DISPLAYTITLE:''Billboard'' Year-End Hot 100 singles of 1979 1979 record charts Billboard charts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hithouse
Peter Slaghuis (; 21 August 1961 – 5 September 1991) was a Dutch DJ, record producer and remixer, whose work was mostly released under the name Hithouse (a literal translation of his last name — ''slag'', a hit, a beat; and ''huis'', house). Biography Slaghuis was born in Rijswijk, Netherlands. Not much is known about his personal life, but he was a figure in the European dance music scene in the 1980s, producing popular remixes of various hits (most notably the "Long Vocal Dutch Mix" of " I Can't Wait" by Nu Shooz). Slaghuis stated "I hated that song so much... I just had to put a hook over it." With the arrival of house music in Europe, Slaghuis took up the pseudonym Hithouse and began using his sampling techniques in this field. His best known work, "Jack to the Sound of the Underground", reached No. 14 on the UK Singles Chart in 1988 and number 57 in Australia. His next few works did not attain the same level of success, though "Jack to the Sound of the Underground" rema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Vicious
Johnny Vicious (born John Coles) is an American house DJ, producer and remixer. He DJed in New York City clubs Mars and Paladium in the 1980s, and in the early 1990s started his own label, Vicious Muzik Records, with Jeffrey Rodman. Vicious became widely known for remixing the hits "Kiss You All Over" by No Mercy, "Let's Go All the Way" by React, and "It's Not Right but It's Okay" by Whitney Houston, as well as doing remixes for the compilations ''Webster Hall Presents: A Groovilicious Night'' and ''Ministry of Sound: Club Nation America''.Biography AllMusic He scored one major chart hit, 2005's "Can't Let Go" (featuring Judy Albanese), which hit No. 4 on the US ''Billboard'' Dance Chart. His remixes have appeared on the hit '' Ultra.Dance'' compilations, as well as on the ''ThriveMix Presents'' albums, many of which have hit the US ''Billboard'' albums charts. Discography Albums/mixed compilations *''Liquid Bass EP: Volume 1''Vicious Muzik Records 1993) *''Grind: All Night H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
