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I Do!!
"I Do!!" is the debut single of American R&B singer Toya (singer), Toya, serving as the lead single from her debut album, ''Toya (album), Toya'' (2001). Produced by Antoine "Bam" Macon, "I Do!!" became a hit for Toya, reaching 16 on the US Billboard Hot 100, ''Billboard'' Hot 100, No. 12 in Australia, and No. 9 in New Zealand. Toya released only one more single, 2002's "No Matta What (Party All Night)", before being contractually released from Arista Records. Track listings Credits and personnel Credits are taken from the US CD single liner notes. Studios * Recorded at Unique Recording Studios (New York City) * Mixed at Chung King Studios (New York City) Personnel * Harold Guy – writing, arrangement * Toya (singer), Toya – writing (as Latoya Rodriguez) * Antoine "Bam" Macon – production * Steve Eigner – recording * Kevin Davis – mixing * Christopher Stern – art direction * Keith Major – photography Charts Weekly charts Year-end charts Release hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toya (singer)
LaToya "Toya" Martin (born LaToya Lacole Rodriguez; July 22, 1983), better known by her mononym, Toya, is an American Contemporary R&B, R&B singer from St. Louis, St. Louis, Missouri, best known for her 2001 song, "I Do!!", which reached number 16 on the U.S. Billboard Hot 100, ''Billboard'' Hot 100. Early life and education Toya was born LaToya Lacole Rodriguez on July 22, 1983, to a Puerto Rican American, Puerto Rican father and an African American mother. She was named after La Toya Jackson. She graduated from Mary Institute and St. Louis Country Day School in St. Louis County, Missouri. Career Toya’s career jump started when Courtney Benson and Tony Davis signed Toya to their production company, Hit City Music Group. The two also managed another St. Louis native, Hip Hop superstar Nelly. They took Toya to Arista Records, where then-label chief L.A. Reid signed her to a major record deal instantly. Toya’s first single "I Do!!" had major chart success. And led to her sel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Singles Sales
In the issue dated March 16, 1985, ''Billboard'' magazine debuted its first chart devoted exclusively to 12-inch Singles Sales. The 50-position weekly ranking joined ''Billboard''s established Club Songs chart, reduced to the same 50 positions, both under the title Hot Dance/Disco. A coupling from MCA Records' ''Beverly Hills Cop'' soundtrack, Patti LaBelle's " New Attitude" and Harold Faltermeyer's "Axel F", held the No. 1 slot for the chart's first week and was also No. 1 for the second consecutive week on the most played dance/disco chart. On June 20, 1992, the chart was renamed Maxi-Singles Sales, then simply Dance Singles Sales on March 1, 2003. The chart included maxi-singles that did not appear on Club Play by artists of other genres such as rapper 2Pac, the industrial metal band Ministry and alternative rock band the Smiths. " Every Day Is Exactly the Same" by Nine Inch Nails was number one on the sales chart more than any other single at 36 weeks, yet never appeared on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Debut Singles
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2001 Songs
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top 40 Tracks
Top 40 Tracks was a chart from ''Billboard'' magazine. It debuted in the issue dated December 5, 1998 to preserve the notion of Hot 100 Airplay when it expanded to include airplay data from radio stations of other formats such as R&B, rock and country. The Top 40 Tracks was compiled by measuring audience impressions (based on a station's ratings and when a song is played) from Mainstream Top 40, Rhythmic Top 40, and Adult Top 40 radio stations. The chart was discontinued effective from issue date February 12, 2005, concurrent with the introduction of the Pop 100 The Pop 100 was a songs chart that debuted in February 2005 and was released weekly by ''Billboard'' magazine in the United States until its discontinuation in 2009. It ranked songs based on airplay on Mainstream Top 40 radio stations, singles s ... and Pop 100 Airplay charts. List of Top 40 Tracks number-one singles References {{Billboard Billboard charts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic (chart)
The Rhythmic chart (also called Rhythmic Airplay, and previously named Rhythmic Songs, Rhythmic Top 40 and CHR/Rhythmic) is an airplay chart published weekly by ''Billboard'' magazine. The chart tracks and measures the airplay of songs played on rhythmic radio stations, whose playlist includes mostly hit-driven R&B/hip-hop, rhythmic pop, and some dance tracks. Nielsen Audio sometimes refers to the format as rhythmic contemporary hit radio. History ''Billboard'' magazine first took notice of the newly emerged genre on February 27, 1987, when it launched the first crossover chart, Hot Crossover 30. It originally consisted of thirty titles and was based on reporting by eighteen stations, five of which were considered as ''pure'' rhythmic. The chart featured a mix of urban contemporary, top 40 and dance hits. In September 1989, ''Billboard'' split the Hot Crossover 30 chart in two: Top 40/Dance and Top 40/Rock, the latter of which focused on rock titles which crossed over. By Decemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mainstream Top 40
Pop Airplay (also called Mainstream Top 40, Pop Songs, and Top 40/contemporary hit radio, CHR) is a 40-song music chart published weekly by Billboard (magazine), ''Billboard'' Magazine that ranks the most popular songs of pop music being played on a panel of Top 40 radio stations in the United States. The rankings are based on radio airplay detections as measured by Nielsen Broadcast Data Systems (Nielsen BDS), a subsidiary of the U.S.' leading marketing research company. Consumer researchers, Nielsen Audio (formerly ''Arbitron''), refers to the format as contemporary hit radio (CHR). The current number-one song as of the chart dated December 24, 2022 is "Anti-Hero (song), Anti-Hero" by Taylor Swift. History The chart debuted in Billboard (magazine), ''Billboard'' Magazine in its issued date October 3, 1992, with the introduction of two Top 40 airplay charts, Mainstream and Rhythmic (chart), Rhythm-Crossover. Both Top 40 charts measured "actual monitored airplay" from data compile ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toya (album)
''Toya'' is the self-titled debut studio album by American R&B singer Toya. It was released by Arista Records on August 7, 2001. Musically, the album is a R&B album that incorporates hip hop soul elements. ''Toya'' peaked at number 109 on the US ''Billboard'' 200. It remains Toya's only studio release. Critical reception ''Toya'' received positive reviews. Stephen Thomas Erlewine of Allmusic noted the album's "savvy combination of classic soul conventions, innovative production, strong songwriting, and fine, understated singing," and called the album "not just a fine debut, but one of the best urban records of 2001." Commercial performance ''Toya'' peaked at 109 on the US ''Billboard'' 200, reaching sixty on the Top R&B/Hip-Hop Albums. Track listing Personnel Information taken from Allmusic *Co-production – Harold Guy, Kelli Justice, Toya *Mixing – Charles "Prince Charles" Alexander, Tim Olmstead *Performer(s) – Loon, Murphy Lee, The Penelopes, T.I. *Production – Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
