Hymnsongs
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Hymnsongs
''Hymnsongs'' is the title of a 2003 instrumental album by guitarist Phil Keaggy. Track listing # "Prelude" # "In the Bleak Midwinter" # "O Sacred Head, Now Wounded" # "Abide with Me "Abide with Me" is a Christian hymn by Scottish Anglican cleric Henry Francis Lyte. A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung ..." # "This Fragile Vessel" # " Jerusalem" # " Simple Gifts" # " Chorale #198" # " Fairest Lord Jesus" # "Nothing But the Blood" # " Be Still My Soul" # "O for a Closer Walk With Thee" # "Our Daily Bread" # " The Day Thou Gavest, Lord, Has Ended" Personnel * Phil Keaggy – guitars, bass, mandolin, loops * Ric Hordinski – guitar, sampling, effects * Josh Seurkamp – drums Production notes * Ric Hordinski – arranger, engineer, mixing, treatments * Phil Keaggy – engineer, mixing * Richard Dodd – mastering * Barry Landis – executive producer ...
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Phil Keaggy
Philip Tyler Keaggy (born March 23, 1951) is an American acoustic and electric guitarist and vocalist who has released more than 55 albums and contributed to many more recordings in both the contemporary Christian music and mainstream markets. He is a seven-time recipient of the GMA Dove Award for Instrumental Album of the Year, and was twice nominated for a Grammy Award for Best Rock Gospel Album. He has frequently been listed as one of the world's top-two "finger-style" and "finger-picking" guitarists by ''Guitar Player Magazine'' readers' polls. Career Early life Keaggy was raised in a small farmhouse in Hubbard, Ohio with nine brothers and sisters. He went to high school at Austintown Fitch High School, graduating in 1970. He is missing half of the middle finger on his right hand due to an accident at age four involving a water pump. Keaggy reflects on the incident: We lived on a farm in Hubbard, Ohio which had a big water pump, and I was climbing up on it. As I was kneel ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Cross Rhythms
Cross Rhythms is a Christian media organisation based in Stoke-on-Trent, England. It operates an FM and online radio station, produces radio shows sent internationally, and its website has resources about contemporary Christian music. History 1983–2002 In 1983, Chris Cole started a 30-minute weekly Christian music radio show on Plymouth Sound FM, an Independent Local Radio station in Plymouth. Originally titled ''The Solid Rock of Jesus Christ'', the programme aired on Sunday evenings. It grew into a one-hour programme, and became one of the most listened to programmes in its time slot in South Devon. The show continued until 1996. In May 1990, music journalist Tony Cummings founded the magazine '' Cross Rhythms''. In 1991, publication of the magazine was taken over by Cole's publishing company, Cornerstone House. That same year, Cross Rhythms took over the organisation and management, of what had previously been the Umberleigh Rock Gospel Festival. The event was ...
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Instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ...
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In The Bleak Midwinter
"In the Bleak Midwinter" is a poem by the English poet Christina Rossetti, commonly performed as a Christmas carol. The poem was published, under the title "A Christmas Carol", in the January 1872 issue of ''Scribner's Monthly,'' and was first collected in book form in ''Goblin Market, The Prince's Progress and Other Poems'' (Macmillan, 1875). In 1906, the composer Gustav Holst composed a setting of Rossetti's words (titled "Cranham") in ''The English Hymnal'' which is sung throughout the world. An anthem setting by Harold Darke composed in 1909 is also widely performed by choirs, and was named the best Christmas carol in a poll of some of the world's leading choirmasters and choral experts in 2008. Analysis In verse one, Rossetti describes the physical circumstances of the Incarnation in Bethlehem. In verse two, Rossetti contrasts Christ's first and second coming. The third verse dwells on Christ's birth and describes the simple surroundings, in a humble stable and watch ...
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O Sacred Head, Now Wounded
"O Sacred Head, Now Wounded" is a Christian Passion hymn based on a Latin text written during the Middle Ages. Paul Gerhardt wrote a German version which is known by its incipit, "O Haupt voll Blut und Wunden". Text Original Latin The hymn is based on a long medieval Latin poem, ''Salve mundi salutare'', with stanzas addressing the various parts of Christ's body hanging on the Cross. The last part of the poem, from which the hymn is taken, is addressed to Christ's head, and begins "Salve caput cruentatum". The poem is often attributed to Bernard of Clairvaux (1091–1153), but is now attributed to the medieval poet Arnulf of Leuven (died 1250). A selection of stanzas from the seven cantos were used for the text of Dieterich Buxtehude's ''Membra Jesu Nostri'' addressing the various members of the crucified body German translation The poem was translated into German by the Lutheran hymnist Paul Gerhardt (1607–1676). He reworked the Latin version to suggest a more personal con ...
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Abide With Me
"Abide with Me" is a Christian hymn by Scottish Anglican cleric Henry Francis Lyte. A prayer for God to stay with the speaker throughout life and in death, it was written by Lyte in 1847 as he was dying from tuberculosis. It is most often sung to the tune "Eventide" by the English organist William Henry Monk. History The author of the hymn, Henry Francis Lyte, was an Anglican cleric. He was a curate in County Wexford from 1815 to 1818. According to a plaque erected in his memory in Taghmon Church, he preached frequently in Killurin Church, about nine miles from there. During that time the rector of Killurin Parish, the Reverend Abraham Swanne, was a lasting influence on Lyte's life and ministry. Later he was vicar of All Saints' Church in Brixham, Devon, England. For most of his life Lyte suffered from poor health, and he would regularly travel abroad for relief, as was customary at that time. There is some controversy as to the exact dating of the text to "Abide with Me". An ...
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Jerusalem (hymn)
"And did those feet in ancient time" is a poem by William Blake from the preface to his epic ''Milton: A Poem in Two Books'', one of a collection of writings known as the Blake's prophetic books, Prophetic Books. The date of 1804 on the title page is probably when the plates were begun, but the poem was printed .Cox, Michael, editor, ''The Concise Oxford Chronology of English Literature'', "1808", p 289, Oxford University Press, 2004, Today it is best known as the hymn "Jerusalem", with music written by Hubert Parry, Sir Hubert Parry in 1916. The famous orchestration was written by Sir Edward Elgar. It is not to be confused with another poem, much longer and larger in scope and also by Blake, called ''Jerusalem The Emanation of the Giant Albion''. It is often assumed that the poem was inspired by the apocryphal story that a young Jesus, accompanied by Joseph of Arimathea, a tin merchant, travelled to what is now England and visited Glastonbury during his unknown years of Jesus, ...
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Laß, Fürstin, Laß Noch Einen Strahl, BWV 198
''Laß, Fürstin, laß noch einen Strahl'' (Let, Princess, let still one more glance) is a secular cantata composed as a funeral ode by Johann Sebastian Bach, first performed on 17 October 1727. In Wolfgang Schmieder's catalogue of Bach's works (BWV) it was assigned the number 198. It is also known as ' or as '. History and text Bach wrote several works for celebrations of the Leipzig University, ''Festmusiken zu Leipziger Universitätsfeiern''. He composed this cantata at the request of the university as a funeral ode for Christiane Eberhardine, wife of August II the Strong, the Elector of Saxony and King of Poland. The cantata was first performed on 17 October 1727 in the University Church in Leipzig. Bach himself directed from the harpsichord. The text was written by Johann Christoph Gottsched, professor of philosophy and poetry. The text is purely secular, proclaiming how the kingdom is in shock over the princess' death, how magnificent she was, and how sadly she will ...
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Fairest Lord Jesus
"Fairest Lord Jesus", also known as "Beautiful Savior", is a Christian hymn. History According to some accounts, it was called "Crusader's Hymn" because it was sung by German Crusaders as they made their way to the Holy Land. But William Jensen Reynolds dismisses as "completely erroneous" any association of this hymn with the Crusades. The words may have originated in the Jesuit Order, which came into being after the Crusades. The words were first printed in a Münster Gesangbuch of 1677, a Roman Catholic hymnbook. It must have become popular, in the manner of a folk-song, because it was recorded in 1839 by August Heinrich Hoffmann von Fallersleben in the district of Glaz in Silesia. With Ernst Friedrich Richter, Hoffmann von Fallersleben edited a collection of Silesian folk-songs, ''Schlesische Volkslieder'', in which the hymn appeared with its matching tune. The tune emerges in Franz Liszt's oratorio '' Legend of Saint Elizabeth''—wherein the tune forms part of the "Crus ...
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