Laß, Fürstin, Laß Noch Einen Strahl, BWV 198
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''Laß, Fürstin, laß noch einen Strahl'' (Let, Princess, let still one more glance) is a secular
cantata A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of ...
composed as a funeral ode by
Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
, first performed on 17 October 1727. In
Wolfgang Schmieder Wolfgang Schmieder (May 29, 1901 – November 8, 1990) was a German music librarian and musicologist. Schmieder was born in Bromberg (now Bydgoszcz, Poland).Eggebrecht, Hans. "Wolfgang Schmieder". ''Oxford Music Online''. 2001, https://doi.o ...
's catalogue of Bach's works (BWV) it was assigned the number 198. It is also known as ' or as '.


History and text

Bach wrote several works for celebrations of the
Leipzig University Leipzig University (german: Universität Leipzig), in Leipzig in Saxony, Germany, is one of the world's oldest universities and the second-oldest university (by consecutive years of existence) in Germany. The university was founded on 2 December ...
, ''Festmusiken zu Leipziger Universitätsfeiern''. He composed this cantata at the request of the university as a funeral ode for Christiane Eberhardine, wife of
August II the Strong Augustus II; german: August der Starke; lt, Augustas II; in Saxony also known as Frederick Augustus I – Friedrich August I (12 May 16701 February 1733), most commonly known as Augustus the Strong, was Elector of Saxony from 1694 as well as Ki ...
, the
Elector of Saxony The Electorate of Saxony, also known as Electoral Saxony (German: or ), was a territory of the Holy Roman Empire from 1356–1806. It was centered around the cities of Dresden, Leipzig and Chemnitz. In the Golden Bull of 1356, Emperor Charles ...
and
King of Poland Poland was ruled at various times either by dukes and princes (10th to 14th centuries) or by kings (11th to 18th centuries). During the latter period, a tradition of free election of monarchs made it a uniquely electable position in Europe (16t ...
. The cantata was first performed on 17 October 1727 in the University Church in Leipzig. Bach himself directed from the harpsichord. The text was written by
Johann Christoph Gottsched Johann Christoph Gottsched (2 February 1700 – 12 December 1766) was a German philosopher, author and critic of the Enlightenment. Biography Early life He was born at Juditten (Mendeleyevo) near Königsberg (Kaliningrad), Brandenburg-Pru ...
, professor of philosophy and poetry. The text is purely secular, proclaiming how the kingdom is in shock over the princess' death, how magnificent she was, and how sadly she will be missed. Sacred elements pertaining to salvation and the afterlife are absent. Bach, however, as was his custom, included a cryptic reference to salvation in the music. The first movement of the second section ''Der Ewigkeit saphirnes Haus'' ("Eternity's sapphiric house"), which was performed following the oration, contains underlying elements of the first movement of the cantata BWV 56, ''Ich will den Kreuzstab gerne tragen'' ("I want to bear the cross") which Bach had composed one year earlier. The measures 70–75 contain a direct quote (played by the oboe) of the bass solo voice in measures 91–98 from BWV 56 where the text is ''Der führet mich nach meinen Plagen zu Gott, in das gelobte Land'' ("which leads me to God in the promised land after all my tribulation"). In the introduction to the opening chorus, Bach expresses the reluctance to bid the final farewell to the Queen by prolonging the harmonies in a manner unusual even for him. After the opening chord he avoids resolving back to the finality of the tonic for ten bars, employing
deceptive cadence In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (199 ...
s,
Neapolitan chord In Classical music theory, a Neapolitan chord (or simply a "Neapolitan") is a major chord built on the lowered ( flatted) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, since in minor scales the chord is ...
, and other furtive resolutions. This mirrors and enhances the intended longing of the opening text "Princess, let one more beam of light shine". The word "Strahl" ("beam
f light F, or f, is the sixth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''ef'' (pronounced ), and the plural is ''efs''. Hist ...
) is sung in straight rising notes, while "Tränen" ("tears") is sung in falling, cascading notes, similar to "Tränen" in the closing chorus of the ''
St Matthew Passion The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets ...
, BWV 244'': ''Wir setzen uns mit Tränen nieder'' ("We sit down in tears"). The word "Fürstin" ("princess", also generic for "royal lady") is always sung isolated from the rest of the text, surrounded by rests. Bach later borrowed from the cantata for his '' St Mark Passion'' and for ''Klagt, Kinder, klagt es aller Welt'', BWV 244a, another funeral ode written in 1729.


Scoring and structure

The cantata is scored for four vocal soloists (
soprano A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880&n ...
,
alto The musical term alto, meaning "high" in Italian (Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by ...
,
tenor A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The lo ...
,
bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...
), a four-part choir, two flutes, two
oboes d'amore The oboe d'amore (; Italian for "oboe of love"), less commonly , is a double reed woodwind musical instrument in the oboe family. Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the ...
, two violins,
viola The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of ...
, two
violas da gamba The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch ...
, two lutes and
basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing th ...
. The ten movements are divided into two parts, to be performed before and after the funeral oration. :First part #Chorus: ' #Recitative (soprano): ' #Aria (soprano): ' #Recitative (alto): ' #Aria (alto): ' #Recitative (tenor): ' #Chorus: ' :Second part #
  • Aria (tenor): '
  • #Recitative (bass): ' #Chorus: '


    Selected recordings

    * ''J.S. Bach: Cantata BWV 198'',
    Jürgen Jürgens Jürgen Jürgens (5 October 1925 – 4 August 1994) was a German choral conductor and academic teacher. He founded and directed the Monteverdi-Chor Hamburg, a pioneering ensemble for Monteverdi's music. Biography Born in Frankfurt am Main, Jür ...
    ,
    Monteverdi-Chor The Monteverdi-Chor Hamburg is a mixed choir in Hamburg, the chamber choir of the University of Hamburg since 1961. Founded in 1955 by Jürgen Jürgens and directed by him until 1994, it is one of Germany's most famous concert choirs. The choir is ...
    , Concerto Amsterdam,
    Telefunken Telefunken was a German radio and television apparatus company, founded in Berlin in 1903, as a joint venture of Siemens & Halske and the ''Allgemeine Elektrizitäts-Gesellschaft'' (AEG) ('General electricity company'). The name "Telefunken" app ...
    , 1966 * ''J.S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 10'',
    Knabenchor Hannover The Knabenchor Hannover (Hannover Boys' Choir) is a boys choir founded in 1950 by Heinz Hennig, who served as conductor until the end of 2001. Since 2002, the conductor has been Jörg Breiding. History and music The Knabenchor Hannover has tr ...
    (Chorus Master: Heinz Hennig) &
    Collegium Vocale Gent Collegium Vocale Gent is a Belgian musical ensemble of vocalists and supporting instrumentalists, founded by Philippe Herreweghe. The group is dedicated to historically informed performance. Founding and program Collegium Vocale Gent was founded ...
    (Chorus Master:
    Philippe Herreweghe Philippe Maria François Herreweghe, Knight Herreweghe (born 2 May 1947) is a Belgian conductor and choirmaster. Herreweghe founded La Chapelle Royale and Collegium Vocale Gent and is renowned as a conductor, with a repertoire ranging from Rena ...
    ), Leonhardt Consort, conductor
    Gustav Leonhardt Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Leo ...
    ,
    Teldec Teldec (Telefunken-Decca Schallplatten GmbH) is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group. History Teldec was a producer of (first) shellac and (later) vinyl records. The Teldec manufacturing ...
    1989 * ''Bach Edition Vol. 14 – Cantatas Vol. 7'',
    Pieter Jan Leusink Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg ( ...
    ,
    Holland Boys Choir Pieter Jan Leusink (born 5 April 1958 in Elburg) is a Dutch conductor of classical music. He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst. He founded the Stadsknapenkoor Elburg (E ...
    ,
    Netherlands Bach Collegium The Netherlands Bach Collegium is a Baroque orchestra based in the Netherlands. It is conducted by Pieter Jan Leusink. They are noted for their Complete Cantatas Brilliant Series, a recording of the complete Bach cantata, sacred cantatas by Johann S ...
    ,
    Brilliant Classics Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also sp ...
    2000 * ''J.S. Bach: Complete Cantatas Vol. 4'',
    Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroqu ...
    , conductor
    Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orches ...
    , Antoine Marchand


    References


    External links


    Laß, Fürstin, laß noch einen Strahl, BWV 198
    performance by the
    Netherlands Bach Society The Netherlands Bach Society ( nl, Nederlandse Bachvereniging) is the oldest ensemble for Baroque music in the Netherlands, and possibly in the world. The ensemble was founded in 1921 in Naarden to perform Johann Sebastian Bach, Bach's ''St Matthew ...
    (video and background information) *
    Lass, Fürstin, lass noch einen Strahl (cantata, ode) BWV 198; BC G 34 / Secular cantata
    Leipzig University Leipzig University (german: Universität Leipzig), in Leipzig in Saxony, Germany, is one of the world's oldest universities and the second-oldest university (by consecutive years of existence) in Germany. The university was founded on 2 December ...

    Details and links from bach-cantatas.com


    {{DEFAULTSORT:Lass Furstin Lass Noch Einen Strahl Bwv 198 Secular cantatas by Johann Sebastian Bach Funerary and memorial compositions 1727 compositions