Hush (Billy Joe Royal Song)
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Hush (Billy Joe Royal Song)
"Hush" is a song written by American composer and musician Joe South, for recording artist Billy Joe Royal. The song was later covered by Somebody's Image (an Australian band fronted by Russell Morris) in 1967. It reached #15. It was also covered by Deep Purple in 1968 and by Kula Shaker in 1997. Each artist had a Top 5 hit with their version. Billy Joe Royal version Billy Joe Royal recorded "Hush" on 12 July 1967 in Nashville with Barry Bailey, future lead guitarist for the Atlanta Rhythm Section, on guitar. Joe South, Royal's regular songwriter/producer, was travelling to Nashville with Royal and writing "Rose Garden" in the car. Royal didn't like it, so South wrote "Hush" for him while leaning on the dashboard. Royal did record "Rose Garden" for his album ''Billy Joe Royal featuring Hush'', though didn't release it as a single. In 1971, "Rose Garden" become an international for Lynn Anderson, and was South's most successful composition. Royal later regretted not liking the s ...
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Billy Joe Royal
Billy Joe Royal (April 3, 1942 – October 6, 2015) was an American country soul singer. His most successful record was " Down in the Boondocks" in 1965. Life and career Born in Valdosta, Georgia, to Clarence and Mary Sue Smith Royal, and raised in Marietta, Georgia, Royal performed at the Georgia Jubilee in Atlanta during his teens. He formed his own rock and roll band, and became a local star at the Bamboo Ranch in Savannah in the late 1950s and early 1960s, where his singing style was influenced by African-American performers, including Sam Cooke. Royal was a friend of performer and songwriter Joe South, and recorded what was intended as a demo of South's song " Down in the Boondocks". The recording was heard at Columbia Records, who offered Royal a singing contract in 1965 and released his version of the song, produced by South. "Down in the Boondocks" remained his best-known song, reaching number 9 on the ''Billboard'' Hot 100, and number 38 in the UK. He followed up ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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Polydor
Polydor Records Ltd. is a German-British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. Notable current and past artists signed to the label include ABBA, Cream, The Moody Blues, The Who, Ringo Starr, Bee Gees, The Jam, Bing Crosby, The Shadows, James Brown, Level 42, Ellie Goulding, Juice WRLD, Piri & Tommy, James Last, Eric Clapton, Marie Osmond, Keith O'Conner Murphy, Yngwie Malmsteen, Lana Del Rey, Haim, and Buckingham Nicks. Label history Beginnings Polydor Records was founded on 2 April 1913 by German Polyphon-Musikwerke AG in Leipzig and registered on 25 July 19 ...
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Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ...
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Blues Rock
Blues rock is a fusion music genre that combines elements of blues and rock music. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, and drums, sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues songs into the pop charts. In the US, Lonnie Mack, the Paul Butterfield Blues B ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Nobody's Perfect (Deep Purple Album)
''Nobody's Perfect'' is a live album released in 1988 by the British rock band Deep Purple. It was recorded during the band's tour in support of ''The House of Blue Light'' in 1987 in Europe and the United States. The outer sleeve photography was by Aubrey Powell of Hipgnosis with graphics by Richard Evans. Track transitions are marked by fades. It also contains a new live in studio version of "Hush" to commemorate their 20th anniversary. "Black Night" was also re-recorded but never released. "Hard Lovin' Woman" includes parts of "Under the Gun" during Blackmore's guitar solo. " Strange Kind of Woman" includes the "Superstar" chorus from ''Jesus Christ Superstar''. "Woman from Tokyo" changes into "Everyday" by Buddy Holly halfway through. The album represented Deep Purple's setlist at the time, which consisted much of the typical '' Made in Japan'' set, combined with newer material from the 1984 reunion album '' Perfect Strangers'' and ''The House of Blue Light''. Songs such as ...
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Kentucky Woman
"Kentucky Woman" is a 1967 song written and originally recorded by Neil Diamond. Background Diamond recorded "Kentucky Woman" as his last hit single for Bang Records. The song was mixed in monophonic, which is the common version heard on all Neil Diamond compilations featuring original Bang singles. The only known stereo mix was done in 1978 for a Frog King/Columbia House album called ''Early Classics'', which has never been released on CD. Chart history Released in October 1967, it reached number 22 on the U.S. pop singles chart, number 58 on the Australian charts, and number 6 on the Canadian charts. Deep Purple cover Another well-known version is the 1968 recording by Deep Purple. The group's cover had vastly different instrumental feel, if not vocal line. It was their second single release in 1968. It managed to reach #38 on the Billboard Hot 100, #21 Canadian RPM charts, and #27 on the Australian Singles Chart where it was released as a double A-Side with "Hush." The ...
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Derek Lawrence
Derek John Lawrence (16 November 1941 – 13 May 2020) was an English record producer, famous for his work for Joe Meek's Outlaws, Deep Purple, Flash, Machiavel and Wishbone Ash. Lawrence came in contact with Meek circa at the end of 1963, when he managed a group, Laurie Black and the Men of Mystery, that won a recording session at Joe Meek's studio. He continued working for him until 1965. He brought him Merseybeaters Freddie Starr and the Midnighters. In the late 1960s, he worked for Harold Shampan at Film Music (part of Top Rank) and as freelance producer (inspired by Meek) for The Pretty Things, The Zephyrs, The V.I.P.'s, The Nocturnes etc. He produced Jethro Tull's debut single "Sunshine Day" (1968). Ritchie Blackmore, whom he had known from previous work, invited him to work with Blackmore's new band, and as a result Lawrence produced Deep Purple's first three albums, the first at Pye Studios in London and the next two at De Lane Lea Studios, Kingsway, London. He ...
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Tetragrammaton Records
Tetragrammaton Records was an American record label founded in 1968 by music industry executives Roy Silver, Bruce Post Campbell, Marvin Deane, and comedian Bill Cosby. Silver, at the time, was also Cosby's manager. The term "Tetragrammaton" refers to the Hebrew name of God considered by some to be unspeakable (YHWH, or "Yahweh", translated as "Jehovah" in English). Thedeadrockstarsclub.com
- accessed August 2010
The label's most successful act was rock band .


History

Tetragrammaton was also responsible for releasing the controversial 1968 alb ...
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Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a German–British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier ...
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Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ...
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