Humbaba
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Humbaba
In Ancient Mesopotamian religion, Humbaba ( Assyrian spelling), also spelled Huwawa ( Sumerian spelling) and surnamed ''the Terrible'', was a monstrous giant of immemorial age raised by Utu, the Sun / justice / truth god. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who: "assigned umbabaas a terror to human beings." Gilgamesh and Enkidu defeated this great enemy. Description : "When he looks at someone, it is the look of death." : "Humbaba's roar is a flood, : his mouth is death and his breath is fire! : A hundred leagues away he can hear any ustling?in his forest! : Who would go down into his forest!" In various examples, his face is scribed in a single coiling line like that of the coiled entrails of men and beasts, from which omens might be read. Another description from Georg Burckhardt's translation of the ''Epic of Gilgamesh'' says, : "he had the paws of a lion and : a body covered in thorny scales; : his feet had t ...
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Humbaba Deamon-AO 9034-IMG 0655-black
In Ancient Mesopotamian religion, Humbaba ( Akkadian language, Assyrian spelling), also spelled Huwawa ( Sumerian language, Sumerian spelling) and surnamed ''the Terrible'', was a monstrous Giant (mythology), giant of immemorial age raised by Utu, the Sun / justice / truth god. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who: "assigned [Humbaba] as a terror to human beings." Gilgamesh and Enkidu defeated this great enemy. Description : "When he looks at someone, it is the look of death." : "Humbaba's roar is a flood, : his mouth is death and his breath is fire! : A hundred leagues away he can hear any [rustling?] in his forest! : Who would go down into his forest!" In various examples, his face is scribed in a single coiling line like that of the coiled entrails of men and beasts, Hepatoscopy, from which omens might be read. Another description from Georg Burckhardt's translation of the ''Epic of Gilgamesh'' says, : "he had ...
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Enkidu
Enkidu ( sux, ''EN.KI.DU10'') was a legendary figure in ancient Mesopotamian mythology, wartime comrade and friend of Gilgamesh, king of Uruk. Their exploits were composed in Sumerian poems and in the Akkadian ''Epic of Gilgamesh'', written during the 2nd millennium BC. He is the oldest literary representation of the wild man, a recurrent motif in artistic representations in Mesopotamia and in Ancient Near East literature. The apparition of Enkidu as a primitive man seems to be a potential parallel of the Old Babylonian version (1300–1000 BC), in which he was depicted as a servant-warrior in the Sumerian poems. There have been suggestions that he may be the "bull-man" shown in Mesopotamian art, having the head, arms, and body of a man, and the horns, ears, tail and legs of a bull. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natura ...
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Cedar Forest
The Cedar Forest ( Sumerian: 𒄑𒂞𒄑 𒌁giš eren giš tir) is the glorious realm of the gods of Mesopotamian mythology. It is guarded by the demigod Humbaba and was once entered by the hero Gilgamesh who dared cut down trees from its virgin stands during his quest for fame. The Cedar Forest is described in Tablets 4{{ndash6 of the ''Epic of Gilgamesh''. Earlier Sumerian versions of the ''Epic of Gilgamesh'' say that Gilgamesh traveled east, presumably, to the Zagros mountains of Iran (ancient Elam) to the cedar forest, yet the later more extensive Babylonian examples place the cedar forests west in Lebanon.''Archaeology and the Homeric Epic'', Susan Sherratt, John Bennett. Oxbow Books, 2017. P127 In the ''Epic of Gilgamesh'' Tablet 4 Tablet four tells the story of the journey to the Cedar Forest. On each day of the six-day journey, Gilgamesh prays to Shamash; in response to these prayers, Shamash sends Gilgamesh oracular dreams during the night. The first is not pres ...
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Epic Of Gilgamesh
The ''Epic of Gilgamesh'' () is an epic poetry, epic poem from ancient Mesopotamia, and is regarded as the earliest surviving notable literature and the second oldest religious text, after the Pyramid Texts. The literary history of Gilgamesh begins with five Sumerian language, Sumerian poems about Bilgamesh (Sumerian for "Gilgamesh"), king of Uruk, dating from the Third Dynasty of Ur (). These independent stories were later used as source material for a combined epic in Akkadian language, Akkadian. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates back to the 18th century BC and is titled after its incipit, ''Shūtur eli sharrī'' ("Surpassing All Other Kings"). Only a few clay tablet, tablets of it have survived. The later Standard Babylonian version compiled by Sîn-lēqi-unninni dates from the 13th to the 10th centuries BC and bears the incipit ''Sha naqba īmuru'' ("He who Saw the Abyss", in unmetaphoric terms: "He who Sees the ...
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Gilgamesh
sux, , label=none , image = Hero lion Dur-Sharrukin Louvre AO19862.jpg , alt = , caption = Possible representation of Gilgamesh as Master of Animals, grasping a lion in his left arm and snake in his right hand, in an Assyrian palace relief (713–706 BC), from Dur-Sharrukin, now held in the Louvre , reign=c. 2900–2700 BC ( EDI), predecessor = Dumuzid, the Fisherman (as Ensi of Uruk) , consort = , siblings = , successor = Ur-Nungal Gilgamesh ( akk, , translit=Gilgameš; originally sux, , translit= Bilgames)). His name translates roughly as "The Ancestor is a Young-man", from ''Bil.ga'' "Ancestor", Elder and ''Mes/Mesh3'' "Young-Man". See also . was a hero in ancient Mesopotamian mythology and the protagonist of the ''Epic of Gilgamesh'', an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken p ...
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Gilgamesh And Enkidu Slaying Humbaba At The Cedar Forest
sux, , label=none , image = Hero lion Dur-Sharrukin Louvre AO19862.jpg , alt = , caption = Possible representation of Gilgamesh as Master of Animals, grasping a lion in his left arm and snake in his right hand, in an Assyrian palace relief (713–706 BC), from Dur-Sharrukin, now held in the Louvre , reign=c. 2900–2700 BC ( EDI), predecessor = Dumuzid, the Fisherman (as Ensi of Uruk) , consort = , siblings = , successor = Ur-Nungal Gilgamesh ( akk, , translit=Gilgameš; originally sux, , translit= Bilgames)). His name translates roughly as "The Ancestor is a Young-man", from ''Bil.ga'' "Ancestor", Elder and ''Mes/Mesh3'' "Young-Man". See also . was a hero in ancient Mesopotamian mythology and the protagonist of the ''Epic of Gilgamesh'', an epic poem written in Akkadian during the late 2nd millennium BC. He was possibly a historical king of the Sumerian city-state of Uruk, who was posthumously deified. His rule probably would have taken pl ...
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Giant (mythology)
In folklore, giants (from Ancient Greek: '' gigas'', cognate giga-) are beings of human-like appearance, but are at times prodigious in size and strength or bear an otherwise notable appearance. The word ''giant'' is first attested in 1297 from Robert of Gloucester's chronicle. It is derived from the ''Gigantes'' ( grc-gre, Γίγαντες) of Greek mythology. Fairy tales such as '' Jack the Giant Killer'' have formed the modern perception of giants as dimwitted ogres, sometimes said to eat humans, while other giants tend to eat the livestock. The antagonist in ''Jack and the Beanstalk'' is often described as a giant. In some more recent portrayals, like those of Jonathan Swift and Roald Dahl, some giants are both intelligent and friendly. Literary and cultural analysis Giants appear in the folklore of cultures worldwide as they represent a relatively simple concept. Representing the human body enlarged to the point of being monstrous, giants evoke terror and remind humans ...
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Gorgon
A Gorgon (Help:IPA/English, /ˈɡɔːrɡən/; plural: Gorgons, Ancient Greek language, Ancient Greek: Γοργών/Γοργώ ''Gorgṓn/Gorgṓ'') is a creature in Greek mythology. Gorgons occur in the earliest examples of Greek literature. While descriptions of Gorgons vary, the term most commonly refers to three sisters who are described as having hair made of living, venomous Snake, snakes and horrifying visages that Petrifaction in mythology and fiction, turned those who beheld them to stone. Traditionally, two of the Gorgons, Stheno and Euryale (Gorgon), Euryale, were immortal, but their sister Medusa was not and was slain by the demigod and hero Perseus. Etymology The name derives from the Ancient Greek word (), which means 'grim or dreadful', and appears to come from the same root as the Sanskrit word (), which means a guttural sound, similar to the growling of a beast, thus possibly originating as an onomatopoeia. Depictions Gorgons were a popular image in Greek myt ...
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Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the Fertile Crescent. Today, Mesopotamia occupies modern Iraq. In the broader sense, the historical region included present-day Iraq and Kuwait and parts of present-day Iran, Syria and Turkey. The Sumerians and Akkadians (including Assyrians and Babylonians) originating from different areas in present-day Iraq, dominated Mesopotamia from the beginning of written history () to the fall of Babylon in 539 BC, when it was conquered by the Achaemenid Empire. It fell to Alexander the Great in 332 BC, and after his death, it became part of the Greek Seleucid Empire. Later the Arameans dominated major parts of Mesopotamia (). Mesopotamia is the site of the earliest developments of the Neolithic Revolution from around 10,000 BC. It has been identi ...
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Gorgoneion
In Ancient Greece, the Gorgoneion (Greek: Γοργόνειον) was a special apotropaic amulet showing the Gorgon head, used by the Olympian deities Athena and Zeus: both are said to have worn the gorgoneion as a protective pendant,. and often are depicted wearing it. It established their descent from earlier deities considered to remain powerful. Among other attributes, it was assumed by rulers of the Hellenistic age as a royal aegis to imply divine birth or protection, as shown, for instance, on the Alexander Mosaic and the Gonzaga Cameo. Origin According to Marija Gimbutas, ''gorgoneia'' represent certain aspects of the Mother Goddess cult associated with "dynamic life energy" and asserts that the images may be related to a cultural continuity persisting since the Neolithic period defining the ''gorgoneion'' as a quintessentially European image. Jane Ellen Harrison, on the other hand, claims that many primitive cultures use similar ritual masks in order to scare the owner fr ...
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Petra
Petra ( ar, ٱلْبَتْرَاء, Al-Batrāʾ; grc, Πέτρα, "Rock", Nabataean Aramaic, Nabataean: ), originally known to its inhabitants as Raqmu or Raqēmō, is an historic and archaeological city in southern Jordan. It is adjacent to the mountain of Jebel al-Madhbah, Jabal Al-Madbah, in a Depression (geology), basin surrounded by mountains forming the eastern flank of the Arabah valley running from the Dead Sea to the Gulf of Aqaba. The area around Petra has been inhabited from as early as 7000 BC, and the Nabataeans might have settled in what would become the capital city of Nabataean Kingdom, their kingdom as early as the 4th century BC. Archaeological work has only discovered evidence of Nabataean presence dating back to the second century BC, by which time Petra had become their capital. The Nabataeans were nomadic Arabs who invested in Petra's proximity to the incense trade routes by establishing it as a major regional trading hub. The trading business gained ...
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Nabatean
The Nabataeans or Nabateans (; Nabataean Aramaic: , , vocalized as ; Arabic: , , singular , ; compare grc, Ναβαταῖος, translit=Nabataîos; la, Nabataeus) were an ancient Arab people who inhabited northern Arabia and the southern Levant. Their settlements—most prominently the assumed capital city of Raqmu (present-day Petra, Jordan)—gave the name ''Nabatene'' ( grc, Ναβατηνή, translit=Nabatēnḗ) to the Arabian borderland that stretched from the Euphrates to the Red Sea. The Nabateans emerged as a distinct civilization and political entity between the 4th and 2nd centuries BCE,Taylor, Jane (2001). ''Petra and the Lost Kingdom of the Nabataeans''. London: I.B.Tauris. pp. 14, 17, 30, 31. . Retrieved 8 July 2016. with their kingdom centered around a loosely controlled trading network that brought considerable wealth and influence across the ancient world. Described as fiercely independent by contemporary Greco-Roman accounts, the Nabataeans were annexed ...
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