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Hucbald
Hucbald ( – 20 June 930; also Hucbaldus or Hubaldus) was a Benedictine monk active as a music theorist, poet, composer, teacher, and hagiographer. He was long associated with Saint-Amand Abbey, so is often known as Hucbald of St Amand. Deeply influenced by Boethius' '' De Institutione Musica'', Hucbald's (''De'') ''Musica'', formerly known as ''De harmonica institutione'', aims to reconcile ancient Greek music theory and the contemporary practice of Gregorian chant with the use of many notated examples. Among the leading music theorists of the Carolingian era, he was likely a near contemporary of Aurelian of Réôme, the unknown author of the ''Musica enchiriadis'', and the anonymous authors of other music theory texts ''Commemoratio brevis'', ''Alia musica'', and ''De modis''. Life Born in northern France, about 840 or 850, Hucbald studied at Elnone Abbey (later named Saint-Amand Abbey, after its 7th-century founder) where his uncle Milo was chief master of studies (''scholast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Harmonica Institutione
Hucbald ( – 20 June 930; also Hucbaldus or Hubaldus) was a Benedictine monk active as a music theorist, poet, composer, teacher, and hagiographer. He was long associated with Saint-Amand Abbey, so is often known as Hucbald of St Amand. Deeply influenced by Boethius' '' De Institutione Musica'', Hucbald's (''De'') ''Musica'', formerly known as ''De harmonica institutione'', aims to reconcile ancient Greek music theory and the contemporary practice of Gregorian chant with the use of many notated examples. Among the leading music theorists of the Carolingian era, he was likely a near contemporary of Aurelian of Réôme, the unknown author of the ''Musica enchiriadis'', and the anonymous authors of other music theory texts ''Commemoratio brevis'', ''Alia musica'', and ''De modis''. Life Born in northern France, about 840 or 850, Hucbald studied at Elnone Abbey (later named Saint-Amand Abbey, after its 7th-century founder) where his uncle Milo was chief master of studies (''scholast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Enchiriadis
''Musica enchiriadis'' is an anonymous musical treatise of the 9th century. It is the first surviving attempt to set up a system of rules for polyphony in western art music. The treatise was once attributed to Hucbald, but this is no longer accepted.Hoppin, Richard H. ''Medieval Music''. Norton, 1978, pp.188-193. Some historians once attributed it to Odo of Cluny (879-942).Finney, Theodore M. A History of Music. Harcourt, Brace and Company, 1935, p. 61 It has also been attributed to Abbot Hoger (d. 906).Wright, Craig and Simms, Bryan. Music in Western Civilization. Schirmer Cengage Learning, 2010, p. 52 This music theory treatise, along with its companion text, '' Scolica enchiriadis'', was widely circulated in medieval manuscripts, often in association with Boethius' '' De institutione musica''.Erickson, Raymond. "Musica enchiriadis, Scholia enchiriadis". ''The New Grove Dictionary of Music and Musicians''. London: Macmillan, 2001. It consists of nineteen chapters; the firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory
Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology that "seeks to define processes and general principles in music". The musicological approach to theory differs from music analysis "in that it takes as its starting-point not the individual work or performance but the fundamental materials from which it is built." Music theory is frequently concerned with describing how musicians and composers make music, including tuning systems and composition methods among other topics. Because of the ever-expanding conception of what constitutes music, a more inclusive definition could be the consideration of any sonic phenomena, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint-Amand Abbey
Saint-Amand Abbey (''Abbaye de Saint-Amand''), once known as Elno, Elnon or Elnone Abbey, is a former Benedictine abbey in Saint-Amand-les-Eaux, Nord, France. History The abbey was founded around 633-639 in what was once a great tract of uninhabited land in the Vicoigne Forest between the Scarpe and the brook called the , from which the monastery took its first name, Elnon or Elnone Abbey. The founder was Saint Amand of Maastricht, under the patronage of Dagobert I. The name of the saint eventually became applied both to the abbey and the village that grew up round it. The abbot from about 652 was Jonatus., s.v. "Jonatus". Apart from its considerable effect on the landscape, the abbey became a major centre of study during the Carolingian Renaissance. Notable members of the community included the 9th-century writer Milo of Saint-Amand, author of a metrical dictionary of Latin long and short syllables as well as a ''Life of Saint Amand'', and his nephew, Hucbald of Saint-Amand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heiric Of Auxerre
Heiric of Auxerre (841–876) was a French Benedictine theologian and writer. He was an oblate of the monastery of St. Germanus of Auxerre from a young age. He studied with Servatus Lupus and Haymo of Auxerre. His own students included Remigius of Auxerre and Hucbald. His ''Miracula sancti Germani'' was a verse life of St. Germanus. Other works include his ''Collectaeum'',''... a florilegium consisting mainly of extracts from classical authors, particularly Valerius Maximus'', Rosamond McKitterick, ''The Frankish Kingdoms under the Carolingians'' (1983), p. 290. a homiliary, and glosses on the ''Categoriae decem The ''Categoriae decem'' ('Ten Categories'), also known as the ''Paraphrasis Themistiana'', is a Latin summary of the ''Categories'' of Aristotle. It is thought to date to the fourth century AD. Once and traditionally attributed to Augustine of Hi ...''. Notes External links * Chapter on the School of Auxerrefrom ''The History of Philosophy'' by William Turner, 1903 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aurelian Of Réôme
Aurelian of Réôme (Aurelianus Reomensis) (fl. c. 840 – 850) was a Frankish writer and music theorist. He is the author of the ''Musica disciplina'', the earliest extant treatise on music from medieval Europe. Life Next to nothing is known about his life but what can be inferred by the treatise itself. For a time he was a member of the monastery at Saint Jean de Réôme, in the Côte-d'Or near the present-day town of Moutiers-Saint-Jean. Aurelian said in his treatise that he was a former monk of Réôme, but had been dismissed from the community for an unspecified offense; he wrote the treatise as a form of penance, both at the request of his colleagues who needed his specialized knowledge, and as an attempt to supplicate Abbot Bernard of St Jean de Réôme; whether or not he was admitted back into the monastery as a result of his writing is not known. There is a record of an abbot named Bernard at St Jean de Réôme beginning in 846, who shortly afterward became bisho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reims
Reims ( , , ; also spelled Rheims in English) is the most populous city in the French department of Marne, and the 12th most populous city in France. The city lies northeast of Paris on the Vesle river, a tributary of the Aisne. Founded by the Gauls, Reims became a major city in the Roman Empire. Reims later played a prominent ceremonial role in French monarchical history as the traditional site of the coronation of the kings of France. The royal anointing was performed at the Reims Cathedral, Cathedral of Reims, which housed the Holy Ampulla of chrism allegedly brought by a white dove at the baptism of Frankish king Clovis I in 496. For this reason, Reims is often referred to in French as ("the Coronation City"). Reims is recognized for the diversity of its heritage, ranging from Romanesque architecture, Romanesque to Art Deco, Art-déco. Reims Cathedral, the adjacent Palace of Tau, and the Abbey of Saint-Remi were listed together as a UNESCO World Heritage Site in 1991 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptolemy
Claudius Ptolemy (; grc-gre, Πτολεμαῖος, ; la, Claudius Ptolemaeus; AD) was a mathematician, astronomer, astrologer, geographer, and music theorist, who wrote about a dozen scientific treatises, three of which were of importance to later Byzantine, Islamic, and Western European science. The first is the astronomical treatise now known as the '' Almagest'', although it was originally entitled the ''Mathēmatikē Syntaxis'' or ''Mathematical Treatise'', and later known as ''The Greatest Treatise''. The second is the ''Geography'', which is a thorough discussion on maps and the geographic knowledge of the Greco-Roman world. The third is the astrological treatise in which he attempted to adapt horoscopic astrology to the Aristotelian natural philosophy of his day. This is sometimes known as the ''Apotelesmatika'' (lit. "On the Effects") but more commonly known as the '' Tetrábiblos'', from the Koine Greek meaning "Four Books", or by its Latin equivalent ''Quadrip ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Gerbert
Martin Gerbert (11 August 1720 – 3 May 1793), was a German theologian, historian and writer on music, belonged to the noble family of Gerbert von Hornau, and was born at Horb am Neckar, Württemberg, on 12 (or 11 or 13) August 1720. Life He was educated at Freiburg im Breisgau, at Klingnau in Switzerland and at the Benedictine St. Blaise's Abbey in the Black Forest, where in 1737 he took the vows. In 1744 he was ordained priest, and immediately afterwards appointed professor, first of philosophy and later of theology. Between 1754 and 1764 he published a series of theological treatises, their main tendency being to modify the rigid scholastic system by an appeal to the Fathers, notably Augustine; from 1759 to 1762 he travelled in Germany, Italy and France, mainly with a view to examining the collections of documents in the various monastic libraries. In 1764 he was elected prince-abbot of St Blaise's, and proved himself a model ruler both as abbot and prince. His examination ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
