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Holy Trinity Church, Bothenhampton
Holy Trinity Church is a Church of England parish church at Bothenhampton, near Bridport in Dorset, England. It was designed and built by the English arts and crafts architect Edward Schroeder Prior in 1887–89. It is a Grade II* listed building. Background Holy Trinity Bothenhampton was Edward Prior's first church. He undertook an extensive study of local churches and developed a sophisticated analytical approach to designing the building, and a philosophy that sought to build appropriately for its religious function. The roof was the most radical feature of the church, later forming the model for the great roof at Prior's masterwork at St Andrew's Church, Roker. Elements of Richard Norman Shaw's influence remain, particularly in the porch but Prior's knowledge and love of Early English church architecture in particular dominate. Prior was careful to use local materials, selected with skill and handled with craftsmanship. He was also able to develop furnishings and decoratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of England Parish Church
A parish church in the Church of England is the church which acts as the religious centre for the people within each Church of England parish (the smallest and most basic Church of England administrative unit; since the 19th century sometimes called the ecclesiastical parish, to avoid confusion with the civil parish which many towns and villages have). Parishes in England In England, there are parish churches for both the Church of England and the Roman Catholic Church. References to a "parish church", without mention of a denomination, will, however, usually be to those of the Church of England due to its status as the Established Church. This is generally true also for Wales, although the Church in Wales is dis-established. The Church of England is made up of parishes, each one forming part of a diocese. Almost every part of England is within both a parish and a diocese (there are very few non-parochial areas and some parishes not in dioceses). These ecclesiastical parishes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lancet Windows
A lancet window is a tall, narrow window with a pointed arch at its top. It acquired the "lancet" name from its resemblance to a lance. Instances of this architectural element are typical of Gothic church edifices of the earliest period. Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is sometimes known as the "Lancet Period". Retrieved 24 October 2006 The term ''lancet window'' is properly applied to windows of austere form, without |
James Brooks (architect)
James Brooks (1825–1901) was an influential English Gothic Revival architect and designer. Brooks established his reputation through a series of landmark churches built in the East End of London in the 1860 and 1870s, and was awarded the Royal Institute of British Architects' Royal Gold Medal in 1895. Early life Brooks was born in Hatford, near Wantage, Berkshire, in 1825. He was educated at John Roysse's Free School in Abingdon-on-Thames (now Abingdon School) which he attended from about 1835 until 1840. In 1847 he was articled to the London architect Lewis Stride. He attended Thomas Leverton Donaldson's lectures at University College London, and enrolled as a student at the Royal Academy Schools. Career Brooks set up in practice in about 1852. He exhibited at the Royal Academy between 1853 and 1899; from 1894 as "James Brooks and Sons". Arthur Heygate Mackmurdo was his pupil. He was architect to the Diocesan Society of Canterbury, and a consulting architect to the I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alabaster
Alabaster is a mineral or rock that is soft, often used for carving, and is processed for plaster powder. Archaeologists and the stone processing industry use the word differently from geologists. The former use it in a wider sense that includes varieties of two different minerals: the fine-grained massive type of gypsum and the fine-grained banded type of calcite.''More about alabaster and travertine'', brief guide explaining the different use of these words by geologists, archaeologists, and those in the stone trade. Oxford University Museum of Natural History, 2012/ref> Geologists define alabaster only as the gypsum type. Chemically, gypsum is a Water of crystallization, hydrous sulfur, sulfate of calcium, while calcite is a carbonate of calcium. The two types of alabaster have similar properties. They are usually lightly colored, translucent, and soft stones. They have been used throughout history primarily for carving decorative artifacts."Grove": R. W. Sanderson and Francis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wrought Iron
Wrought iron is an iron alloy with a very low carbon content (less than 0.08%) in contrast to that of cast iron (2.1% to 4%). It is a semi-fused mass of iron with fibrous slag Inclusion (mineral), inclusions (up to 2% by weight), which give it a wood-like "grain" that is visible when it is etched, rusted, or bent to structural failure, failure. Wrought iron is tough, malleable, ductile, corrosion resistant, and easily forge welding, forge welded, but is more difficult to welding, weld electrically. Before the development of effective methods of steelmaking and the availability of large quantities of steel, wrought iron was the most common form of malleable iron. It was given the name ''wrought'' because it was hammered, rolled, or otherwise worked while hot enough to expel molten slag. The modern functional equivalent of wrought iron is Carbon steel#Mild or low-carbon steel, mild steel, also called low-carbon steel. Neither wrought iron nor mild steel contain enough carbon to be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gesso
Gesso (; "chalk", from the la, gypsum, from el, γύψος) is a white paint mixture consisting of a binder mixed with chalk, gypsum, pigment, or any combination of these. It is used in painting as a preparation for any number of substrates such as wood panels, canvas and sculpture as a base for paint and other materials that are applied over it. Description "''Gesso''", also known "glue gesso" or "Italian gesso", is a traditional mix of an animal glue binder (usually rabbit-skin glue), chalk, and white pigment, used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate for painting. The colour of gesso is usually white or off-white. Its absorbency makes it work with all painting media, including water-based media, different types of tempera and oil paint. It is also used as a base on three-dimensional surfaces for the application of paint or gold leaf. Mixing and applying it is a craft in itself, as it is usually applie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Lethaby
William Richard Lethaby (18 January 1857 – 17 July 1931) was an English architect and architectural historian whose ideas were highly influential on the late Arts and Crafts and early Modern movements in architecture, and in the fields of conservation and art education. Life and career Early life Lethaby was born in Barnstaple, Devon, the son of a fiercely Liberal craftsman and lay preacher. After studies at Barnstaple Art School and an early apprenticeship with a local architect he found work in London in 1879 as Chief Clerk to architect Richard Norman Shaw. Shaw quickly recognized Lethaby's talent as a designer and Lethaby was to contribute significant pieces of work to major Shaw-designed buildings such as Scotland Yard in London and Cragside in Northumberland. While working for Shaw, Lethaby became involved in the Society for the Protection of Ancient Buildings, which campaigned to preserve the integrity and authenticity of older buildings against the Victorian practice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corbel
In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the structure. A piece of timber projecting in the same way was called a "tassel" or a "bragger" in England. The technique of corbelling, where rows of corbels deeply keyed inside a wall support a projecting wall or parapet, has been used since Neolithic (New Stone Age) times. It is common in medieval architecture and in the Scottish baronial style as well as in the vocabulary of classical architecture, such as the modillions of a Corinthian cornice. The corbel arch and corbel vault use the technique systematically to make openings in walls and to form ceilings. These are found in the early architecture of most cultures, from Eurasia to Pre-Columbian architecture. A console is more specifically an "S"-shaped scroll bracket in the classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trefoil
A trefoil () is a graphic form composed of the outline of three overlapping rings, used in architecture and Christian symbolism, among other areas. The term is also applied to other symbols with a threefold shape. A similar shape with four rings is called a quatrefoil. Architecture Ornamentation 'Trefoil' is a term in Gothic architecture given to the ornamental foliation or cusping introduced in the heads of window-lights, tracery, and panellings, in which the centre takes the form of a three-lobed leaf (formed from three partially overlapping circles). One of the earliest examples is in the plate tracery at Winchester Cathedral (1222–1235). The fourfold version of an architectural trefoil is a quatrefoil. A simple trefoil shape in itself can be symbolic of the Trinity, while a trefoil combined with an equilateral triangle was also a moderately common symbol of the Christian Trinity during the late Middle Ages in some parts of Europe, similar to a barbed quatrefoil. Two for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vestry
A vestry was a committee for the local secular and ecclesiastical government for a parish in England, Wales and some English colonies which originally met in the vestry or sacristy of the parish church, and consequently became known colloquially as the "vestry". Overview For many centuries, in the absence of any other authority (which there would be in an incorporated city or town), the vestries were the sole ''de facto'' local government in most of the country, and presided over local, communal fundraising and expenditure until the mid or late 19th century using local established Church chairmanship. They were concerned for the spiritual but also the temporal as well as physical welfare of parishioners and its parish amenities, collecting local rates or taxes and taking responsibility for numerous functions such as the care of the poor, the maintaining of roads, and law enforcement, etc. More punitive matters were dealt with by the manorial court and hundred court, and latter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sedilia
In church architecture, sedilia (plural of Latin ''sedīle'', "seat") are seats, usually made of stone, found on the liturgical south side of an altar, often in the chancel, for use during Mass for the officiating priest and his assistants, the deacon and sub-deacon. The seat is often set back into the main wall of the church itself. Not all sedilia are stone; there is a timber one thought to be 15th century in St Nicholas' Church at Rodmersham in Kent. When there is only one such seat, the singular form ''sedile'' is used, as for instance at St Mary's, Princes Risborough, Buckinghamshire or at St Agatha's, Coates, West Sussex. The first examples in the catacombs were single inlays for the officiating priest. In time, the more usual number became three, although there are examples of up to five sedilia. The custom of recessing them in the thickness of the wall began about the end of the 12th century; some early examples consist only of stone benches, and there is one instan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamfer
A chamfer or is a transitional edge between two faces of an object. Sometimes defined as a form of bevel, it is often created at a 45° angle between two adjoining right-angled faces. Chamfers are frequently used in machining, carpentry, furniture, concrete formwork, mirrors, and to facilitate assembly of many mechanical engineering designs. Terminology In machining the word '' bevel'' is not used to refer to a chamfer. Machinists use chamfers to "ease" otherwise sharp edges, both for safety and to prevent damage to the edges. A ''chamfer'' may sometimes be regarded as a type of bevel, and the terms are often used interchangeably. In furniture-making, a lark's tongue is a chamfer which ends short of a piece in a gradual outward curve, leaving the remainder of the edge as a right angle. Chamfers may be formed in either inside or outside adjoining faces of an object or room. By comparison, a ''fillet'' is the rounding-off of an interior corner, and a ''round'' (or ''radiu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
