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Hold That Tiger
"Tiger Rag" is a jazz standard that was recorded and copyrighted by the Original Dixieland Jass Band in 1917. It is one of the most recorded jazz compositions. In 2003, the 1918 recording of "Tiger Rag" was entered into the U.S. Library of Congress National Recording Registry. Background The song was first recorded on August 17, 1917 by the Original Dixieland Jass Band for Aeolian-Vocalion Records. The band did not use the "Jazz" spelling in its name until 1917. The Aeolian-Vocalion sides did not sell well because they were recorded in a vertical format which could not be played successfully on most contemporary phonographs. But the second recording on March 25, 1918 for Victor was a hit and established it as a jazz standard. The song was copyrighted, published, and credited to band members Eddie Edwards, Nick LaRocca, Henry Ragas, Tony Sbarbaro, and Larry Shields in 1917. Authorship "Tiger Rag" was first copyrighted in 1917 with music composed by Nick LaRocca. In subseq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixieland
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band"), fostered awareness of this new style of music. A revival movement for traditional jazz began in the 1940s, formed in reaction to the orchestrated sounds of the swing era and the perceived chaos of the new bebop sounds (referred to as "Chinese music" by Cab Calloway), Led by the Assunto brothers' original Dukes of Dixieland, the movement included elements of the Chicago style that developed during the 1920s, such as the use of a string bass instead of a tuba, and chordal instruments, in addition to the original format of the New Orleans style. That reflected that virtually all of the recorded repertoire of New Orleans musicians was from the perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Celestin
Oscar Phillip Celestin (January 1, 1884 – December 15, 1954) better known by stage name Papa Celestin was an American jazz trumpeter and bandleader. Life and career Celestin was born in Napoleonville, Louisiana, to a Creole family, son of a sugar-cane cutter. In his youth, he worked on rural Louisiana plantations in the American South, plantations. Eager for a better life, he worked as a cook for the Texas & Pacific Railroad, saved up money and bought used musical instruments. He played guitar and trombone before deciding on cornet as his main instrument. He took music lessons from Claiborne Williams, who traveled down the Bayou Lafourche from Donaldsonville, Louisiana, Donaldsonville. He played with the Algiers Brass Band by the early 1900s, and with various small town bands before moving to New Orleans in 1904, at age 20. In New Orleans, he played with the Imperial, Indiana, Henry Allen senior's Olympia Brass Band, and Jack Carey's dance band; early in his career he was some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Orleans Rhythm Kings
The New Orleans Rhythm Kings (NORK) were one of the most influential jazz bands of the early to mid-1920s. The band included New Orleans and Chicago musicians who helped shape Chicago jazz and influenced many younger jazz musicians. History The New Orleans Rhythm Kings in its earliest stages was the creation of the drummer Mike "Ragbaby" Stevens, solely in that he sent the first telegram to Albert Brunies about going to Chicago to form a band and find better gigs than New Orleans had to offer. Albert "Abbie" Brunies and his younger brother, the trombonist George Brunies, were initially hesitant but suggested the idea to a friend, the trumpet player Paul Mares, who immediately took the opportunity. "So I says Paul, I says, Abbie don't want to go to Chicago and I'm kind of leery, I'm afraid", George recalled. "Paul says, 'man, give me that wire. I'll go.' So Paul went up o Chicagoand introduced himself to Ragbaby Stevens and Ragbaby liked him… and Paul got the railroad fare f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bruce Boyd Raeburn
The English language name Bruce arrived in Scotland with the Normans, from the place name Brix, Manche in Normandy, France, meaning "the willowlands". Initially promulgated via the descendants of king Robert the Bruce (1274−1329), it has been a Scottish surname since medieval times; it is now a common given name. The variant ''Lebrix'' and ''Le Brix'' are French variations of the surname. Actors * Bruce Bennett (1906–2007), American actor and athlete * Bruce Boxleitner (born 1950), American actor * Bruce Campbell (born 1958), American actor, director, writer, producer and author * Bruce Davison (born 1946), American actor and director * Bruce Dern (born 1936), American actor * Bruce Gray (1936–2017), American-Canadian actor * Bruce Greenwood (born 1956), Canadian actor and musician * Bruce Herbelin-Earle (born 1998), English-French actor and model * Bruce Jones (born 1953), English actor * Bruce Kirby (1925–2021), American actor * Bruce Lee (1940–1973), martial arti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Caporaletti
Vincenzo Caporaletti (born 1955) is an Italian musicologist known for devising audiotactile formativity theory. Career Caporaletti was born in 1955 and raised in Roseto degli Abruzzi. He was a founding member of the Italian progressive rock group Pierrot Lunaire in the early 1970s, along with Arturo Stàlteri and Gaio Chiocchio. The first self-titled album. was released in 1974. From this year on, he started to dedicate his attention to the world of jazz, in particular in Rome, collaborating with musicians such as Tony Scott, Giulio Capiozzo and Jimmy Owens. Caporaletti's research activity in musicology started at the end of the 1970s. One of his first researches was a reflection on the concept of Swing (jazz performance style), developed in his MA thesis taken at the University of Bologna. Inside this thesis he set the basis of the epistemological concept of audiotactility, that later has been defined ''Audiotactile Principle'' (ATP). On this concept, he built the framework of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Carey
Jack Carey (1889 – 1934) was an American jazz trombonist and the leader of the Crescent City Orchestra. The authorship of the famous ''Tiger Rag'' tune is attributed to him by some. During his career, he performed with Sidney Bechet. Carey was the older brother of Mutt Carey Thomas "Papa Mutt" Carey (September 17, 1891 – September 3, 1948) was an American jazz trumpeter. Early life Carey was born in Hahnville, Louisiana,Kernfedl, Barry, ed. ''The New Grove Dictionary of Jazz''. Macmillan, 1994. p. 185. and moved .... References American jazz bandleaders American jazz trombonists Male trombonists 1889 births 1934 deaths 20th-century trombonists 20th-century American male musicians American male jazz musicians People from Hahnville, Louisiana {{US-jazz-trombonist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Charters
Samuel Barclay Charters IV (August 1, 1929 – March 18, 2015) was an American music historian, writer, record producer, musician, and poet. He was a widely published author on the subjects of blues and jazz. He also wrote fiction. Overview Charters was born in Pittsburgh, Pennsylvania, into an upper-middle-class family that was interested in listening to and playing music of all sorts. "I grew up in a world of band rehearsals, blues records, and a whole consciousness of jazz. . . . The family also played ragtime, also played Debussy, also was involved in hearing Bartok's new music. It was a general musical cultural interest in which jazz was central" (Ismail, 2011, p. 232). Charters first became enamored of blues music in 1937, after hearing Bessie Smith's version of Jimmy Cox's song, "Nobody Knows You When You're Down and Out" (Charters 2004). He moved with his family to Sacramento, California, at the age of 15. Charters says that he was "playing clarinet, playing jazz s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille Baquet
Achille Joseph Baquet (November 15, 1885 – November 20, 1955/1956) was an American jazz clarinetist and saxophonist. He was an early musician on the Dixieland, New Orleans jazz scene. Baquet was raised in a musical family. His father, Théogène Baquet, led the Excelsior Brass Band, and his brothers, Harold Baquet (musician), Harold, and George Baquet, George, were both musicians, George being the most famous of the three. Achille was black people, black ("Creole of Color" in the local terminology), but was light-Human skin, skinned, and was the only member of the family who was able to passing (racial identity), pass for white people, white. He learned clarinet from Luis Tio, and played with the Original Dixieland Jazz Band, Papa Jack Laine's Reliance Brass Band, and the Happy Schilling Dance Orchestra. Baquet was thought to have been a member of the Whiteway Jazz Band, but the membership of this ensemble has never been established definitively. Jimmy Durante, who assumed lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Jack Laine
George Vital "Papa Jack" Laine (September 21, 1873 – June 1, 1966) was an American musician and a pioneering band leader in New Orleans in the years from the Spanish–American War to World War I. He was often credited for training many musicians who would later become successful in jazz music. Laine's Reliance Brass Band was the first to fuse European, African, and Latin music. The earliest jazz musicians can be traced back to playing in the Reliance Brass Band or being influenced by those who had. Many of the New Orleans musicians who first spread jazz around the United States in the 1910s and 1920s got their start in Laine's marching band, including the members of the Original Dixieland Jass Band. Career Laine was a drummer, but he was more noted for his skills at arranging and booking bands. Laine's musicians included individuals from most of New Orleans' many ethnic groups: African American, English, French, German, Irish, Italian, Jewish, Latin American, Scottish, etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Laine
George Vital "Papa Jack" Laine (September 21, 1873 – June 1, 1966) was an American musician and a pioneering band leader in New Orleans in the years from the Spanish–American War to World War I. He was often credited for training many musicians who would later become successful in jazz music. Laine's Reliance Brass Band was the first to fuse European, African, and Latin music. The earliest jazz musicians can be traced back to playing in the Reliance Brass Band or being influenced by those who had. Many of the New Orleans musicians who first spread jazz around the United States in the 1910s and 1920s got their start in Laine's marching band, including the members of the Original Dixieland Jass Band. Career Laine was a drummer, but he was more noted for his skills at arranging and booking bands. Laine's musicians included individuals from most of New Orleans' many ethnic groups: African American, English, French, German, Irish, Italian, Jewish, Latin American, Scottish, etc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii. Biography Ory was born in 1886 to a Louisiana French-speaking family of Black Creole descent, on Woodland Plantation in Laplace, now the site of 1811 Kid Ory Historic House. Ory started playing music with homemade ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
