George Vital "Papa Jack" Laine (September 21, 1873 – June 1, 1966)
was an American musician and a pioneering band leader in
in the years from the
Spanish–American War
, partof = the Philippine Revolution, the decolonization of the Americas, and the Cuban War of Independence
, image = Collage infobox for Spanish-American War.jpg
, image_size = 300px
, caption = (clock ...
to
World War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
. He was often credited for training many musicians who would later become successful in
jazz music
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major f ...
.
Laine's Reliance Brass Band was the first to fuse European, African, and Latin music. The earliest jazz musicians can be traced back to playing in the Reliance Brass Band or being influenced by those who had.
Many of the New Orleans musicians who first spread jazz around the
United States
The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territorie ...
in the 1910s and 1920s got their start in Laine's marching band, including the members of the
Original Dixieland Jass Band
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the m ...
.
Career
Laine was a
drummer
A drummer is a percussionist who creates music using drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one mem ...
, but he was more noted for his skills at arranging and booking bands. Laine's musicians included individuals from most of New Orleans' many ethnic groups: African American, English, French, German, Irish, Italian, Jewish, Latin American, Scottish, etc. He started leading bands in 1885 before the
Jim Crow law
The Jim Crow laws were state and local laws enforcing racial segregation in the Southern United States. Other areas of the United States were affected by formal and informal policies of segregation as well, but many states outside the Sout ...
s went into effect in New Orleans.
["Papa Jack" George Vetiala Laine, National Park Service](_blank)
Due to the diverse background of many of his band's members, a broad range of ideas developed and fused, leading to the early beginnings of jazz music.
Even after
segregation laws
Racial segregation is the systematic separation of people into racial or other ethnic groups in daily life. Racial segregation can amount to the international crime of apartheid and a crime against humanity under the Statute of the Internati ...
started demanding "whites" and "colored" be kept separate, Laine continued to hire light- and medium light-skinned
African-American
African Americans (also referred to as Black Americans and Afro-Americans) are an Race and ethnicity in the United States, ethnic group consisting of Americans with partial or total ancestry from sub-Saharan Africa. The term "African American ...
musicians, claiming that they were "Cuban" or "Mexican" if any segregationist tried to start trouble. Therefore, his band attracted a large and diverse group of people such as Mexican clarinetist
Lorenzo Tio, Sr., a pioneer of the jazz solo. Laine believed music brought people together.
Laine retired from the music booking business by 1920, but he was interviewed a number of times, providing first-hand accounts of the early days of the development of
New Orleans jazz.
On January 1, 1951, Laine was made an Honorary Life Member and given the title of "Father of White Jazz" by the New Orleans Jazz Club.
List of musicians hired by Laine to play in his bands
Laine hired well over 100 musicians to play in his bands, including the following:
References
{{DEFAULTSORT:Laine, Papajack
American jazz bandleaders
American jazz drummers
1873 births
1966 deaths
Jazz musicians from New Orleans
American people of French descent
American people of Italian descent
20th-century American drummers
American male drummers
20th-century American male musicians
American male jazz musicians