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Hohner Pianet
The Hohner Pianet is a type of electro-mechanical piano built by the Hohner company of Trossingen, West Germany and designed by Ernst Zacharias. The Pianet was a variant of his earlier reed-based Hohner electric piano, the Cembalet, which, like the Pianet, was intended for home use. Hohner offered both keyboards in their range until 1968. The Pianet production consisted of two distinctly different mechanism groups with characteristically different sound. The first group, lasting from introduction to 1977, had ground stainless steel reeds, a pick-up using variable capacitance, and leather-faced activation pads. The second group from 1977 until the end of production used rolled spring-steel reeds, electro-magnetic pick-ups, and moulded silicone rubber activation pads. Features The Hohner Pianet is an electro-mechanical instrument, and needs to be connected to an amplifier to produce an audible sound. It had 61 keys ranging from F1 - F6 (43.6 Hz – 1396.9 Hz). Later mode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hohner Pianet
The Hohner Pianet is a type of electric piano, electro-mechanical piano built by the Hohner company of Trossingen, West Germany and designed by Ernst Zacharias. The Pianet was a variant of his earlier reed-based Hohner electric piano, the Cembalet, which, like the Pianet, was intended for home use. Hohner offered both keyboards in their range until 1968. The Pianet production consisted of two distinctly different mechanism groups with characteristically different sound. The first group, lasting from introduction to 1977, had ground stainless steel reeds, a pick-up using variable capacitance, and leather-faced activation pads. The second group from 1977 until the end of production used rolled spring-steel reeds, electro-magnetic pick-ups, and moulded silicone rubber activation pads. Features The Hohner Pianet is an electro-mechanical instrument, and needs to be connected to an amplifier to produce an audible sound. It had 61 keys ranging from F1 - F6 (43.6 Hz – 1396.9 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tell Me What You See
"Tell Me What You See" is a song by the English rock band the Beatles that first appeared in 1965 on their album ''Help!'' in the United Kingdom and on '' Beatles VI'' in the United States. The song is credited to Lennon–McCartney but mainly written by Paul McCartney. Regarding the song's authorship, McCartney said, "I seem to remember it as mine. I would claim it as a 60–40 but it might have been totally me." John Lennon said, in his interviews with ''Playboy'' (1980) and ''Hit Parader'' (1972), that "Tell Me What You See" was written completely by McCartney. Composition "Tell Me What You See" was deemed by McCartney, "Not awfully memorable", in an interview with author Barry Miles. Following each repetition of the title phrase, there is a brief instrumental break featuring a Hohner Pianet. The instrument is featured on two other tracks on ''Help!'': "You Like Me Too Much" and " The Night Before", both recorded the day before "Tell Me What You See." Ringo Starr's drummin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Night Before (song)
"The Night Before" is a song by the English rock band the Beatles from their 1965 film ''Help!'' and accompanying album ''Help!'' The song was written by Paul McCartney and credited to Lennon–McCartney. Background and composition Neither Paul McCartney nor John Lennon had strong memories about the creation of "The Night Before". Although the song is credited to the Lennon–McCartney songwriting partnership, both identified it as being written primarily by McCartney. McCartney recalled writing it at the apartment of his then girlfriend Jane Asher and her family, at 57 Wimpole Street in central London. "The Night Before" is mainly in the key of D major, with a brief modulation to G major in the bridge, and is in 4/4 time. The verse's vocal arrangement uses what writer Kenneth Womack identifies as a call and response structure; however, musicologist Alan W. Pollack instead describes it as "hocket-like" due to it being a "single thread vocal line shared" between the lead and bac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Getting Better
"Getting Better" is a song by the English rock band the Beatles from their 1967 album '' Sgt. Pepper's Lonely Hearts Club Band''. It was written mainly by Paul McCartney, with some of the lyrics written by John Lennon, and credited to the Lennon–McCartney partnership. Composition The song has been said to be musically reminiscent of the Beatles' hit single "Penny Lane". It moves forward by way of regular chords, produced by Lennon and George Harrison's electric guitar. George Martin plays Pianet and piano, on the latter bypassing the keyboard and directly striking the strings. These heavily accented and repetitive lines cause the song to sound as if it is based on a drone. Harrison added an Indian tambura part to the final verse, which further accentuates this impact. The sound of the percussion introduced in this section combines with the tambura to create an Indian mood. McCartney's bassline, in counterpoint to this droning, was described by music critic Ian MacDonald as "d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Am The Walrus
"I Am the Walrus" is a song by the English rock band the Beatles from their 1967 television film ''Magical Mystery Tour''. Written by John Lennon and credited to Lennon–McCartney, it was released as the B-side to the single "Hello, Goodbye" and on the ''Magical Mystery Tour'' EP and album. In the film, the song underscores a segment in which the band mime to the recording at a deserted airfield. Lennon wrote the song to confound listeners who had been affording serious scholarly interpretations of the Beatles' lyrics. He was partly inspired by two LSD trips and Lewis Carroll's 1871 poem "The Walrus and the Carpenter". Producer George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. The Mike Sammes Singers, a 16-voice choir of professional studio vocalists, also joined the recording, variously singing nonsense lines and shrill whooping noises. Since the "Hello, Goodbye" single and the ''Magical Mystery Tour'' EP both reach ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kingsmen
The Kingsmen are a 1960s rock band from Portland, Oregon, United States. They are best known for their 1963 recording of R&B singer Richard Berry's "Louie Louie", which held the No. 2 spot on the ''Billboard'' charts for six weeks and has become an enduring classic. In total, the Kingsmen charted 13 singles from 1963 to 1968 and five consecutive albums from 1963 to 1966. Their first album, '' The Kingsmen in Person'', remained on the ''Billboard'' Top LPs chart for 131 weeks from January 1964 to August 1966. Their early albums were released internationally in Canada, the UK, France, Germany, Mexico, South Africa, and Taiwan. Early years Lynn Easton and Jack Ely started performing at an early age in local newspaper-sponsored reviews the Journal Juniors and the Young Oregonians, respectively. In 1957, they started performing together, with Ely singing and playing guitar and Easton on the drum kit. The two teenagers had grown up together, as their parents were close frie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louie Louie
"Louie Louie" is a rhythm and blues song written and composed by American musician Richard Berry in 1955, recorded in 1956, and released in 1957. It is best known for the 1963 hit version by the Kingsmen and has become a standard in pop and rock. The song is based on the tune "El Loco Cha Cha" popularized by bandleader René Touzet and is an example of Afro-Cuban influence on American popular music. "Louie Louie" tells, in simple verse–chorus form, the first-person story of a Jamaican sailor returning to the island to see his lover. Historical significance The "remarkable historical impact" of "Louie Louie" has been recognized by organizations and publications worldwide for its influence on the history of rock and roll. A partial list (see #Recognition and rankings, Recognition and rankings table below) includes the Rock and Roll Hall of Fame, the Grammy Hall of Fame Award, Grammy Hall of Fame, National Public Radio, VH1, ''Rolling Stone'' Magazine, the National Endowment f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Zombies
The Zombies are an English rock band formed in the early 1960s in St Albans and led by keyboardist and vocalist Rod Argent and vocalist Colin Blunstone. The group had a British and American hit in 1964 with "She's Not There". In the US, two further singles—"Tell Her No" in 1965 and "Time of the Season" in 1968—were also successful. Their 1968 album ''Odessey and Oracle'' was ranked number 100 on ''Rolling Stone''s 2012 list of the 500 Greatest Albums of All Time, and number 243 on Rolling Stone's 2020 list. The Zombies were inducted into the Rock and Roll Hall of Fame in 2019. History 1961–1964 Three members of the band, Rod Argent, Paul Atkinson and Hugh Grundy, first came together to jam in 1961 in St Albans, Hertfordshire. Argent wanted to form a band and initially asked his elder cousin Jim Rodford to join as a bassist. Rodford was in a successful local band, the Bluetones, at the time and so declined, but he offered to help Argent (Rodford would later join in 2004 w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
She's Not There
"She's Not There" is the debut single by British rock band the Zombies, written by keyboardist Rod Argent. It reached 12 in the UK Singles Chart in September 1964, and 2 on the ''Billboard'' Hot 100 in the United States at the beginning of December 1964. In Canada, it reached 2. ''Rolling Stone'' magazine ranked "She's Not There" No. 297 on its list of the 500 Greatest Songs of All Time. "She's Not There" is also The Zombies only song deemed "lyrically inappropriate" following the September 11th terrorist attacks. Song profile Rod Argent built the lyrics of "She's Not There" from a John Lee Hooker song, whose title – "No One Told Me" – became a part of the opening phrase of "She's Not There". Following an 29 April 1964 performance by the Zombies at St Albans Market Hall, Argent played the one verse he had written of the song for Ken Jones who was set to produce the band's first recording session. Jones encouraged Argent to write a second verse, intending for the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clavinet
The Clavinet is an electrically amplified clavichord invented by Ernst Zacharias and manufactured by the Hohner company of Trossingen, West Germany, from 1964 to 1982. The instrument produces sounds by a rubber pad striking a point on a tensioned string, and was designed to resemble the Renaissance-era clavichord. Although originally intended for home use, the Clavinet became popular on stage, and could be used to create electric guitar sounds on a keyboard. It is strongly associated with Stevie Wonder, who used the instrument extensively, particularly on his 1972 hit "Superstition", and was regularly featured in rock, funk and reggae music throughout the 1960s and 1970s. Modern digital keyboards can emulate the Clavinet sound, but there is also a grass-roots industry of repairers who continue to maintain the instrument. Description The Clavinet is an electromechanical instrument that is usually used in conjunction with a keyboard amplifier. Most models have 60 keys ranging ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
