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Hippolyte-Julien-Joseph Lucas
Hippolyte-Julien-Joseph Lucas (20 December 1807, Rennes – 16 November 1878, Paris) was a French writer and critic whose literary output was largely centered on theatre and opera. He was the author of several plays and opera libretti. In addition to his original stage works, Lucas also translated plays and libretti by other authors for performances in French. These included plays by Aristophanes, Euripides, Lope de Vega, and Calderón as well as Donizetti's operas ''Belisario'', ''Maria Padilla'', and ''Linda di Chamounix''. He was the editor of ''Le Siècle'', but his literary and theatrical criticism appeared in many other French journals as well, most notably ''L'Artiste'', ''La Minerve'', and ''Le Charivari''. He was also a bookseller and later served as the librarian of the Bibliothèque de l'Arsenal. Principal works Opera librettiSourced from Casaglia (2005) * '' L'étoile de Seville'', grand opéra in four acts, composed by Michael Balfe, 1845 * ''La bouquetière'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippolyte Lucas
Pierre-Hippolyte Lucas (17 January 1814 – 5 July 1899) was a French entomologist. Lucas was an assistant-natural history, naturalist at the Muséum national d'Histoire naturelle. From 1839 to 1842 he studied fauna as part of the scientific commission on the exploration of Algeria. His brother was Prosper Lucas. Works * ''Histoire naturelle des lépidoptères exotiques. Ouvrage orné de 200 figures peintes d'après nature par Pauquet et gravées sur acier''. Paris, Pauquet, Bibliothèque Zoologique, 1835. * ''Histoire naturelle des animaux articulés. Exploration scientifique de l'Algérie, pendant les années 1840, 1841 et 1842''. Paris, Imprimerie Nationale (1844–1849). Published in 25 volumes this work contains 122 fine engraved plates. * "Description de nouvelles Espèces de Lépidoptères appartenant aux Collections entomologiques du Musée de Paris". ''Revue et magasin de zoologie pure et appliquée''. (2) 4 (3): 128–141 (1852) 4 (4): 189–198 (1852) 4 (6): 290–300 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Letellier
Robert Ignatius Letellier (born 1953, in Durban, South Africa) is a cultural historian and academic, specialising in the history of music, Romantic literature and the Bible. He teaches at the Maryvale Institute and the Institute of Continuing Education, University of Cambridge. Biography Letellier has ten degrees in a range of subjects, including English, history, philosophy, and scripture. He has a Doctor of Philosophy (PhD) degree in English Romanticism from the University of Salzburg, and a Doctor of Sacred Theology (STD) degree in Scripture from the Pontifical Gregorian University. He teaches music, literature and cultural history at the Institute of Continuing Education, University of Cambridge. Letellier has published more than one hundred articles and books on subjects including the Bible, eighteenth and nineteenth century novels, especially the works of Sir Walter Scott Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832), was a Scottish novelist, po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Meyerbeer
Giacomo Meyerbeer (born Jakob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer, "the most frequently performed opera composer during the nineteenth century, linking Mozart and Wagner". With his 1831 opera ''Robert le diable'' and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century. Born to a rich Jewish family, Meyerbeer began his musical career as a pianist but soon decided to devote himself to opera, spending several years in Italy studying and composing. His 1824 opera '' Il crociato in Egitto'' was the first to bring him Europe-wide reputation, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmond Membrée
Edmond is a given name related to Edmund. Persons named Edmond include: * Edmond Canaple (1797–1876), French politician * Edmond Chehade (born 1993), Lebanese footballer * Edmond Conn (1914–1998), American farmer, businessman, and politician * Edmond de Goncourt (1822–1892), French writer * Edmond Etling (before 1909–1940), French designer, manufacturer * Edmond Halley (1656–1742), English astronomer, geophysicist, mathematician, meteorologist, and physicist * Edmond Haxhinasto (born 1966), Albanian politician * Edmond Maire (1931–2017), French labor union leader * Edmond Rostand * Edmond James de Rothschild * Edmond O'Brien * Edmond Panariti * Edmond Robinson *Edmond Tarverdyan, controversial figure in MMA In fiction * Edmond Dantès, The main character in 'The Count of Monte Cristo' by Alexandre Dumas. * Edmond Elephant, a character from Peppa Pig * Edmond Honda, a character from the ''Street Fighter'' series * Edmond, a character from Rock-A-Doodle * Edm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Massé
Victor Massé (born ''Félix-Marie Massé''; 7 March 1822 – 5 July 1884) was a French composer. Biography Massé was born in Lorient (Morbihan) and studied at the Paris Conservatoire, winning the Prix de Rome in 1844 for his cantata ''Le Rénégat de Tanger'' before turning his attention to opera. While at the Conservatoire, Massé studied with Jaques Halévy. He wrote some twenty operas, including ''La Chanteuse voilée'' (1850), followed by the more ambitious ''Galathée'' (1852) and ''Paul et Virginie'' (1876). His best-known and most successful work was the ''opéra comique'' ''Les Noces de Jeannette'' (1853). His last work, ''Une Nuit de Cléopâtre'', was performed posthumously in April 1885. Massé died in Paris and is buried in Montmartre Cemetery. in the 9th arrondissement of Paris is named after him. Operas * ''La Chambre gothique'', opéra (1849) * ''La Chanteuse voilée'' (1850, text by Eugène Scribe and Adolphe de Leuven) * ''Galathée'' (1852, text by Jules Ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félicien David
Félicien-César David (13 April 1810 – 29 August 1876) was a French composer. Biography Félicien David was born in Cadenet, and began to study music at the age of five under his father, whose death when the boy was six left him an impoverished orphan. His good voice enabled him to study as a choirboy at the Church of Saint-Sauveur in Aix-en-Provence, which he left at the age of 15 with a sound knowledge of music, and a scholarship which enabled him to study literature at a Jesuit college. However, after three years, he abandoned these studies to pursue a musical career. He first obtained a position in the orchestra of the theatre at Aix. In 1829, he became '' maître de chapelle'' at Saint-Sauveur, but realised that to complete his musical education he needed to study at Paris. An allowance of 50 francs per month from a rich uncle made this possible. In Paris in 1830 he convinced Luigi Cherubini, the director of the Conservatoire, to enroll him as a pupil: despite his res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Carré
Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's ''Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's ''Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's ''Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's ''Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's ''Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lalla-Roukh
''Lalla-Roukh'' is an '' opéra comique'' in two acts composed by Félicien David. The libretto by Michel Carré and Hippolyte Lucas was based on Thomas Moore's 1817 narrative poem ''Lalla Rookh''. It was first performed on 12 May 1862 by the Opéra-Comique at the Salle Favart in Paris. Set in Kashmir and Samarkand, the opera recounts the love story between Nourreddin, the King of Samarkand, and the Mughal princess Lalla-Roukh. Her name means "Tulip-cheeked", a frequent term of endearment in Persian poetry. Performance history ''Lalla-Roukh'' had its world premiere on 12 May 1862 at the Opéra-Comique (Salle Favart) in Paris in a double bill with Pierre-Alexandre Monsigny's '' Rose et Colas'', a one-act '' mêlée d'ariettes''. The '' mise en scène'' was by Ernest Mocker, the settings by Jean-Pierre Moynet, Charles Cambon, and Joseph Thierry, and the costumes by Jules Marre. An immediate success with the Paris audiences, ''Lalla-Roukh'' was very popular in its day, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Luigi Bazzoni
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) San Giovanni, the Italian form of "Saint John", is a name that may refer to dozens of saints. It may also refer to several places (most of them in Italy) and religious buildings: Places France *San-Giovanni-di-Moriani, a municipality of the Hau . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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