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Highlife Musicians
Highlife is a music genre that started in present-day Ghana in the 19th century, during its history as a colony of the British Empire and through its trade routes in coastal areas. It describes multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional Akan music, Kpanlogo Music of the Ga people, but is typically played with Western instruments. Highlife is characterized by jazzy horns and multiple guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. Highlife gained popularity in the genre "Native Blues" prior to World War II before production was shut down. After the war its popularity came back within the Igbo people of Nigeria, taking their own traditional guitar riffs and the influence of the Ghanaian highlife performing ideas, mixed and perfected it to form Igbo highlife which became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amakye Dede
Dan Amakye Dede (born 5 January 1958) is a Ghanaian musician. He is one of Ghana's premier high-life artists popularly referred to as "Iron Boy", "the high-life maestro" and "Abrantie" (). Amakye Dede was born in Agogo, Asante Akim. He attended Agogo Roman School. He is best known for classic songs such as: "Jealousy go shame", "Dabi Dabi Ebeye Yie", "Akwadaa Wesoa", and "Iron Boy." On 2 January 2016, he was involved in an accident that killed his manager and seriously injured his bodyguard. Amakye Dede was installed as a sub-Chief at Agogo in the Asante Akim traditional area. Career Dede began his career in 1973 when he joined the Kumapim Royals as a composer and vocalist. This band, led by Akwasi Ampofo Agyei (AAA), had hits such as "Abebi Bewua Eso", "Wanware Me A", "Odo Mani Agyina", and the seminal "Ohohoo Batani". Dede moved to Nigeria, where he had his hit "Jealousy go shame". He then formed his own band, the Apollo High Kings, in 1980. He dominated the high-life sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Picking
Guitar picking is a group of hand and finger techniques a guitarist uses to set guitar strings in motion to produce audible notes. These techniques involve plucking, strumming, brushing, etc. Picking can be done with: * A pick (plectrum) held in the hand * Natural or artificial fingernails, fingertips or finger-mounted plectrums known as fingerpicks (for techniques collectively known as fingerstyle) * A plectrum held between thumb and one finger, supplemented by the free fingers—called hybrid picking or sometimes "chicken pickin". Using a single thumb pick with the bare fingers is similar to hybrid picking. Another mixed technique is to play different passages with a plectrum or fingerstyle, "palming" the plectrum when not in use. This however requires the use of one or more picking hand fingers, and/or can reduce dexterity in the picking hand. Comparison of plectrum and finger picking techniques The pros of each guitar picking style are indirectly correlated to the cons o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4/4 Beat
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highlife Guitar
Highlife is a music genre that started in present-day Ghana in the 19th century, during its history as a colony of the British Empire and through its trade routes in coastal areas. It describes multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional Akan music, Kpanlogo Music of the Ga people, but is typically played with Western instruments. Highlife is characterized by jazzy horns and multiple guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. Highlife gained popularity in the genre "Native Blues" prior to World War II before production was shut down. After the war its popularity came back within the Igbo people of Nigeria, taking their own traditional guitar riffs and the influence of the Ghanaian highlife performing ideas, mixed and perfected it to form Igbo highlife which became ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuba
Cuba ( , ), officially the Republic of Cuba ( es, República de Cuba, links=no ), is an island country comprising the island of Cuba, as well as Isla de la Juventud and several minor archipelagos. Cuba is located where the northern Caribbean Sea, Gulf of Mexico, and Atlantic Ocean meet. Cuba is located east of the Yucatán Peninsula (Mexico), south of both the American state of Florida and the Bahamas, west of Hispaniola ( Haiti/Dominican Republic), and north of both Jamaica and the Cayman Islands. Havana is the largest city and capital; other major cities include Santiago de Cuba and Camagüey. The official area of the Republic of Cuba is (without the territorial waters) but a total of 350,730 km² (135,418 sq mi) including the exclusive economic zone. Cuba is the second-most populous country in the Caribbean after Haiti, with over 11 million inhabitants. The territory that is now Cuba was inhabited by the Ciboney people from the 4th millennium BC with the Gua ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bell Pattern
A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and installe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clave (rhythm)
The clave (; ) is a rhythmic pattern used as a tool for meter (music), temporal organization in Afro-Cuban music, Cuban music. In Spanish, ''clave'' literally means key, clef, code, or keystone. It is present in a variety of genres such as Abakuá music, Cuban rumba, rumba, conga (music), conga, son (music), son, mambo (music), mambo, Salsa music, salsa, songo music, songo, timba and Afro-Cuban jazz. The five-drum stroke, stroke clave pattern represents the structural core of many Cuban rhythms. The clave pattern originated in sub-Saharan African music traditions, where it serves essentially the same function as it does in Cuba. In ethnomusicology, clave is also known as a ''key pattern'', ''guide pattern'', ''phrasing referent'', ''timeline'', or ''asymmetrical timeline''. The clave pattern is also found in the African diaspora music of Haitian Vodou drumming, Afro-Brazilian music, African-American music, Louisiana Voodoo drumming, and Afro-Uruguayan music (candombe). The clave ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guajeo
A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones. Piano guajeos are one of the most recognizable elements of modern-day salsa. Piano guajeos are also known as ''montunos'' in North America, or ''tumbaos'' in the contemporary Cuban dance music timba. History The guajeo shares rhythmic, melodic and harmonic similarities with the short ostinato figures played on marimbas, lamellophones, and string instruments in sub-Saharan Africa. The guajeo is a seamless blend of African and European musical sensibilities, and was first played as accompaniment on the tres in the Afro-Cuban son and related music. The tres is a Cuban guitar-like instrument, consisting of three sets of double strings. Changüí The guajeo emerged in Cuba du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arpeggio
A broken chord is a chord broken into a sequence of notes. A broken chord may repeat some of the notes from the chord and span one or more octaves. An arpeggio () is a type of broken chord, in which the notes that compose a chord are played or sung in a rising or descending order. An arpeggio may also span more than one octave. Being an Italian noun, its plural is ''arpeggi''. The word ''arpeggio'' comes from the Italian word ''arpeggiare'', which means ''to play on a harp''. Even though the notes of an arpeggio are not played or sung all together at the same time, listeners hear the sequence of notes as forming a chord. When an arpeggio also contains passing tones that are not part of the chord, different music theorists may analyze the same musical excerpt differently. Arpeggios enable composers writing for monophonic instruments that play one note at a time (e.g., flute, saxophone, trumpet), to voice chords and chord progressions in musical pieces. Arpeggios and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghanaian Diaspora
The Ghanaian people are a nation originating in the Ghanaian Gold Coast. Ghanaians predominantly inhabit the Republic of Ghana and are the predominant cultural group and residents of Ghana, numbering 30 million people as of 2020, making up 85% of the population. The word "Ghana" means "warrior king". An estimated diaspora population of 4 million people worldwide are of Ghanaian descent. The term ethnic Ghanaian may also be used in some contexts to refer to a group of related ethnic groups native to the Gold Coast. History The ethnogenesis of Ghanaians is traced back to nomadic migration from Nubia along the Sahara desert then south to the Gold Coast, and the Ghanaian ethnogenesis taking place on the Ghanaian Gold Coast region from the 10th to 16th century AD. Early Ghanaians were involved in a lucrative trade with gold bars and other natural minerals to the Portuguese in 1471; these Ghanaian states were among the wealthiest on the African continent from the 17th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igbo Highlife
Igbo highlife is a contemporary musical genre which combines highlife and Igbo traditional music. It first started off in the southeast region of Nigeria, during the 1920s in Lagos. The genre is primarily guitar-based music, with rare characteristic blend of horns and vocal rhythms. Igbo highlife lyrics are sung mostly in Igbo with occasional infusion of Pidgin English. One of the most influential composers and performers of the music is Chief Stephen Osita Osadebe whose career spanned over 40 years. Osadebe's discography comprises numerous popular songs including the 1984 hit "Osondi Owendi" which launched him on the world stage as a pioneer of the Igbo highlife genre. Singer guitarist Oliver De Coque is considered "one of the prime exemplars of and chief innovators in contemporary Igbo popular music." Coque was responsible for the increasing popularity of Igbo highlife with a style influenced by Congolese guitar flavor. Among his best known hits are "Biri Ka Mbiri", "Ana En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riff
A riff is a repeated chord progression or refrain in music (also known as an ostinato figure in classical music); it is a pattern, or melody, often played by the rhythm section instruments or solo instrument, that forms the basis or accompaniment of a musical composition. Though riffs are most often found in rock music, heavy metal music, Latin, funk, and jazz, classical music is also sometimes based on a riff, such as Ravel's Boléro. Riffs can be as simple as a tenor saxophone honking a simple, catchy rhythmic figure, or as complex as the riff-based variations in the head arrangements played by the Count Basie Orchestra. David Brackett (1999) defines riffs as "short melodic phrases", while Richard Middleton (1999) defines them as "short rhythmic, melodic, or harmonic figures repeated to form a structural framework". Rikky Rooksby states: "A riff is a short, repeated, memorable musical phrase, often pitched low on the guitar, which focuses much of the energy and exc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
