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Henri-Guillaume Hamal
Henri-Guillaume Hamal (also Hamalle or Amael; 1685, Liège, nowadays in Belgium3 December 1752 (aged 67), Liège) was a Walloon (i.e. a French-speaking native of the Low Countries) musician, musical director and composer. He is the first of the Hamal family of musicians, who were pre-eminent in 18th Century Liège, of whom we have knowledge. He spent his whole life in the Prince-Bishopric of Liège, an ecclesiastical principality of the Holy Roman Empire. The Prince-Bishop was a man of consequence: he was a member of the Imperial Diet. The principality was a strategically-important frontier state. When Hamal was born, it was part of the Spanish Netherlands. Between 1688 and 1704, it was much fought over between the French and the Dutch-British allies (themselves allies of the Empire, as part of the Grand Alliance). In 1714, at the end of the War of the Spanish Succession, it became part of the Austrian Netherlands; but the Dutch troops left only in 1718. Hamal received his ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maître De Chapelle
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf Und Haertel , a German music publishing house
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Breitkopf may refer to: * Bernhard Christoph Breitkopf, (1695-1777) founder of Breitkopf & Härtel * Johann Gottlob Immanuel Breitkopf, (1719-1794) son of Bernhard Cristoph Breitkopf * Michael Breitkopf, member of German band Die Toten Hosen * Breitkopf & Härtel Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didot Family
Didot is the name of a family of French printers, punch-cutters and publishers. Through its achievements and advancements in printing, publishing and typography, the family has lent its name to typographic measurements developed by François-Ambroise Didot and the Didot typeface developed by Firmin Didot. The Didot company of France was ultimately incorporated into the modern CPI printing group. First generation François Didot François Didot (son of Denis Didot) was a merchant who was born in Paris in 1689 and died in 1757. In 1713 he opened a bookstore called "À la Bible d'or" (which could be translated "The Golden Bible") on the Quai des Grands-Augustins. The celebrated Abbé de Bernis served for a time there as a clerk after leaving the seminary. François Didot was a learned man, and held by his colleagues in such great esteem that he was elected to the dignity of Syndic of the Booksellers' Corporation in 1735. He received his printer's charter from the king in 1754. Amo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas of R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laudate Pueri Dominum
Psalm 113 is the 113th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the Lord, O ye servants of the Lord". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In Latin, it is known as 'Laudate pueri Dominum. In the slightly different numbering system used in the Greek Septuagint version of the bible and in the Latin Vulgate, this psalm is Psalm 112. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. In Judaism, it is the first of the six psalms comprising the Hallel, a prayer of praise and thanksgiving recited on Rosh Chodesh (the first day of the Hebrew month) and Jewish holidays. In Catholicism, it is one of the psalms included in the vespers service. It has been set to music often, notably by Claudio Monteverdi in his '' Vespro della Beata Vergine'' of 1610. Text Hebrew Bible version Following is the Hebrew text of Psa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tantum Ergo
"Tantum ergo" is the incipit of the last two verses of Pange lingua, a Medieval Latin hymn generally attributed to St Thomas Aquinas c. 1264, but based by Aquinas upon various earlier fragments. The "Genitori genitoque" and "Procedenti ab utroque" portions are adapted from Adam of Saint Victor's sequence for Pentecost. The hymn's Latin incipit literally translates to "Therefore so great". The singing of the Tantum ergo occurs during veneration and benediction of the Blessed Sacrament in the Catholic Church and other denominations that have this devotion. It is usually sung, though solemn recitation is sometimes done, and permitted. Text Latin : :℣. Panem de cælisThe word "cælis", not "cælo", is used in Finnegan, Sean. ''The Book of Catholic Prayer''. 2000: Loyola Press. p. 521. The book prints the entire text of the prayer. However, "cælo" (and "cœlo") are common variations. The distinction here is that the forms ending in "is" are plural ("skies"), and the forms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walloon Dialect
Walloon (; natively ; french: wallon) is a Romance language that is spoken in much of Wallonia and (to a very small extent) in Brussels, Belgium; some villages near Givet, northern France; and a clutch of communities in northeastern Wisconsin, U.S.Université du Wisconsin : collection de documents sur l'immigration wallonne au Wisconsin, enregistrements de témoignages oraux en anglais et wallon, 1976University of Wisconsin Digital Collection : Belgian-American Research Collection /ref> It belongs to the ''langues d'oïl'' language family, the most prominent member of which is French. The historical background of its formation was the territorial extension since 980 of the Principality of Liège to the south and west. Walloon is classified as "definitely endangered" by the UNESCO ''Atlas of the World's Languages in Danger''. Despite its rich literature, beginning anonymously in the 16th century and with well-known authors since 1756, the use of Walloon has decreased markedly si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
