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Helvellyn (opera)
''Helvellyn'' is an opera in four acts by George Alexander Macfarren to an English libretto by John Oxenford from Salomon Hermann Mosenthal, Salomon Mosenthal's play ''Der Sonnwendhof''. It was first performed by the English Opera Company at the Covent Garden Theatre in London on 3 November 1864 in music#Opera, 1864.Review of the premiere performance, in: ''The Musical World'', 5 November 1864, pp. 706–707. Roles Synopsis The opera is set in Mabel's farm on the eastern slopes of Helvellyn in the English Lake District, and in the nearby village. It is the beginning of the eighteenth century. Act 1 In an unusual overture, farm workers and local inhabitants are heard in the distance singing a curse on evil and on the unknown person who started a devastating fire. Steenie, a grumpy old farm-hand, looks out from the farm and grumbles as first milkmaids, them mowers, then sowers all arrive back at the farm earlier than he had expected – each group explains that their work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Alexander Macfarren
Sir George Alexander Macfarren (2 March 181331 October 1887) was an English composer and musicologist. Life George Alexander Macfarren was born in London on 2 March 1813 to George Macfarren, a dancing-master, dramatic author and journalist, who later became the editor of the ''Musical World'', and Elizabeth Macfarren, ''née'' Jackson.Brown (2004). At the age of seven, Macfarren was sent to Dr. Nicholas's school in Ealing, where his father was dancing-master; the school numbered among its alumni John Henry, Cardinal Newman and Thomas Henry Huxley.Banister (1891), 10. His health was poor, however, and his eyesight weak, so much so that he was given a large-type edition of the Bible and had to use a powerful magnifying-glass for all other reading. He was withdrawn from the school in 1823 to undergo a course of eye treatment. The treatment was unsuccessful, and his eyesight progressively worsened until he became totally blind in 1860. However, his blindness had little effect on h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera World Premieres At The Theatre Royal, Covent Garden
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1864 Operas
Events January–March * January 13 – American songwriter Stephen Foster ("Oh! Susanna", "Old Folks at Home") dies aged 37 in New York City, leaving a scrap of paper reading "Dear friends and gentle hearts". His parlor song " Beautiful Dreamer" is published in March. * January 16 – Denmark rejects an Austrian-Prussian ultimatum to repeal the Danish Constitution, which says that Schleswig-Holstein is part of Denmark. * January 21 – New Zealand Wars: The Tauranga campaign begins. * February – John Wisden publishes '' The Cricketer's Almanack for the year 1864'' in England; it will go on to become the major annual cricket reference publication. * February 1 – Danish-Prussian War (Second Schleswig War): 57,000 Austrian and Prussian troops cross the Eider River into Denmark. * February 15 – Heineken brewery founded in Netherlands. * February 17 – American Civil War: The tiny Confederate hand-propelled submarine ''H. L. Hun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entr'acte
(or ', ;Since 1932–35 the French Academy recommends this spelling, with no apostrophe, so historical, ceremonial and traditional uses (such as the 1924 René Clair film title) are still spelled ''Entr'acte''. German: ' and ', Italian: ''intermezzo'', Spanish: ') means "between the acts". It can mean a pause between two parts of a stage production, synonymous to an intermission (this is nowadays the more common meaning in French), but it more often (in English) indicates a piece of music performed between acts of a theatrical production. In the case of stage musicals, the ''entr'acte'' serves as the overture of act 2 (and sometimes acts 3 and 4, as in ''Carmen''). In films that were meant to be shown with an intermission, there was frequently a specially recorded ''entr'acte'' on the soundtrack between the first and second half of the film, although this practice eventually died out. Origin Originally ''entr'actes'' resulted from stage curtains being closed for set or costume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lake District
The Lake District, also known as the Lakes or Lakeland, is a mountainous region in North West England. A popular holiday destination, it is famous for its lakes, forests, and mountains (or ''fells''), and its associations with William Wordsworth and other Lake Poets and also with Beatrix Potter and John Ruskin. The Lake District National Park was established in 1951 and covers an area of . It was designated a UNESCO World Heritage Site in 2017. The Lake District is today completely within Cumbria, a county and administrative unit created in 1974 by the Local Government Act 1972. However, it was historically divided between three English counties ( Cumberland, Westmorland and Lancashire), sometimes referred to as the Lakes Counties. The three counties met at the Three Shire Stone on Wrynose Pass in the southern fells west of Ambleside. All the land in England higher than above sea level lies within the National Park, including Scafell Pike, the highest mountain in England. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helvellyn
Helvellyn (; possible meaning: ''pale yellow moorland'') is a mountain in the English Lake District, the highest point of the Helvellyn range, a north–south line of mountains to the north of Ambleside, between the lakes of Thirlmere and Ullswater. Helvellyn is the third-highest point both in England and in the Lake District, and access to Helvellyn is easier than to the two higher peaks of Scafell Pike and Scafell. The scenery includes three deep glacial coves and two sharp-topped ridges on the eastern side (Striding Edge and Swirral Edge). Helvellyn was one of the earliest fells to prove popular with walkers and explorers; beginning especially in the later 18th century. Among the early visitors to Helvellyn were the poets Samuel Taylor Coleridge and William Wordsworth, both of whom lived nearby at one period. Many routes up the mountain are possible so that it may be approached from all directions. However, traversing the mountain is not without dangers; over the last two h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helen Lemmens-Sherrington
Helen Lemmens-Sherrington (4 October 1834 – 9 May 1906) was an English concert and operatic soprano prominent from the 1850s to the 1880s. Born in northern England, she spent much of her childhood and later life in Belgium, where she studied at the Brussels Conservatory. After engagements in mainland Europe she made her London debut in 1856. Her singing career was mostly in concert, but in the first half of the 1860s she appeared in opera at Covent Garden and other leading London theatres. After she retired from performing, Lemmens-Sherrington became a teacher, at her old music college in Brussels, and at the Royal Academy of Music in London and the Royal Manchester College of Music. Early life Helen Sherrington was born in Preston, England, in 1834. When she was a child her family moved first to the Netherlands and then to Belgium. She studied singing at Rotterdam and at the Brussels Conservatory. She began her London career on the concert platform, building a reputation a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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