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Helena Espvall
Helena Espvall is a Swedish-American musician noted for her participation in the post-millennial psychedelic folk and free improv scenes. Her primary instruments are cello, guitar and voice."Helena Espvall interviewed and introduced by Buck Curran". (2009). Dream Magazine #9, pp. 12-13. Career Espvall's early career included work with Arabian music ensemble Sumer and with Projektor 7, a silent movie orchestra formed by members of Swedish pop group Komeda. She relocated to Philadelphia, USA in the year 2000. Time spent concentrating on cello improvisation led to performances at the High Zero festival in 2001 and 2002. Espvall subsequently entered Philadelphia's flourishing psychedelic and weird-folk circles. She joined Espers shortly after they recorded their first album, was a member of The Valerie Project, and formed the duo Anahita with Tara Burke (a.k.a. Fursaxa). In 2006 a trio consisting of Espvall, Espers bandmate Meg Baird, and English folk singer Sharron Krau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fursaxa
Fursaxa is a United States-based psychedelic folk or freak folk project led by Tara Burke of Pennsylvania. Her home-recordings feature acoustic guitar, simple Casio electronic keyboards, accordion, Appalachian dulcimer, dulcimer and her heavily overdubbed vocals on a 4-track recorder. She has been making music since childhood. Her music has been compared to Nico's solo work and is often categorized among New Weird America artists. The writings of Medieval mystic Hildegard von Bingen, Vladimir Nabokov, and Mircea Eliade have influenced the lyrics and mood of her work. Her musical influences include: World music, Krautrock, film soundtracks, Minimalism, Medieval and Renaissance music. She has recorded with numerous bands as a guest or side-project, including Acid Mothers Temple, fellow Philadelphians Bardo Pond, Iditarod (band), Iditarod, Scorces, The Valerie Project, and Six Organs of Admittance. Fursaxa is currently signed to the London-based ATP Recordings label. Live performanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcia Bassett
{{disambiguation, surname ...
Marcia may refer to: People * Marcia (given name) *James Marcia, Canadian psychologist *Stefano Marcia (born 1993), South African Olympic sailor Other uses * ''Marcia'' (Beccafumi), a c. 1519 painting by Domenico Beccafumi * ''Marcia'' (bivalve), a genus of Venus clams in the family Veneridae * Marcia (gens), a Roman gens * '' Marcia: Greatest Hits 1975–1983'', a 2004 album by Marcia Hines * ''Marcia'', the Italian musical designation for a march or march tempo See also *Martia (other) *Martian (other) *Mars (other) *Marzia (other) *Mercia (other) Mercia was an Anglo-Saxon kingdom covering the region now known as the English Midlands. It is sometimes used as a poetic name for the Midlands. Mercia or Mercian may also refer to: * Mercia Inshore Search and Rescue, an volunteer water-rescue or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Darbuka
The goblet drum (also chalice drum, tarabuka, tarabaki, darbuka, darabuka, derbake, debuka, doumbek, dumbec, dumbeg, dumbelek, toumperleki, tumbak, or zerbaghali; arz, دربوكة / Romanized: ) is a single-head membranophone with a goblet-shaped body. It is most commonly used in the traditional music of Egypt, where it is considered the National symbol of Egyptian Shaabi Music. The instrument is also featured in traditional music from West Asia, North Africa, South Asia, and Eastern Europe. The African djembe is also a goblet membranophone. This article focuses on the Middle Eastern and North African goblet drum. History The origin of the term ''Darbuka'' probably lies in the Arabic word "daraba" ("to strike"). Goblet drums have been around for thousands of years and were used in Mesopotamian and Ancient Egyptian cultures. They were also seen in Babylonia and Sumer from as early as 1100 BCE. On Sulawesi, large goblet drums are used as temple instruments and placed on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hurdy-gurdy
The hurdy-gurdy is a string instrument that produces sound by a hand-crank-turned, rosined wheel rubbing against the strings. The wheel functions much like a violin bow, and single notes played on the instrument sound similar to those of a violin. Melodies are played on a keyboard that presses ''tangents''—small wedges, typically made of wood—against one or more of the strings to change their pitch. Like most other acoustic stringed instruments, it has a sound board and hollow cavity to make the vibration of the strings audible. Most hurdy-gurdies have multiple drone strings, which give a constant pitch accompaniment to the melody, resulting in a sound similar to that of bagpipes. For this reason, the hurdy-gurdy is often used interchangeably or along with bagpipes. It is mostly used in Occitan, Aragonese, Cajun French, Asturian, Cantabrian, Galician, Hungarian, and Slavic folk music. One or more of the drone strings usually passes over a loose bridge that can be made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornamuse
The cornamuse is a double reed instrument dating from the Renaissance period. It is similar to the crumhorn in having a windcap over the reed and cylindrical bore. The only evidence for the cornamuse comes from a description and a few comments by Michael Praetorius in ''Syntagma musicum'' II, published in 1619. Since the paragraph by Praetorius is the only clear description of the cornamuse and no period specimen or picture has been found, all reconstructions of the instrument rely on a certain amount of conjecture. The text in German reads "Die CornaMuse sind gleich aus/und nicht mit doppelten/sondern mit einer einfachen Röhre/gleich den Bassanelli aber unten zugedackt / und uff der seiten herumb etliche löcherlein / dadurch der Resonanz herausser gehet. Am klang seynd sie gar den Krumbhörnern gleich / nur dass sie stiller / lieblicher und gar sanft klingen (''The cornamuse are similar to/and do not have a double, but rather a single tube (bore)/like the bassanelli'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crumhorn
The crumhorn is a double reed instrument of the woodwind family, most commonly used during the Renaissance period. In modern times, particularly since the 1960s, there has been a revival of interest in early music, and crumhorns are being played again. It was also spelled krummhorn, krumhorn, krum horn, and cremorne. Terminology The name derives from the German ''Krumhorn'' (or ''Krummhorn'' or ''Krumporn'') meaning ''bent horn''. This relates to the old English ''crumpet'' meaning curve, surviving in modern English in 'crumpled' and 'crumpet' (a curved cake). The similar-sounding French term cromorne, when used correctly, refers to a woodwind instrument of different design, though the term cromorne is often used in error synonymously with that of crumhorn. It is uncertain if the Spanish wind instrument ''orlo'' (attested in an inventory of 1559) designates the crumhorn, but it is known that crumhorns were used in Spain in the sixteenth century, and the identification seems l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rauschpfeife
Rauschpfeife is a commonly used term for a specific type of capped conical reed musical instrument of the woodwind family, used in Europe in the 16th and 17th centuries. In common with the crumhorn and cornamuse, it is a wooden double-reed instrument with the reed enclosed in a windcap. The player blows into a slot in the top of the windcap to produce the sound. Description Rauschpfeifes (Schreierpfeiffen) differ from cornamusen mainly in the shape of the bore, which, like the shawm, is conical. This bore profile combined with the unrestricted vibration of the reed within the windcap produced an instrument that was exceedingly loud, which made it useful for outdoor performances. The word ''Rauschpfeife'' (German for "rush (or reed) pipe" from the Old German "rusch" for 'rush', as in grass), is found in the description of two windcapped instruments depicted in one of the 16th-century woodcut illustrations of ''Triumphal Procession'', commissioned by Holy Roman Emperor Maximilian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shō (instrument)
The is a Japanese free reed aerophone, free reed musical instrument that was introduced from China during the Nara period (AD 710 to 794). It is descended from the Chinese ''Sheng (instrument), sheng'', of the Tang Dynasty era, although the ''shō'' tends to be smaller in size than its contemporary sheng relatives. It consists of 17 slender bamboo pipes, each of which is fitted in its base with a metal free reed. Two of the pipes are silent, although research suggests that they were used in some music during the Heian period. It is speculated that even though the pipes are silent, they were kept as part of the instrument to keep the symmetrical shape. The instrument's sound is said to imitate the call of a Phoenix (mythology), phoenix, and it is for this reason that the two silent pipes of the ''shō'' are kept—as an aesthetic element, making two symmetrical "wings". Similar to the Chinese Sheng (instrument), sheng, the pipes are tuned carefully with a drop of a dense resin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghost (1984 Band)
Ghost was an experimental rock group formed in Tokyo, Japan, in 1984. History Core-member Masaki Batoh grew up in Kyoto, Japan where he attended a private school. During this time, he became interested in American and British rock music ranging from Bob Dylan and Pink Floyd to the Velvet Underground and Japanese rock bands such as the Taj Mahal Travellers and the Flower Travellin' Band. Later, Batoh formed Ghost with a large and often varying lineup. According to reports posted on Allmusic, the group lived a nomadic existence, drifting from ruins of ancient temples to disused subway stations around the Tokyo area. The band began releasing their work with the albums ''Ghost'' and '' Second Time Around'', which were released, respectively, in 1990 and 1992. The American independent label Drag City licensed each of the albums for distribution, and the Los Angeles The Now Sound label picked up two of Batoh's solo albums, released together as well under the title ''Collected Wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lars Vilks
Lars Endel Roger Vilks (20 June 1946 – 3 October 2021) was a Swedish visual artist and activist who was known for the controversy surrounding his drawings of Muhammad. He also created the sculptures ''Nimis'' and ''Arx'', made of driftwood and rock, respectively. The area where the sculptures are located was proclaimed by Vilks as an independent country, " Ladonia". Early life and academic career Vilks was born in Helsingborg, Sweden. His second given name Endel was Estonian, given by his father Eino Vilks who was of Estonian and Latvian descent. His mother was Swedish. He earned his doctoral degree in art history from Lund University in 1987, and worked at the Oslo National Academy of the Arts from 1988 to 1997. From 1997 to 2003, he was a professor in art theory at the Bergen National Academy of the Arts. As an art theorist, Vilks was a proponent of the institutional theory of art. Artistic career Although an academically trained art theorist, Vilks was a self-taught vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladonia (micronation)
Ladonia ( sv, Ladonien) is a micronation, proclaimed in 1996 as the result of a years-long court battle between artist Lars Vilks and local authorities over two sculptures. The claimed territory is part of the natural reserve of Kullaberg in southern Sweden. History In 1980, artist Lars Vilks began construction of two sculptures, ''Nimis'' (Latin for "too much", a structure made of 75 tonnes of driftwood) and ''Arx'' (Latin for "fortress", a structure made of stone), in the Kullaberg nature reserve in north-west Skåne, Sweden. The location of the sculptures is difficult to reach, and as a consequence they were not discovered for two years, at which point the local council declared the sculptures to be buildings, the construction of which was forbidden on the nature reserve, and demanded that they should be dismantled and removed. Despite the confrontations with the local council, a large percentage of the local community supports the sculptures, especially people working in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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