Heinrich Schwemmer
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Heinrich Schwemmer
Heinrich Schwemmer (28 March 1621 – 31 May 1696) was a German music teacher and composer. He was born in Gumpertshausen bei Hallburg, Lower Franconia, and moved with his mother to Weimar after his father’s death in 1627, to get away from the Thirty Years War. After his mother's death in 1638, he moved to Coburg, then in 1641 to Nuremberg, where he remained for the rest of his life. He studied music with Kindermann at the Sebaldusschule, and in 1650 himself became a teacher, effectively a Kantor without the title; from 1656 he was ''Director chori musici'' along with Paul Hainlein. Along with Georg Caspar Wecker, he taught a generation of musicians in the tradition of the South German school, including Nikolaus Deinl, Johann Krieger, Johann Löhner, Johann Pachelbel, J.B. Schütz, and Maximilian Zeidler. Schwemmer taught singing, while Wecker gave instruction in keyboard playing and composition. All his known compositions, of which there a considerable number in ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe R ...
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Maximilian Zeidler
Maximilian, Maximillian or Maximiliaan (Maximilien in French) is a male given name. The name " Max" is considered a shortening of "Maximilian" as well as of several other names. List of people Monarchs *Maximilian I, Holy Roman Emperor (1459–1519) *Maximilian II, Holy Roman Emperor (1527–1576) *Maximilian I, Elector of Bavaria (1573–1651) *Maximilian II Emanuel, Elector of Bavaria (1662–1726) *Maximilian III Joseph, Elector of Bavaria (1727–1777) *Maximilian I Joseph of Bavaria (1756–1825) *Maximilian II of Bavaria (1811–1864) *Prince Maximilian of Baden (1867–1929) *Duke Maximilian Joseph in Bavaria (1808–1888) * Maximilian I of Mexico (1832–1867) Other royalty *Maximilian, Hereditary Prince of Saxony (1759–1838) *Maximilian, Margrave of Baden (born 1933) Saints *Maximilian of Antioch (died ), Christian martyr *Maximilian of Lorch (died 288), Christian bishop and martyr *Maximilian of Tebessa (274–295), Christian martyr *Maximilian Kolbe (1894–1941), ...
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Organists And Composers In The South German Tradition
An organist is a musician who plays any type of organ. An organist may play solo organ works, play with an ensemble or orchestra, or accompany one or more singers or instrumental soloists. In addition, an organist may accompany congregational hymn-singing and play liturgical music. Classical and church organists The majority of organists, amateur and professional, are principally involved in church music, playing in churches and cathedrals. The pipe organ still plays a large part in the leading of traditional western Christian worship, with roles including the accompaniment of hymns, choral anthems and other parts of the worship. The degree to which the organ is involved varies depending on the church and denomination. It also may depend on the standard of the organist. In more provincial settings, organists may be more accurately described as pianists obliged to play the organ for worship services; nevertheless, some churches are fortunate to have trained organists capable of ...
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German Baroque Composers
German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Germanic peoples (Roman times) * German language **any of the Germanic languages * German cuisine, traditional foods of Germany People * German (given name) * German (surname) * Germán, a Spanish name Places * German (parish), Isle of Man * German, Albania, or Gërmej * German, Bulgaria * German, Iran * German, North Macedonia * German, New York, U.S. * Agios Germanos, Greece Other uses * German (mythology), a South Slavic mythological being * Germans (band), a Canadian rock band * "German" (song), a 2019 song by No Money Enterprise * ''The German'', a 2008 short film * "The Germans", an episode of ''Fawlty Towers'' * ''The German'', a nickname for Congolese rebel André Kisase Ngandu See also * Germanic (other) * Germa ...
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Ann Arbor
Anne, alternatively spelled Ann, is a form of the Latin female given name Anna (name), Anna. This in turn is a representation of the Hebrew Hannah (given name), Hannah, which means 'favour' or 'grace'. Related names include Annie (given name), Annie. Anne is sometimes used as a male name in the Netherlands, particularly in the Friesland, Frisian speaking part (for example, author Anne de Vries). In this incarnation, it is related to Arne (name), Germanic arn-names and means 'eagle'.See entry on "Anne" in th''Behind the Name'' databaseand th"Anne"an"Ane"entries (in Dutch) in the Nederlandse Voornamenbank (Dutch First Names Database) of the Meertens Instituut (23 October 2018). It has also been used for males in France (Anne de Montmorency) and Scotland (Lord Anne Hamilton). Anne is a common name and the following lists represent a small selection. For a comprehensive list, see instead: . As a feminine name Anne * Saint Anne, Mother of the Virgin Mary * Anne, Queen of Great Bri ...
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Concertato
Concertato is a term in early Baroque music referring to either a ''genre'' or a ''style'' of music in which groups of instruments or voices share a melody, usually in alternation, and almost always over a basso continuo. The term derives from Italian ''concerto'' which means "playing together"—hence ''concertato'' means "in the style of a concerto." In contemporary usage, the term is almost always used as an adjective, for example "three pieces from the set are in ''concertato'' style." A somewhat oversimplified, but useful distinction between ''concertato'' and ''concerto'' can be made: the ''concertato'' style involves contrast between opposing groups of voices and groups of instruments: the ''concerto'' style, especially as it developed into the ''concerto grosso'' later in the Baroque, involves contrast between large and small groups of similar composition (later called "ripieno" and "concertino"). The style developed in Venice in the late 16th century, mainly through t ...
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Chorale Concerto
In music, a chorale concerto is a short sacred composition for one or more voices and instruments, principally from the very early German Baroque era. Most examples of the genre were composed between 1600 and 1650. Description This use of the word ''concerto'' differs considerably from the more modern, and considerably more common usage: in the early Baroque the word meant vocal music accompanied by instruments, specifically in concertato style. The concertato style was brought north across the Alps by composers such as Hans Leo Hassler and Heinrich Schütz, who studied in Venice with the originators of the style, the Venetian School composers including Giovanni Gabrieli. Hassler, Schütz and others then applied their newly learned techniques to the German chorale to create a form roughly equivalent in expression and purpose to the motet which in the preceding Renaissance era was used in Roman Catholic context. The Protestant Reformation made necessary the development of ne ...
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Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ...
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Funeral
A funeral is a ceremony connected with the final disposition of a corpse, such as a burial or cremation, with the attendant observances. Funerary customs comprise the complex of beliefs and practices used by a culture to remember and respect the dead, from interment, to various monuments, prayers, and rituals undertaken in their honor. Customs vary between cultures and religious groups. Funerals have both normative and legal components. Common secular motivations for funerals include mourning the deceased, celebrating their life, and offering support and sympathy to the bereaved; additionally, funerals may have religious aspects that are intended to help the soul of the deceased reach the afterlife, resurrection or reincarnation. The funeral usually includes a ritual through which the corpse receives a final disposition. Depending on culture and religion, these can involve either the destruction of the body (for example, by cremation or sky burial) or its preservation (for examp ...
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Wedding
A wedding is a ceremony where two people are united in marriage. Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes. Most wedding ceremonies involve an exchange of marriage vows by a couple, presentation of a gift (offering, rings, symbolic item, flowers, money, dress), and a public proclamation of marriage by an authority figure or Celebrant (Australia), celebrant. Special wedding garments are often worn, and the ceremony is sometimes followed by a wedding reception. Music, poetry, prayers, or readings from religious texts or literature are also commonly incorporated into the ceremony, as well as Wedding superstitions, superstitious customs. Common elements across cultures Some cultures have adopted the traditional Western custom of the white wedding, in which a bride wears a white wedding dress and veil. This tradition was popularized through the marriage of Queen Victoria. Some say Victoria's choice of ...
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Song
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical compose ...
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Strophic
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, with new music written for every stanza, and ternary form, with a contrasting central section. The term is derived from the Greek word , '' strophē'', meaning "turn". It is the simplest and most durable of musical forms, extending a piece of music by repetition of a single formal section. This may be analyzed as "A A A...". This additive method is the musical analogue of repeated stanzas in poetry or lyrics and, in fact, where the text repeats the same rhyme scheme from one stanza to the next, the song's structure also often uses either the same or very similar material from one stanza to the next. A ''modified'' strophic form varies the pattern in some stanzas (A A' A"...) somewhat like a rudimentary theme and variations. Contrasting v ...
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