Heinrich Besseler
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Heinrich Besseler
Heinrich Besseler (April 2, 1900 – July 25, 1969) was a German musicologist born in Hörde. He is particularly known for his colossal work, ''Die Musik des Mittelalters und der Renaissance'' (1931), which provided a new perspective on historical musicology by taking a history-of-ideas approach to music history. Life Besseler studied philosophy (under Martin Heidegger), German language, mathematics and natural science in Freiburg im Breisgau. Subsequently, he studied music (under Hans Gál) and musicology (under Wilibald Gurlitt, Guido Adler and Wilhelm Fischer) in Vienna and Freiburg. In 1923 he obtained a doctoral degree in musicology from the University of Freiburg. The subject of his thesis was the history and stylistic development of dance suites in seventeenth-century Germany. After further studies at the University of Göttingen, he wrote a professorial thesis on medieval music, spanning the years between 1250 and 1350. From 1928 he taught at the University of Heidelberg.H ...
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Musicology
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aesthe ...
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