Heart Chamber (opera)
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Heart Chamber (opera)
''Heart Chamber'' is an English-language opera in two acts by Chaya Czernowin to a libretto by the composer, and which premiered at 15 November 2019 at the Deutsche Oper Berlin. It has also been described as music theater. The opera is scored for 5 vocalists, 5 instrumental soloists, choir, orchestra, and electronics. Performance history ''Heart Chamber'' premiered on 15 November 2019 in at the Deutsche Oper Berlin. The production was directed by Claus Guth and conducted by Johannes Kalitzke. The cast included Patrizia Ciofi, Dietrich Henschel, Noa Frenkel, and Terry Way. Due to the work's musical style, which requires quiet singing and vocalizations, all the singers in the production were amplified. Roles Recording *DVD Patrizia Ciofi, Noa Frenkel, Dietrich Henschel, Terry Wey, Ensemble Nikel, Orchester der Deutschen Oper Berlin, Johannes Kalitzke Johannes Kalitzke (born 12 February 1959) is a German composer and conductor. After studying in Cologne and at the IRCAM in Par ...
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Chaya Czernowin
Chaya Czernowin (Hebrew: חיה צ'רנובין, ; born December 7, 1957) is an Israeli American composer, and Walter Bigelow Rosen Professor of Music at Harvard University. She is the lead composer at the Schloß Solitude Sommerakademie, a biannual international academy of composers and resident musicians at the landmark Schloß Solitude, in Stuttgart, Germany. She is a 2011 Guggenheim Fellow. Education and early career Czernowin was born in Haifa, and raised in Israel. She studied in Israel, Germany, and in the United States. She also received fellowships to compose in Japan and in Germany. Czernowin studied at the Rubin Academy of music at Tel-Aviv University, Bard College, and received her PhD from the University of California, San Diego in 1993. At UCSD, she studied with Brian Ferneyhough and Roger Reynolds. Czernowin spent several years after her formal studies on residencies and fellowships in Japan, Europe, and the United States. She was awarded the Ernst von Siemens Mus ...
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Deutsche Oper Berlin
The Deutsche Oper Berlin is a German opera company located in the Charlottenburg district of Berlin. The resident building is the country's second largest opera house (after Munich's) and also home to the Berlin State Ballet. Since 2004, the Deutsche Oper Berlin, like the Staatsoper Unter den Linden (Berlin State Opera), the Komische Oper Berlin, the Berlin State Ballet, and the Bühnenservice Berlin (Stage and Costume Design), has been a member of the Berlin Opera Foundation. History The company's history goes back to the ''Deutsches Opernhaus'' built by the then independent city of Charlottenburg—the "richest town of Prussia"—according to plans designed by Heinrich Seeling from 1911. It opened on 7 November 1912 with a performance of Beethoven's ''Fidelio'', conducted by Ignatz Waghalter. In 1925, after the incorporation of Charlottenburg by the 1920 Greater Berlin Act, the name of the resident building was changed to ''Städtische Oper'' (Municipal Opera). With the Na ...
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Claus Guth
Claus Guth (born 1964) is a German theatre director, focused on opera. He has directed operas at major houses and festivals, including world premieres such as works of the Munich Biennale, and Berio's '' Cronaca del luogo'' at the Salzburg Festival in 1999. Guth is particularly known for his opera productions of the works of Richard Wagner and Richard Strauss. He has received two Faust awards, for ''Daphne'' by Richard Strauss in 2010, and for Debussy's '' Pelléas et Mélisande'', both at the Oper Frankfurt. Life and career Early life Born in Frankfurt, Claus Guth first studied philosophy, German studies and theatre studies at the Ludwig Maximilian University of Munich, and later theatre and opera directing with Cornel Franz at the Hochschule für Musik und Theater München. Contemporary opera Guth has focused on contemporary opera. He has staged several world premieres, some in the context of the Munich Biennale, such as Hanna Kulenty's ''The Mother of Black Winged Dr ...
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Johannes Kalitzke
Johannes Kalitzke (born 12 February 1959) is a German composer and conductor. After studying in Cologne and at the IRCAM in Paris, he was chief conductor at the Musiktheater im Revier in Gelsenkirchen for several years, then led the ensemble musikFabrik and composed operas on commissions in Germany and Austria. He has been Professor of Conducting (Contemporary Music) at the Salzburg Mozarteum from 2015. Early life Born in Cologne, Kalitzke trained on the piano from 1967 to 1977 with Jeanette Chéro and studied church music in Cologne from 1974 to 1976. He studied further at the Musikhochschule Köln from 1978 to 1981, studying piano with Aloys Kontarsky, conducting with Wolfgang von der Nahmer, and composition with York Höller, and later electronic music with Ulrich Humpert. He focused on electronic music at the IRCAM in Paris with Vinko Globokar in 1982–83, on a scholarship of the Studienstiftung des Deutschen Volkes. Career From 1984 to 1990, Kalitze was first Kapellmeiste ...
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Patrizia Ciofi
Patrizia Ciofi (born 7 June 1967) is an Italian operatic coloratura soprano. Career Born in Casole d'Elsa, Ciofi studied at the Istituto Musicale Pietro Mascagni in Livorno. She subsequently took part in master classes at the Accademia Musicale Chigiana, Siena, with Carlo Bergonzi and Shirley Verrett. She made her debut in Gino Negri's ''Giovanni Sebastiano'' at the Teatro Comunale, Florence in 1989. She began her collaboration with the Festival della Valle d'Itria, featuring in ''La sonnambula'' (1994), Cherubini's ''Médée'' (1995), Piccinni's '' L'americano'' (1996), French version of ''Lucia di Lammermoor'' (1997), Giordano's '' Mese mariano'' and ''Il re'' (1998), Traetta's ''Ippolito ed Aricia'' (1999), Rossini's ''Otello'' and Meyerbeer's ''Robert le diable'' (2000). She made her La Scala debut in 1997 with ''La traviata'', conducted by Riccardo Muti, and returned for ''L'elisir d'amore'' in 1998 and 2001. She has sung in most of the major Italian opera houses as well ...
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Dietrich Henschel
Dietrich Henschel (born 1967) is a German baritone. Life and career Born in Berlin, Henschel grew up in Nürnberg where he attended high school and studied piano and conducting. He studied voice at the and made his stage debut at the 1990 Munich Biennale in Michèle Reverdy's ''Le Précepteur''. He made guest appearances in several opera houses and music festivals such as the Schubertiade in Vienna and Feldkirch, Vorarlberg, Feldkirch, the and the Beethovenfest of Bonn. After this, from 1993 to 1995 he was an ensemble member of the Theater Kiel. Under director Peter Dannenberg and musical director , he performed in many operas by Mozart, Monteverdi and Gluck. After working in Bonn and Stuttgart, in 1997, Henschel's international career began when he took on the title role in Henze's ' at the under Götz Friedrich and Busoni's ' with the Opéra National de Lyon under Kent Nagano. This was followed by engagements at the Théâtre du Châtelet and the Opéra Bastille in Paris, the ...
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Noa Frenkel
Noa or NOA may refer to: People * Noa (name) * Noa (Achinoam Nini), Israeli singer * Noa, one of the five daughters of Zelophehad (her name is spelled "Noah" in some Bible translations) Fictional * Noa (dog), a dog in ''Inubaka: Crazy for Dogs'' * Ultraman Noa * Nōa, a character from '' Fullmetal Alchemist the Movie: Conqueror of Shamballa'' Places * North Ossetia-Alania, a federal subject (republic) of Russia * HMAS Albatross (air station), IATA airport code "NOA" * Noa Lake, a small lake at the head of the Dusen Fjord Other uses *.noa, a rare file extension that was used for some Japanese eroge games around 2002 *Noa (band), a 1980s French Zeuhl group *'' Noa (Polynesian culture)'', a Māori term referring to the opposite of ''Tapu'' ("taboo") * National Observatory of Athens *National Outsourcing Association, former name of the Global Sourcing Association, a trade association in the United Kingdom * The Natural Ontological Attitude, a philosophy of science propos ...
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Terry Way
Terry is a unisex given name, derived from French Thierry and Theodoric. It can also be used as a diminutive nickname for the names Teresa or Theresa (feminine) or Terence or Terrier (masculine). People Male * Terry Albritton (1955–2005), American shot putter, world record holder in 1976 * Terry Antonis (born 1993), Australian association football player * Terry A. Davis, (1969–2018), American programmer * Terry Baddoo, CNN journalist * Terry Balsamo (born 1972), American lead guitarist for the rock band Evanescence * Terry Beckner (born 1997), American football player * Terry Bollea (born 1953), professional wrestler, better known by his ring name Hulk Hogan * Terry Bowden (born 1956), American football coach and former player * Terry Bradshaw (born 1948), American former National Football League quarterback * Terry Branstad (born 1946), American politician * Terry Brooks (born 1944), American fantasy writer * Terry Brooks (basketball) (born c. 1968), American ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Mezzo-Soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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