Headed And Gutted
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Headed And Gutted
''Headed and Gutted'' is a live album by saxophonist Willis Jackson which was recorded in 1974 and first released on the Muse label.Willis Jackson discography
accessed September 17, 2013


Reception

In his review on , Scott Yanow states that "Willis "Gator" Jackson's series of albums for Muse during the 1970s helped keep alive the soulful, tough tenor tradition of , , and (later on)

Willis Jackson (saxophonist)
Willis "Gator" Jackson (April 25, 1928 – October 25, 1987) was an American jazz tenor saxophonist. Biography Born in Miami, Florida, and educated at the University of Miami, Jackson joined Cootie Williams's band in 1948 as a teenager, and was part of it on and off until 1955. Under his own name (Willis Jackson and His Orchestra) he recorded various rhythm-and-blues instrumentals for Atlantic Records. His most famous record for Atlantic is "Gator's Groove" (1952), with "Estrellita" as the B-side. Jackson toured as leader of the backing band for singer Ruth Brown. Publicly they were married, but privately they never married but lived together from 1950 to 1955.Dik de Heer, ''This Is My Story'' series, "Shakin' All Over" web articles Jackson joined Prestige Records in 1959, making a string of albums. Jackson died in New York City one week after heart surgery, in October 1987, at the age of 55. Discography As leader * ''Please Mr. Jackson'' (Prestige, 1959) * '' Cool "Gator"'' ...
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My One And Only Love
"My One and Only Love" is a 1953 popular song with music written by Guy Wood and lyrics by Robert Mellin.Gioia, T. (2012). ''The Jazz Standards: A Guide to the Repertoire''. Oxford University Press. . pp. 284-285. Notable renditions by Frank Sinatra (1953), and later by John Coltrane and Johnny Hartman (1963), have made the song part of the jazz standard musical repertoire. Structure Published in 1953, it is a conventional 32-bar song with four 8-bar sections, including a bridge ("Type A" or "AABA" song structure).Meeder, C. (2012). ''Jazz: The Basics''. Taylor & Francis. . Chapter 1, Fundamentals, "Form". Typically performed as a ballad, it has an aria-like melody that is a challenge to many vocalists;Sinatra, N. (1986). ''Frank Sinatra, My Father''. Pocket Books. . p. 102. Quote: "This song is perhaps ''the'' most difficult popular song to sing. The intervals are extremely tricky…" in the key of C, the song's melody extends from G below middle C to the second D above middle ...
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to b ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Freddie Waits
Frederick "Freddie" Douglas Waits (April 27, 1943 – November 18, 1989) was a hard bop and post-bop drummer. Waits never officially recorded as leader, but was a prominent member and composer in Max Roach's M'Boom percussion ensemble. He worked as sideman with such pianists as McCoy Tyner, Kenny Barron, Andrew Hill, Gene Harris, Billy Taylor and Joe Zawinul. In 1967, Waits recorded with Freddie Hubbard. He was a member of the last Lee Morgan Quintet, an association ended by Morgan's murder in 1972. In the late 1970s, Waits formed ''Colloquium III'' with fellow drummers Horace Arnold and Billy Hart. In the 1980s he became a music faculty member of Rutgers University. He died of pneumonia and kidney failure in New York in 1989. His son is the drummer Nasheet Waits. Discography As sideman With Roy Ayers *''Daddy Bug'' (Atlantic, 1969) With Kenny Barron *''You Had Better Listen'' (Atlantic, 1967) with Jimmy Owens *''Sunset to Dawn'' (Muse, 1973) *'' Autumn in New York'' (Uptown ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Bob Cranshaw
Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album '' The Bridge''. Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer. Discography As sideman With Pepper Adams *''Pepper Adams Plays the Compositions of Charlie Mingus'' (Workshop Jazz, 1964) With Nat Adderley *'' Little Big Horn!'' ( Riverside, 1963) *''Sayin' Somethin''' (Atlantic, 1966) With Eric Alexander *'' Second Impression'' (HighNote, 2016) With Mose Allison *'' Hello There, Universe'' (Atlantic, 1970) With Gene Ammons *'' Gene Ammons and Friends at Montreux'' (Prestige, ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Electronic Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self ...
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Mickey Tucker
Mickey Tucker (born Michael B. Tucker; April 28, 1941) is an American jazz pianist and organist. Biography Tucker was born in Durham, North Carolina in 1941. He grew up in Rankin, Pennsylvania before moving back to North Carolina aged 12. When he was six, he started learning piano, eventually playing in church. While at high school, Tucker played in the school band as well as in a trio that included Grady Tate. Aged 15, Tucker received an early admission scholarship to attend Morehouse College. He became a teacher and taught at a high school in Lake Wales, Florida and Mississippi Valley State College while also performing music. Tucker left Mississippi in 1964 and moved to New York City. In New York, he performed with Damita Jo, with whom he toured London. He moved on to have stints working with comedian Timmy Rogers, Little Anthony and the Imperials and as organist for James Moody. He entered the jazz world in 1969, working for the next several years with Eric Kloss, Rahsaan ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Pat Martino
Pat Martino (born Patrick Carmen Azzara; August 25, 1944 – November 1, 2021) was an American jazz guitarist and composer. Biography Martino was born Patrick Carmen Azzara in Philadelphia, Pennsylvania, United States, to father Carmen "Mickey" Azzara (d. 1990) and mother Jean (née Orlando, d. 1989). He was first exposed to jazz by his father, who sang in local clubs and briefly studied guitar. Martino began playing professionally at the age of 15 after moving to New York City. He lived for a period with Les Paul and began playing at jazz clubs such as Smalls Paradise. He later moved into a suite in the President Hotel on 48th Street. He played at Smalls for six months of the year, and played summers at the Club Harlem in Atlantic City, New Jersey. Martino played and recorded early in his career with Lloyd Price, Willis Jackson, and Eric Kloss. He also worked with jazz organists Charles Earland, Richard "Groove" Holmes, Jack McDuff, Don Patterson, Trudy Pitts, Jimmy Smith ...
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