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Hati Hróðvitnisson
In Norse mythology, Hati Hróðvitnisson (Old Norse: , first name meaning "He Who Hates", or "Enemy"Byock, Jesse. (Trans.) ''The Prose Edda'', page 164. (2006) Penguin Classics ) is a warg; a wolf that, according to Snorri Sturluson's ''Prose Edda'', chases Máni, the Moon, across the night sky, just as the wolf Sköll chases Sól, the Sun, during the day, until the time of Ragnarök, when they will swallow these heavenly bodies. Snorri also gives another name for a wolf who swallows the Moon, Mánagarmr (, "Moon-Hound", or "Moon's Dog"). Hati's patronymic ''Hróðvitnisson'', attested in both the Eddic poem "Grímnismál" and the ''Gylfaginning'' section of the ''Prose Edda'', indicates that he is the son of Fenrir, for whom Hróðvitnir ("Famous Wolf") is an alternate name. According to Snorri, Hati's mother is the giantess, not named but mentioned in the Eddic poem "Völuspá", who dwells to the east of Midgard in the forest of Járnviðr ("Ironwood") and "fosters Fenrir's ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norse Mythology
Norse, Nordic, or Scandinavian mythology is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia, and into the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities. Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragnarök
In Norse mythology, (; non, wikt:ragnarǫk, Ragnarǫk) is a series of events, including a great battle, foretelling the death of numerous great figures (including the Æsir, gods Odin, Thor, Týr, Freyr, Heimdallr, and Loki), natural disasters, and the submersion of the world in water. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet and the world will be repopulated by Líf and Lífþrasir, two human survivors. is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies. The event is attested primarily in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. In the ''Prose Edda'' and in a single poem in the ''Poetic Edda'', the event is referred to as (), a usage popularised by 19th-century composer Richard Wagner with the title of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse Orthography
The orthography of the Old Norse language was diverse, being written in both Runic and Latin alphabets, with many spelling conventions, variant letterforms, and unique letters and signs. In modern times, scholars established a standardized spelling for the language. When Old Norse names are used in texts in other languages, modifications to this spelling are often made. In particular, the names of Old Norse mythological figures often have several different spellings. The appearance of Old Norse in a written runic form first dates back to approximately AD 200–300. While there are remains of Viking runestones from the Viking Age today they are rare, and vary in use of orthography depending on when they were created. Rune stones created near the end of the Viking Age tend to have a greater influence from Old English runes. An understanding of the writing system of Old Norse is crucial for fully understanding the Old Norse language. Studies of remaining rune stones from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vafþrúðnismál
''Vafþrúðnismál'' (Old Norse: "The Lay of Vafþrúðnir") is the third poem in the ''Poetic Edda''. It is a conversation in verse form conducted initially between the Æsir Odin and Frigg, and subsequently between Odin and the jötunn Vafþrúðnir. The poem goes into detail about the Norse cosmogony and was evidently used extensively as a source document by Snorri Sturluson in the construction of the ''Prose Edda'' who quotes it. The poem is preserved in Codex Regius and partially in AM 748 I 4to. There are preservation problems relating to stanzas 40-41. ''Vafþrúðnismál'' is believed to be a 10th century poem.''Norse Mythology A to Z'' p.111 Synopsis The lay commences with Odin asking advice and directions of Frigg Frigg (; Old Norse: ) is a goddess, one of the Æsir, in Germanic mythology. In Norse mythology, the source of most surviving information about her, she is associated with marriage, prophecy, clairvoyance and motherhood, and dwells in the wet ... a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ursula Dronke
__NOTOC__ Ursula Miriam Dronke (née Brown, 3 November 1920 – 8 March 2012Heather O'Donoghue"Ursula Dronke obituary: Inspirational teacher of Old Norse literature specialising in the sagas and poetry of medieval Iceland" ''The Guardian'' 25 March 2012.) was a medievalist and former Vigfússon Reader in Old Norse at the University of Oxford and an Emeritus Fellow of Linacre College. She also taught at the University of Munich and in the Faculty of Modern and Medieval Languages at Cambridge University. Biography Born in Sunderland and raised in Newcastle upon Tyne, where her father was a lecturer at Newcastle University, Ursula Brown began her studies as an undergraduate at the University of Tours in 1939, returning to England and enrolling in Somerville College, University of Oxford, after the outbreak of war. She then worked for the Board of Trade until 1946, when she returned to Somerville as a graduate student in Old Norse and beginning in 1950 was a fellow and tutor in Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everyman Library
Everyman's Library is a series of reprints of classic literature, primarily from the Western canon. It is currently published in hardback by Random House. It was originally an imprint of J. M. Dent (itself later a division of Weidenfeld & Nicolson and presently an imprint of Orion Books), who continue to publish Everyman Paperbacks. History Everyman's Library was conceived in 1905 by London publisher Joseph Malaby Dent, whose goal was to create a 1,000-volume library of world literature that was affordable for, and that appealed to, every kind of person, from students to the working classes to the cultural elite. Dent followed the design principles and to a certain extent the style established by William Morris in his Kelmscott Press. For this Dent asked the Monotype corporation to design a new typeface: Veronese was a remake of a foundry-face Dent had used before. Series 59 came out in 1912, and was made in the same style of the Golden Type, but with sharper slab serifs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Járnviðr
In Norse mythology, Járnviðr (Old Norse "Iron-wood"Lindow (2001:204-205).) is a forest located east of Midgard, inhabited by trollwomen who bore '' jötnar'' and giant wolves. Járnviðr is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional sources, and the ''Prose Edda'', written in the 13th century by Snorri Sturluson. ''Poetic Edda'' Járnvid is mentioned in ''Völuspá'' (40): :In the east sat an old woman in Iron-wood :and nurtured there offspring of Fenrir :a certain one of them in monstrous form :will be the snatcher of the moon : ::—''Völuspá''Larrington (1999:9). The one that will be "the snatcher of the moon" is Mánagarmr (or Hati), and the "old woman" may refer to Fenrir's mother Angrboða. ''Prose Edda'' Snorri Sturluson quotes this stanza and expands it in his ''Gylfaginning'' (12): :A witch dwells to the east of Midgard, in the forest called Ironwood: in that wood dwell the troll-women, who are known as Ironwood-Women 'j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midgard
In Germanic cosmology, Midgard (an anglicised form of Old Norse ; Old English , Old Saxon , Old High German , and Gothic ''Midjun-gards''; "middle yard", "middle enclosure") is the name for Earth (equivalent in meaning to the Greek term , "inhabited") inhabited by and known to humans in early Germanic cosmology. The Old Norse form plays a notable role in Norse cosmology. Etymology The Old Norse name is cognate with Gothic (attested in the Gospel of Luke as a translation of the Greek ), Old Saxon (in '' Heliand''), Old High German (in ''Muspilli''), and Old English . The latter, which appears in both prose and poetry, was transformed to or ("Middle-earth") in Middle English literature. All these forms stem from Common Germanic , a compound of ("middle") and ("yard, enclosure"). In early Germanic cosmology, it stands alongside the term ''world'' (cf. Old English , Old Saxon , Old High German , Old Frisian , Old Norse ), itself from a Common Germanic compound ''*wira-al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Völuspá
''Vǫluspá'' (also ''Völuspá'', ''Vǫlospá'' or ''Vǫluspǫ́''; Old Norse: 'Prophecy of the völva, a seeress'; reconstructed Old Norse: ) is the best known poem of the ''Poetic Edda''. It tells the story of the creation of the world and its coming end and subsequent rebirth, related to the audience by a völva addressing Odin. It is one of the most important primary sources for the study of Norse mythology. The poem is preserved whole in the Codex Regius and Hauksbók manuscripts while parts of it are quoted in the ''Prose Edda''. Preservation ''Völuspá'' is found in the Icelandic Codex Regius manuscript (ca. 1270) and in Haukr Erlendsson's '' Hauksbók'' Codex (ca. 1334), and many of its stanzas are quoted or paraphrased in the Prose Edda (composed ca. 1220, oldest extant manuscript dates from ca. 1300). The order and number of the stanzas varies in these sources. Some editors and translators have further rearranged the material. The Codex Regius version is usually t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gylfaginning
''Gylfaginning'' (Old Norse: 'The Beguiling of Gylfi' or 'The Deluding of Gylfi'; c. 20,000 words; 13th century Old Norse pronunciation ) is the first part of the 13th century ''Prose Edda'' after the Prologue. The ''Gylfaginning'' deals with the creation and destruction of the world of the Æsir and many other aspects of Norse mythology. The second part of the Prose Edda is called the ''Skáldskaparmál'' and the third ''Háttatal''. Summary The ''Gylfaginning'' tells the story of Gylfi, a king of "the land that men now call Sweden", who, after being tricked by one of the goddesses of the Æsir, wonders if all Æsir use magic and tricks for their will to be done. This is why he journeys to Asgard, but on the way he is tricked by the gods and arrives in some other place, where he finds a great palace. Inside the palace he encounters a man who asks Gylfi's name and so King Gylfi introduces himself as Gangleri. Gangleri then is taken to the king of the palace and comes upon thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grímnismál
''Grímnismál'' (Old Norse: ; 'The Lay of Grímnir') is one of the mythological poems of the ''Poetic Edda''. It is preserved in the Codex Regius manuscript and the AM 748 I 4to fragment. It is spoken through the voice of ''Grímnir'', one of the many guises of the god Odin. The very name suggests guise, or mask or hood. Through an error, King Geirröth tortured Odin-as-Grímnir, a fatal mistake, since Odin caused him to fall upon his own sword. The poem is written mostly in the ljóðaháttr metre, typical for wisdom verse. Structure and history The work starts out with a lengthy prose section describing the circumstances leading up to Grímnir's monologue. The monologue itself comprises 54 stanzas of poetic verse describing the worlds and Odin's many guises. The third and last part of the poem is also prose, a brief description of Geirröth's demise, his son's ascension, and Odin's disappearance. The prose sections were most likely not part of the original oral versions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddic Poem
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems, which is distinct from the ''Prose Edda'' written by Snorri Sturluson. Several versions exist, all primarily of text from the Icelandic medieval manuscript known as the ''Codex Regius'', which contains 31 poems. The ''Codex Regius'' is arguably the most important extant source on Norse mythology and Germanic heroic legends. Since the early 19th century, it has had a powerful influence on Scandinavian literature, not only through its stories, but also through the visionary force and the dramatic quality of many of the poems. It has also been an inspiration for later innovations in poetic meter, particularly in Nordic languages, with its use of terse, stress-based metrical schemes that lack final rhymes, instead focusing on alliterative devices and strongly concentrated imagery. Poets who have acknowledged their debt to the ''Codex Regius'' include Vilhelm Ekelund, August Strin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
