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Harold Sings Arlen (With Friend)
''Harold Sings Arlen (With Friend)'' is a 1966 vocal album by the composer Harold Arlen with arrangements by Peter Matz. Arlen is accompanied on two songs by Barbra Streisand. This was Arlen's only album on which he performed as a singer. Chris Colfer and Lea Michele performed Matz's arrangement of "Ding-Dong! The Witch Is Dead" from the album in a 2011 episode of '' Glee''. Reception The initial '' Billboard'' review from April 16, 1966 said that Arlen "...has a way with a vocal that's quite winning" and that "his manner is soft but persuasive". The album was one of ''Billboards'' 'Pop Special Merit Picks' for the week. William Ruhlmann reviewed the album for Allmusic and wrote that Arlen "proves he can carry a tune" on the album but "Arlen's modest singing voice doesn't quite justify the treatment" of a fully orchestrated album though he sings the lyrics with "feeling and understanding". Streisand's vocal on "House of Flowers" has been particularly praised; Arlen's biogra ...
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Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film '' The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, J ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", " Days of Wine and Roses", " Autumn Leaves", and " Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream.
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1966 Debut Albums
Events January * January 1 – In a coup, Colonel Jean-Bédel Bokassa takes over as military ruler of the Central African Republic, ousting President David Dacko. * January 3 – 1966 Upper Voltan coup d'état: President Maurice Yaméogo is deposed by a military coup in the Republic of Upper Volta (modern-day Burkina Faso). * January 10 ** Pakistani–Indian peace negotiations end successfully with the signing of the Tashkent Declaration, a day before the sudden death of Indian prime minister Lal Bahadur Shastri. ** The House of Representatives of the US state of Georgia refuses to allow African-American representative Julian Bond to take his seat, because of his anti-war stance. ** A Commonwealth Prime Ministers' Conference convenes in Lagos, Nigeria, primarily to discuss Rhodesia. * January 12 – United States President Lyndon Johnson states that the United States should stay in South Vietnam until Communist aggression there is ended. * January 15 – 1966 Nigerian cou ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure. Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005). Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artis ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music ...
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Martin Charnin
Martin Charnin (November 24, 1934 – July 6, 2019) was an American lyricist, writer, and theatre director. Charnin's best-known work is as conceiver, director, and lyricist of the musical '' Annie.'' Life and career Charnin was born in New York City, the son of Birdie (Blakeman) and William Charnin, an opera singer. His family was Jewish. Charnin graduated from The High School of Music & Art and then from The Cooper Union, where he earned a BFA."Martin Charnin Biography".
FilmReference.com, accessed July 11, 2012
Charnin began his theatrical career as a performer, appearing as "Big Deal", one of the Jets in the original production of ''''.
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Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Academy Award for Best Original Song, Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway theatre, Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''H ...
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House Of Flowers (musical)
''House of Flowers'' is a musical by Harold Arlen (music and lyrics) and Truman Capote (lyrics and book). A short story of the same name was published in '' Breakfast at Tiffany's'' (1958). Synopsis The story concerns two neighboring bordellos that battle for business in an idealized Haitian setting. One of the sex workers, Ottilie, turns down a rich lord to marry a poor mountain boy named Royal. Her madam plots to keep her by having Royal sealed in a barrel and tossed into the ocean. Royal escapes the watery death by taking refuge on the back of a turtle. The lovers are eventually married and live happily ever after. Production history This was Capote's first musical, and was the first theatrical production outside of Trinidad and Tobago to feature the new Caribbean instrument—the steel pan. It was produced by Saint Subber who was also responsible for ''Kiss Me, Kate'' and seven plays by Neil Simon. In the early 1950s Truman Capote became further involved in the performing a ...
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Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), " On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), " Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and "Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and bas ...
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My Shining Hour
"My Shining Hour" is a song composed by Harold Arlen with lyrics by Johnny Mercer for the film '' The Sky's the Limit'' (1943). In the film, the song is sung by Fred Astaire and Sally Sweetland, who dubbed it for actress Joan Leslie. The orchestra was led by Freddie Slack. "My Shining Hour" was nominated for an Academy Award for Best Song but lost to "You'll Never Know". The film was released on July 13, 1943. The song became a hit the following year by Glen Gray's Casa Loma Orchestra with Eugenie Baird as vocalist, reaching No. 4 on the ''Billboard'' "Best Selling Retail Records" chart. The song's title may have been a reference to Winston Churchill's speech to British citizens during World War II: "if the British Empire and its Commonwealth last for a thousand years, men will still say, this was their finest hour." In the 1944 film ''Youth Runs Wild'' an instrumental version of the song plays during a scene with Kent Smith and Glen Vernon. The song was also used in the film '' ...
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Ac-Cent-Tchu-Ate The Positive
"Ac-Cent-Tchu-Ate the Positive" is a popular song which was published in 1944. The music was written by Harold Arlen and the lyrics by Johnny Mercer. The song was nominated for the "Academy Award for Best Original Song" at the 18th Academy Awards in 1945 after being used in the film ''Here Come the Waves''. Background It is sung in the style of a sermon, and explains that accentuating the positive is key to happiness. In describing his inspiration for the lyric, Mercer told the Pop Chronicles radio documentary " ypublicity agent ... went to hear Father Divine and he had a sermon and his subject was 'you got to accentuate the positive and eliminate the negative.' And I said 'Wow, that's a colorful phrase!'" Chart performance Mercer recorded the song, with The Pied Pipers and Paul Weston's orchestra, on October 4, 1944, and it was released by Capitol Records as catalog number 180. The record first reached the Billboard magazine charts on January 4, 1945, and lasted 13 wee ...
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