Harlequin Valentine
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Harlequin Valentine
''Harlequin Valentine'' is a bloody and romantic short story (1999) and graphic novel (2001) based on the old Commedia dell'arte and Harlequinade pantomime. Both the short story and the graphic novel were written by Neil Gaiman. The latter was drawn by John Bolton, and published by Dark Horse Books. The short story has been republished in ''Fragile Things''. Overview The story takes place on February 14 with the harlequin giving Missy his heart, literally, by nailing it to her door. The story follows the unflappable Missy as she tries to discover who gave her this gift, and what she does with it. The merry harlequin follows her the whole time, wondering what this ''Columbina'', as he calls his various loves he has given his heart to, will do with it. True to his classic trickster ways, in the same vein as Puck, he's constantly meddling with other people's lives and causing mischief as he goes, which often get blamed on Pierrot. The story concludes with Missy eating the ra ...
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Harlequin Valentine Cover
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischievous "devil" character in medieval passion plays. ...
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Puck (mythology)
In English folklore, Puck (), sometimes known as Robin Goodfellow, is a domestic and nature sprite, demon, or fairy. Origins and comparative folklore Etymology The etymology of ''puck'' is uncertain. The modern English word is attested already in Old English as (with a diminutive form ). Similar words are attested later in Old Norse (, with related forms including Old Swedish , Icelandic , and Frisian ) but also in the Celtic languages (Welsh , Cornish and Irish ). Most commentators think that the word was borrowed from one of these neighbouring north-west European languages into the others, but it is not certain in what direction the borrowing went, and all vectors have been proposed by scholars. The ''Oxford English Dictionary'' favoured a Scandinavian origin, while the scholarly study by Erin Sebo of Flinders University argues for an Irish origin, on the basis that the word is widely distributed in Irish place-names, whereas ''puck''-place-names in English are rare and ...
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Comics Based On Fiction
a Media (communication), medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of Panel (comics), panels of images. Textual devices such as speech balloons, Glossary of comics terminology#Caption, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartoonist, Cartooning and other forms of illustration are the most common image-making means in comics; ''Photo comics, fumetti'' is a form that uses photographic images. Common forms include comic strips, Political cartoon, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, Bande d ...
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Fantasy Short Stories
Fantasy is a genre of speculative fiction involving magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy literature and drama. From the twentieth century, it has expanded further into various media, including film, television, graphic novels, manga, animations and video games. Fantasy is distinguished from the genres of science fiction and horror by the respective absence of scientific or macabre themes, although these genres overlap. In popular culture, the fantasy genre predominantly features settings that emulate Earth, but with a sense of otherness. In its broadest sense, however, fantasy consists of works by many writers, artists, filmmakers, and musicians from ancient myths and legends to many recent and popular works. Traits Most fantasy uses magic or other supernatural elements as a main plot element, theme, or setting. Magic, magic practitio ...
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Dark Horse Comics Graphic Novels
Darkness, the direct opposite of lightness, is defined as a lack of illumination, an absence of visible light, or a surface that absorbs light, such as black or brown. Human vision is unable to distinguish colors in conditions of very low luminance. This is because the hue sensitive photoreceptor cells on the retina are inactive when light levels are insufficient, in the range of visual perception referred to as scotopic vision. The emotional response to darkness has generated metaphorical usages of the term in many cultures, often used to describe an unhappy or foreboding feeling. Referring to a time of day, complete darkness occurs when the Sun is more than 18° below the horizon, without the effects of twilight on the night sky. Scientific Perception The perception of darkness differs from the mere absence of light due to the effects of after images on perception. In perceiving, the eye is active, and the part of the retina that is unstimulated produces a complementary ...
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2001 Graphic Novels
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by  2, although by other definitions 1 is the second natural number, following  0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ...
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Comics By Neil Gaiman
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; '' fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The hist ...
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The Tragical Comedy Or Comical Tragedy Of Mr
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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Silesia
Silesia (, also , ) is a historical region of Central Europe that lies mostly within Poland, with small parts in the Czech Republic and Germany. Its area is approximately , and the population is estimated at around 8,000,000. Silesia is split into two main subregions, Lower Silesia in the west and Upper Silesia in the east. Silesia has a diverse culture, including architecture, costumes, cuisine, traditions, and the Silesian language (minority in Upper Silesia). Silesia is along the Oder River, with the Sudeten Mountains extending across the southern border. The region contains many historical landmarks and UNESCO World Heritage Sites. It is also rich in mineral and natural resources, and includes several important industrial areas. The largest city and Lower Silesia's capital is Wrocław; the historic capital of Upper Silesia is Opole. The biggest metropolitan area is the Upper Silesian metropolitan area, the centre of which is Katowice. Parts of the Czech city of Ostrav ...
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Metatron
Metatron ( ''Meṭāṭrōn'', ''Məṭaṭrōn'', ''Mēṭaṭrōn'', ''Mīṭaṭrōn'', ''Meṭaṭrōn'', ''Mīṭṭaṭrōn'') or Mattatron ( ''Maṭṭaṭrōn'') is an angel in Judaism mentioned three times in the Talmud in a few brief passages in the Aggadah and in mystical kabbalah, Kabbalistic texts within Rabbinic literature. The figure forms one of the traces for the presence of Dualism in cosmology, dualist proclivities in the otherwise monotheistic visions of both the Tanakh and later Christian doctrine.Guy Stroumsa ''The Making of the Abrahamic Religions in Late Antiquity,''Oxford University Press p.15. The name Metatron is not mentioned in the Torah or the Bible and how the name originated is a matter of debate. In Islamic tradition, he is also known as Mīṭaṭrūn ( ar, links=yes, ميططرون), the angel of the veil. In folkloristic tradition, he is the highest of the angels and serves as the celestial scribe or "recording angel". In Jewish apocrypha ...
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Pierrot
Pierrot ( , , ) is a stock character of pantomime and '' commedia dell'arte'', whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne. The name is a diminutive of ''Pierre'' (Peter), via the suffix '' -ot.'' His character in contemporary popular culture — in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall — is that of the sad clown, often pining for love of Columbine, who usually breaks his heart and leaves him for Harlequin. Performing unmasked, with a whitened face, he wears a loose white blouse with large buttons and wide white pantaloons. Sometimes he appears with a frilled collaret and a hat, usually with a close-fitting crown and wide round brim and, more rarely, with a conical shape like a dunce's cap. Pierrot's character developed from being a buffoon to an avatar of the disenfranchised. Many cultural movements found him amenable to their re ...
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Trickster
In mythology and the study of folklore and religion, a trickster is a character in a story (god, goddess, spirit, human or anthropomorphisation) who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherwise disobey normal rules and defy conventional behavior. Mythology Tricksters, as archetypal characters, appear in the myths of many different cultures. Lewis Hyde describes the trickster as a "boundary-crosser".Hyde, Lewis. ''Trickster Makes This World: Mischief, Myth, and Art''. New York: Farrar, Straus and Giroux, 1998. The trickster crosses and often breaks both physical and societal rules: Tricksters "violate principles of social and natural order, playfully disrupting normal life and then re-establishing it on a new basis." Often, this bending or breaking of rules takes the form of tricks or thievery. Tricksters can be cunning or foolish or both. The trickster openly questions, disrupts or mocks authority. Many cultures have tales ...
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