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Hanste Aansoo (1950)
''Hanste Aansoo'' () is a 1950 Indian Hindi-language romantic comedy film directed by K. B. Lall and starring Madhubala and Motilal, with Gope and Manorama appearing in supporting roles. The music for the film is composed by Ghulam Mohammed. The first Indian film to get an Adults certification, ''Hanste Aansoo'' was both a controversial and popular release, receiving praise for Madhubala's performance and notoriety for its bold storyline. Plot ''Hanste Aansoo'' revolves around an educated girl, Usha (Madhubala), who is reluctantly married off into a family by her mercenary, drunkard father. Her illiterate husband, Kumar ( Motilal), is jealous of Usha's intelligence and frank behaviour, and one day abuses her physically. Unexpectedly, Usha leaves his house, and begins battling for women rights alone. She gives birth to Kumar's son in between, and starts working in a factory, where her male co-workers ridicule her. After several comical scenes and melodrama, the film ends w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhubala
Madhubala (born Mumtaz Jehan Begum Dehlavi; 14 February 1933 – 23 February 1969) was an Indian actress and producer who worked in Hindi-language films. She ranked as one of the highest-paid entertainers in India in the post-independence era, that coincided with the rise of Indian cinema on global levels. In a career spanning more than 20 years, Madhubala was predominantly active for only a decade but had appeared in over 60 films by the time of her death in 1969. Born and raised in Delhi, Madhubala relocated to Bombay with her family when she was 8 years old and shortly after appeared in minor roles in a number of films. She soon progressed to leading roles in the late 1940s, and earned success with the dramas '' Neel Kamal'' (1947) and ''Amar'' (1954), the horror film '' Mahal'' (1949), and the romantic films ''Badal'' (1951) and ''Tarana'' (1951). Following a brief setback, Madhubala rose to international prominence with her roles in the comedies '' Mr. & Mrs. '55'' (1955) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuckoo Moray
Cuckoo Moray, also credited as Cuckoo or Cukoo (1928 – 30 September 1981), was an Anglo-Indian dancer and actress in Indian cinema. Cuckoo was the queen of film dancing in Hindi cinema of the 1940s and 1950s. Though unfamiliar in name, she was known as the "rubber girl" of Hindi cinema and her talent made cabaret dancing a must in the Bollywood films during the 1940s and 1950s. It has been recently confirmed that Cuckoo's real name was Cuckoo Moray. Early career Cuckoo made her screen debut in the film ''Arab Ka Sitara'' in 1946. Soon after in ''Stum Chandi'', directors and greater audiences noticed her dancing abilities for the first time. Then, the turning point in Cuckoo's career was in Mehboob Khan's films. Her dance number in his film '' Anokhi Ada'' (1948) established her as the lead dancer of the era and in '' Andaz'' (1949), a romantic drama starring Nargis, Dilip Kumar, and Raj Kapoor, gave the dancing star an opportunity to display her acting skills. In Mehboob Khan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trade Journalism
Trade journalism reports on the movements and developments of the business world by way of articles or analysis. Trade journalism also refers to industry-specific news, such as exclusive focus on commodities (e.g. oil, gas and metals) or sectors (finance, travel, food Food is any substance consumed by an organism for nutritional support. Food is usually of plant, animal, or fungal origin, and contains essential nutrients, such as carbohydrates, fats, proteins, vitamins, or minerals. The substance is inge ...). Due to its business nature, trade journalism is often expected to process and interpret a substantial amount of market commentary. Types of journalism {{journalism-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Censorship
Censorship is the suppression of speech, public communication, or other information. This may be done on the basis that such material is considered objectionable, harmful, sensitive, or "inconvenient". Censorship can be conducted by governments, private institutions and other controlling bodies. Governments and private organizations may engage in censorship. Other groups or institutions may propose and petition for censorship.https://www.aclu.org/other/what-censorship "What Is Censorship", ACLU When an individual such as an author or other creator engages in censorship of his or her own works or speech, it is referred to as ''self-censorship''. General censorship occurs in a variety of different media, including speech, books, music, films, and other arts, the press, radio, television, and the Internet for a variety of claimed reasons including national security, to control obscenity, pornography, and hate speech, to protect children or other vulnerable groups, to promote or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baburao Patel
Baburao Patel (1904–1982) was an Indian publisher and writer, associated with films and politics. Career He was the editor and publisher of India's first film trade magazine, ''Filmindia'', the first edition of which was published in 1935. Baburao was also the founder and editor of a political magazine, ''Mother India'' (different from the magazine of the same name started by the Aurobindo group). He was elected to the Lok Sabha as the Jana Sangh candidate from Shajapur, Madhya Pradesh in 1967. Personal life Baburao Patel was born Baba Patil to politician Pandurang Patil (Pandoba Patil) near Mumbai, but changed his name to Baburao Patel because he mostly dealt with Gujarati community in professional life.Sarma, Ramya (August 29, 2015)"The Patels of Filmindia: A delicious potboiler" ''The Hindu''. He was married three times. His third wife was singer and actor Sushila Rani Patel (nee Tombat), originally from Chennai. He directed her in a couple of films in the 1940s. Books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmindia
''filmindia'' is an Indian monthly magazine covering Indian cinema and published in English language. Started by Baburao Patel in 1935, ''filmindia'' was the first English film periodical to be published from Bombay. The magazine was reportedly run "single-handedly" by Patel, who wielded power through this medium to "make or destroy a film". Its most popular column was "The Editor's Mail" answered by Patel. The magazine featured film news, editorials, studio round-ups, gossip, and reviews of different language films, mainly from Hindi and regional cinema and affiliated reviews from Hollywood. His articles included siding with the lesser known cinema workers like the technicians, extras and stuntmen. Patel met the painter S. M. Pandit around 1938, and asked him to design the covers for ''filmindia''. One of Pandit's assistants, Raghubir Mulgaonkar, was also a designer in the same periodical. Both of them worked with Patel at ''filmindia'' through the 1930s and 1940s. The magazi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematograph Act 1909
The Cinematograph Act 1909 is an Act of the Parliament of the United Kingdom (9 Edw. VII c. 30). It was the first primary legislation in the UK which specifically regulated the film industry. It unintentionally provided the legal basis for film censorship, leading to the establishment of the British Board of Film Censors in 1912. Origins During the 1890s and 1900s, most film exhibition took place in temporary venues such as fairgrounds, music halls and hastily converted shops (so-called 'penny gaffs'). The film then in use was made from the highly flammable cellulose nitrate base. Combined with limelight illumination, this created a significant safety hazard, resulting in a number of fatal fires. The 1909 Act specified a strict building code which required, amongst other things, that the projector be enclosed within a fire resisting enclosure. All commercial cinemas (defined as any business which admitted members of the public to see films in exchange for payment) had to com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Film
Pornographic films (pornos), erotic films, sex films, and 18+ films are films that present sexually explicit subject matter in order to arouse and satisfy the viewer. Pornographic films present sexual fantasies and usually include erotically stimulating material such as nudity ( softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective. Pornographic films are produced and distributed on a variety of media, depending on the demand and technology available, including traditional film stock in various formats, home video, DVDs, Internet download, cable TV, in addition to other media. Today, pornographic films are sold or rented on DVD; shown through Internet streaming, special channels and pay-per-view on cable and satellite; and viewed in rapidly disappeari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jankidas
Jankidas Mehra (1910 – 18 June 2003) was an Indian actor of Hindi cinema, cyclist, production designer, and writer. He made over 1000 film appearances between the 1930s and 1997. Biography Sports Jankidas served as the only Indian member of the International Olympic Committee at the 1936 Olympic Games in Berlin along with Hockey legend Major Dhyanchand and was the only Indian to have broken the world record in cycling between 1934 and 1942. In the 1940s, along with Sohrab Bhoot, he founded the Cycling Federation of India. Films Jankidas debuted in films playing a major role in '' Khazanchi'' (1941), produced in Lahore. He was not seen again until 1946, when he would appear in '' Dr. Kotnis Ki Amar Kahani''. From then on he would continue to play roles with increasing vigour over the years. As a production designer, Jankidas was responsible for the founding of many famous Indian actor's careers. He was responsible for Madhubala's role in Sohrab Modi's '' Daulat'' in 194 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motilal (actor)
Motilal Rajvansh (4 December 1910 – 17 June 1965) was an Indian actor and the winner of Filmfare Best Supporting Actor Award for ''Devdas (1955 film), Devdas'' (1955) and ''Parakh (1960 film), Parakh'' (1960). He is credited with being among Hindi cinema's first natural actors. He also directed the film ''Chhoti Chhoti Baten'' (1965), but died before its release. At the 13th National Film Awards, it won the award for National Film Award for Third Best Feature Film, Certificate of Merit for the Third Best Feature Film and he posthumously won the National Film Award for Best Story, Certificate of Merit for the Best Story Writer. Early life and background Born in Shimla on 4 December 1910, Motilal came from a distinguished family. His father was a renowned educationist, who died when Motilal was one year old. He was brought up by his uncle who was a well-known civil surgeon in Uttar Pradesh. At first, Moti was sent to an English school at Shimla and later, in Uttar Pradesh (UP) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Women's Rights
Women's rights are the rights and entitlements claimed for women and girls worldwide. They formed the basis for the women's rights movement in the 19th century and the feminist movements during the 20th and 21st centuries. In some countries, these rights are institutionalized or supported by law, local custom, and behavior, whereas in others, they are ignored and suppressed. They differ from broader notions of human rights through claims of an inherent historical and traditional bias against the exercise of rights by women and girls, in favor of men and boys.Hosken, Fran P., 'Towards a Definition of Women's Rights' in ''Human Rights Quarterly'', Vol. 3, No. 2. (May 1981), pp. 1–10. Issues commonly associated with notions of women's rights include the right to bodily integrity and autonomy, to be free from sexual violence, to vote, to hold public office, to enter into legal contracts, to have equal rights in family law, to work, to fair wages or equal pay, to have reproduct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manorama (Hindi Actress)
Manorama (16 August 1926 – 15 February 2008) was an Indian character actress in Bollywood known best for her role as the comical tyrant aunt in ''Seeta Aur Geeta'' (1972) and in films such as ''Ek Phool Do Maali'' (1969) and ''Do Kaliyaan'' (1968). She started her career as a child artiste in 1936 in Lahore, under the name Baby Iris. Thereafter, she made her debut as an adult actress in 1941, and performed to her final role in ''Water'' in 2005, her career extending over 60 years. Through her career she acted in over 160 films. After playing heroine roles in the early 1940s, she settled into playing villainous or comic roles. She played comic roles in superhit films such as ''Half Ticket'' appearing alongside Kishore Kumar and the legendary Madhubala. She gave memorable performances in ''Dus Lakh'', ''Jhanak Jhanak Payal Baaje'', ''Mujhe Jeene Do'', ''Mehboob ki Menhdi'', ''Caravan'', ''Bombay to Goa'' and '' Lawaris''. Biography She acted in films since 1941 under her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
