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Hans Peter Blochwitz
Hans Peter Blochwitz (born 28 September 1949) is a German lyric tenor, who is known internationally in opera and concert, especially for singing parts in Mozart operas. Career Born in Garmisch-Partenkirchen on 28 September 1949, Blochwitz first studied computer science at the Technische Hochschule Darmstadt and holds a Ph.D. He studied singing from 1975 in Mainz with Elisabeth Fellner Köberle and in Frankfurt with Erna Westenberger and Karlheinz Jarius. He appeared in 1978 in Frankfurt as a soloist in Bach's Mass in B minor, and in 1984 as the Evangelist in Bach's ''St Matthew Passion'' at the Altenberger Dom. He made his operatic debut in September 1984 as Lenski in Tchaikovsky's '' Eugen Onegin'' at the Frankfurt Opera; he subsequently sang in Brussels, Geneva, Hamburg, Milan, and Vienna, especially as a Mozart singer. When Peter Schreier, a lyric tenor himself, conducted his first production of Mozart's ''Don Giovanni'' in 1987, he cast Blochwitz as Don Ottavio. In September ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garmisch-Partenkirchen
Garmisch-Partenkirchen (; Bavarian: ''Garmasch-Partakurch''), nicknamed Ga-Pa, is an Alpine ski town in Bavaria, southern Germany. It is the seat of government of the district of Garmisch-Partenkirchen (abbreviated ''GAP''), in the Oberbayern region, which borders Austria. Nearby is Germany's highest mountain, Zugspitze, at above sea level. The town is known as the site of the 1936 Winter Olympic Games, the first to include alpine skiing, and hosts a variety of winter sports competitions. History Garmisch (in the west) and Partenkirchen (in the east) were separate towns for many centuries, and still maintain quite separate identities. Partenkirchen originated as the Roman town of ''Partanum'' on the trade route from Venice to Augsburg and is first mentioned in the year A.D. 15. Its main street, Ludwigsstrasse, follows the original Roman road. Garmisch was first mentioned some 800 years later as ''Germaneskau'' ("German District"), suggesting that at some po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Così Fan Tutte
(''All Women Do It, or The School for Lovers''), K. 588, is an opera buffa in two acts by Wolfgang Amadeus Mozart. It was first performed on 26 January 1790 at the Burgtheater in Vienna, Austria. The libretto was written by Lorenzo Da Ponte who also wrote ''Le nozze di Figaro'' and ''Don Giovanni''. Although it is commonly held that was written and composed at the suggestion of the Emperor Joseph II, recent research does not support this idea. There is evidence that Mozart's contemporary Antonio Salieri tried to set the libretto but left it unfinished. In 1994, John Rice uncovered two terzetti by Salieri in the Austrian National Library. The short title, ''Così fan tutte'', literally means "So do they all", using the feminine plural (''tutte'') to indicate women. It is usually translated into English as "Women are like that". The words are sung by the three men in act 2, scene 3, just before the finale; this melodic phrase is also quoted in the overture to the opera. Da P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Finta Semplice
''La finta semplice'' (''The Fake Innocent''), K. 51 (46a) is an opera buffa in three acts for seven voices and orchestra, composed in 1768 by then 12-year-old Wolfgang Amadeus Mozart. Young Mozart and his father Leopold were spending the year in Vienna, where Leopold was trying to establish his son as an opera composer. He was acting on a suggested request from the Emperor Joseph II that the young boy should write an opera. Leopold chose an Italian libretto by the Vienna court poet Marco Coltellini, which was based on an early work by Carlo Goldoni. During rehearsals, the opera was the victim of intrigues from competing composers claiming that the work was not from the 12-year-old boy, but from his father. Threatened with a sabotaged first night by the impresario Giuseppe Affligio, Leopold prudently decided to withdraw. The opera was never staged in Vienna. It was probably performed the following year in Salzburg at the request of the Prince-Archbishop. Mozart produced a full sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Lied Von Der Erde
''Das Lied von der Erde'' ("The Song of the Earth") is an orchestral song cycle for two voices and orchestra written by Gustav Mahler between 1908 and 1909. Described as a symphony when published, it comprises six songs for two singers who alternate movements. Mahler specified that the two singers should be a tenor and an alto, or else a tenor and a baritone if an alto is not available.''Das Lied von der Erde'' – Eine Symphonie für eine Tenor- und eine Alt- (oder Bariton-) Stimme und Orchester (nach Hans Bethges ''Die chinesische Flöte'') von Gustav Mahler, Partitur, 'The Song of the Earth''. A Symphony for tenor and alto (or baritone) voice and orchestra (after Hans Bethge's ''The Chinese Flute''). By Gustav Mahler. Score. Published by Universal Edition 1912. Mahler composed this work following the most painful period in his life, and the songs address themes such as those of living, parting and salvation. On the centenary of Mahler's birth, the composer and prominent Mahle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Klagende Lied
''Das klagende Lied'' (''Song of Lamentation'') is a cantata by Gustav Mahler, composed between 1878 and 1880 and greatly revised over the next two decades. In its original form, ''Das klagende Lied'' is the earliest of his works to have survived (a fragment, the Piano Quartet (Mahler), Piano Quartet movement in A minor, is believed to date from 1876). Compositional history Mahler began to write the text of ''Das klagende Lied'' (possibly basing it on the fairy-tale of the same name by Ludwig Bechstein and/or "Der singende Knochen" ("The Singing Bone") by Jacob and Wilhelm Grimm) during the early part of his final year in the University of Music and Performing Arts, Vienna, Vienna Conservatory, where he was a student between 1875 and 1878. The draft text for the work is dated 18 March 1878, and composition of the music began in autumn of 1879 and was completed on 1 November 1880. The work is laid out on a very large and complex scale, requiring a large orchestra and taking 60†... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paulus (Mendelssohn)
''St. Paul'' (in German ''Paulus''), Op. 36, is an oratorio by Felix Mendelssohn. The composer oversaw versions and performances in both German and English within months of completing the music in early 1836. Background The libretto "after words of holy scripture" was begun in 1832. The composer with pastor Julius Schubring, a childhood friend, compiled passages from the New Testament, chiefly the Acts of the Apostles, and the Old, as well as the texts of chorales and hymns, in a polyglot manner after Bach's model. Composition of the music started in 1834 and was complete in early 1836. Performances The work was premiered on 22 May 1836 (having been completed in April of that year) at the Lower Rhenish Music Festival in Düsseldorf. The English premiere was in Liverpool on 3 October 1836 in a translation by Mendelssohn's friend, Karl Klingermann. Contralto Mary Shaw was one of the soloists at the English premiere. The first performance in the United States was in Boston on March ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schöpfung
''The Creation'' (german: Die Schöpfung) is an oratorio written between 1797 and 1798 by Joseph Haydn ( Hob. XXI:2), and considered by many to be one of his masterpieces. The oratorio depicts and celebrates the creation of the world as described in the Book of Genesis. The libretto was written by Gottfried van Swieten. The work is structured in three parts and scored for soprano, tenor and bass soloists, chorus and a symphonic orchestra. In parts I and II, depicting the creation, the soloists represent the archangels Raphael (bass), Uriel (tenor) and Gabriel (soprano). In part III, the bass and soprano represent Adam and Eve. The first public performance was held in Vienna at the old Burgtheater on 19 March 1799. The oratorio was published with the text in German and English in 1800. Inspiration Haydn was inspired to write a large oratorio during his visits to England in 1791–1792 and 1794–1795 when, alongside his close friend English music historian Charles Burney, he he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Xaver Süssmayr
Franz Xaver Süssmayr (German: ''Franz Xaver Süßmayr'', or ''Suessmayr'' in English; 1766 – September 17, 1803) was an Austrian composer and conductor. Popular in his day, he is now known primarily as the composer who completed Wolfgang Amadeus Mozart's unfinished Requiem. In addition, there have been performances of Süssmayr's operas at Kremsmünster, and his secular political cantata (1796), ''Der Retter in Gefahr'', SmWV 302, received its first full performance in over 200 years in June 2012 in a new edition by Mark Nabholz, conducted by Terrence Stoneberg. There are also CD recordings of his unfinished clarinet concerto (completed by Michael Freyhan), one of his German requiems, and his Missa Solemnis in D. Works His works include the following: * Two masses (SmWV 101–102) * Two requiems (SmWV 103–104) * Seven offertories (SmWV 112–115, 117–119, 123, 125, 144–145, 156) * A gradual (SmWV 143) * Psalms * A magnificat * Hymns * ''Agonia e morte di Mozart'' (fan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Mozart)
The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence Dies irae as far as the first eight bars of the Lacrymosa movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ensemble Modern
Ensemble Modern is an international ensemble dedicated to performing and promoting the music of modern composers. Formed in 1980, the group is based in Frankfurt, Germany, and made up variously of about twenty members from numerous countries. History Ensemble Modern was founded in 1980 by members of the Junge Deutsche Philharmonie. From the beginning, the ensemble chose to organize itself democratically. There is no artistic director or chief conductor; instead, all projects, productions and financial matters are decided and supported by the musicians directly. Currently, the ensemble combines 19 soloists from different backgrounds: Belgium, Bulgaria, Germany, Greece, India, Israel, Japan, Switzerland, and the United States. Since 1985, Ensemble Modern has been based in Frankfurt am Main, Germany. They offer a subscription series at the Alte Oper Frankfurt, host regular opera productions in cooperation with the Oper Frankfurt. Since 1993, the Opera has held the "Happy New Ears" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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