Hans Nielsen (actor)
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Hans Nielsen (actor)
Hans Albert Nielsen (30 November 1911 – 11 October 1965) was a German film actor. He appeared in more than 130 films between 1937 and 1965. Biography Hans Albert Nielsen was born in Hamburg, Germany. He first got an education in business, but afterward, began taking private acting lessons from Albrecht Schoenhals and Erich Ziegel. He made his stage debut in Hamburg in 1932, after which he worked in Augsburg, Kiel, Leipzig, Berlin, Munich and Düsseldorf. Many actors and performing artists fled Nazi Germany, but Nielsen remained. He made his film debut in 1937 in ''Daphne and the Diplomat'', followed by German movies, such as ''Heimat'' (with Zarah Leander), ''Friedrich Schiller – The Triumph of a Genius'' (with Horst Caspar) and ''The Great King'' (with Otto Gebühr). After World War II, Nielsen performed in a Kabarett group, ''Die Außenseiter'' ("The Outsider") and played in revues by cabaret artist Günter Neumann. He resumed his successful film acting career in 1947 ...
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Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ...
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The Great King
''The Great King'' (german: Der große König) is a 1942 German drama film directed by Veit Harlan and starring Otto Gebühr. It depicts the life of Frederick the Great, who ruled Prussia from 1740 to 1786. It received the rare "Film of the Nation" distinction.Erwin Leiser, ''Nazi Cinema'' p116 It was part of a popular cycle of "Prussian films". The film is a depiction of the Führerprinzip. The analogy to Adolf Hitler was so clear that Hitler sent a print to Benito Mussolini, and Joseph Goebbels warned against the drawing of the comparison in print, in particular, because of the pessimistic mood that opens the film. After a sergeant gives an unauthorised order, the king orders him simultaneously promoted and punished. His later decision to desert results in his death because no disobedience is justified. Goebbels declared that the parallels were not a matter of propaganda, but an obvious result of the parallels of history. Goebbels also regarded it as instructive that curre ...
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Sherlock Holmes And The Deadly Necklace
''Sherlock Holmes and the Deadly Necklace'' (German: ''Sherlock Holmes und das Halsband des Todes'') is a 1962 mystery film directed by Terence Fisher. It is a West German-French-Italian international co-production. The film starred Christopher Lee as Sherlock Holmes and Thorley Walters as Dr. Watson. Curt Siodmak wrote the screenplay, based on characters created by Sir Arthur Conan Doyle. Plot The film's plot has Sherlock Holmes and Dr. Watson attempting to recover a stolen necklace, formerly worn by Cleopatra, from Professor Moriarty. Holmes tries to convince the police that the professor is a criminal, but they are disbelieving. Cast * Christopher Lee as Sherlock Holmes * Thorley Walters as Dr. Watson * Senta Berger as Ellen Blackburn * Hans Söhnker as Prof. Moriarty * Hans Nielsen as Inspector Cooper * Ivan Desny as Paul King * Leon Askin as Charles, the chauffeur * Wolfgang Lukschy as Peter Blackburn * Edith Schultze-Westrum as Mrs. Hudson * Bernard Lajarrige as Inspect ...
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Christopher Lee
Sir Christopher Frank Carandini Lee (27 May 1922 – 7 June 2015) was an English actor and singer. In a long career spanning more than 60 years, Lee often portrayed villains, and appeared as Count Dracula in seven Hammer Horror films, ultimately playing the role nine times. His other film roles include Francisco Scaramanga in the James Bond film '' The Man with the Golden Gun'' (1974), Count Dooku in several ''Star Wars'' films (2002–2008), and Saruman in both the ''Lord of the Rings'' film trilogy (2001–2003) and the ''Hobbit'' film trilogy (2012–2014). Lee was knighted for services to drama and charity in 2009, received the BAFTA Fellowship in 2011, and received the BFI Fellowship in 2013. He credited three films for making his name as an actor, ''A Tale of Two Cities'' (1958), in which he played the villainous marquis, and two horror films, ''The Curse of Frankenstein'' (1957), and '' Dracula'' (1958). He considered his best performance to be that of Pakistan' ...
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Confess, Doctor Corda
''Confess, Doctor Corda'' (german: Gestehen Sie, Dr. Corda) is a 1958 West German crime film directed by Josef von Báky and starring Hardy Krüger, Elisabeth Müller and Lucie Mannheim. It is considered to be a film noir, one of a number made in Germany during the decade.Spicer p.110 It was shot at the Spandau Studios. The film's sets were designed by the art directors Erich Kettelhut and Helmut Nentwig. A Doctor goes to a meet a young woman in a park at night, only to find that she has been murdered before he got there. The police consider him the prime suspect, and put him under considerable pressure to confess. Cast * Hardy Krüger as Dr. Fred Corda * Elisabeth Müller as Beate Corda * Lucie Mannheim as Mrs. Bieringer * Hans Nielsen as Dr. Nagel * Fritz Tillmann as Dr. Pohlhammer * Eva Pflug as Gabriele Montag * Rudolf Fernau as Professor Schliessmann * Siegfried Lowitz as Inspektor Guggitz * Emmy Burg as Oberin * Lore Hartling as Schwester Antonia * Paul Edwin Roth as Dr. ...
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Curt Goetz
Curt Goetz (; 17 November 1888 – 12 September 1960), born Kurt Walter Götz, was a Swiss German writer, actor and film director. He was regarded as one of the most brilliant German comedy writers of his time. With his wife Valérie von Martens, he acted in his own plays and also filmed them. He was a distant relative of Irish writer George Bernard Shaw, to whom he was often compared. Life and work Goetz was born in Mainz, Germany the son of Swiss wine examiner Bernhard Götz and his German wife of Italian-French descent, Selma (born Rocco). His father died in 1890. Two-year-old Curt and his mother then moved to Halle, Saxony-Anhalt, where she managed a private clinic. In 1906 Goetz graduated from City High School in Halle, where he played Franz Moor in ''The Robbers'' by Schiller. His mother remarried, and his stepfather encouraged and financed Goetz's first steps in the theatre. He studied acting under Berlin's Emanuel Reicher. In 1907 he made his stage debut at the St ...
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Hocuspocus (1953 Film)
''Hocuspocus'' (german: Hokuspokus) is a 1953 West German comedy crime film directed by Kurt Hoffmann and starring Curt Goetz, Valerie von Martens (his wife) and Hans Nielsen.Elsaesser & Wedel p.201 Based on Goetz's own play from 1926 and on the first movie of 1930 of which an English-language version was made at the same time, it was remade in 1966 in color as '' Hocuspocus''. It was shot at Göttingen Studios. The film's sets were designed by the art director's Kurt Herlth and Hermann Warm. Plot After the unsuccessful painter Hilmar Kjerulf has supposedly died, interest in his paintings rises significantly. One of his worshippers is the President of the criminal court, who has to trial over his soft-spoken widow Agda Kjerulf. She is accused of having drowned her husband in a lake and simply defends herself by remaining silent or theatricly dropping unconscious. A mysterious person warns the court president several times that somebody wants to kill him on a certain date, ...
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Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ...
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Helmut Käutner
Helmut Käutner (25 March 1908 – 20 April 1980) was a German film director active mainly in the 1940s and 1950s. He entered the film industry at the end of the Weimar Republic and released his first films as a director in Nazi Germany. Käutner is relatively unknown outside of Germany, although he is considered one of the best filmmakers in German film history. He was one of the most influential film directors of German post-war cinema and became known for his sophisticated literary adaptations. He was born in Düsseldorf, German Empire, Germany. Käutner started out as a director in the Nazi era, but his films remained largely free of Nationalsocialist propaganda. One of his early successes was ''Romanze in Moll'' (1943), an adaptation of Guy du Maupassant’s short story “Les Bijoux". Other remarkable films were ''Große Freiheit Nr. 7'' and ''Under the Bridges''. His 1956 film ''The Captain from Köpenick (1956 film), Der Hauptmann von Köpenick'' was nominated for the ...
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In Those Days
''In Those Days'' (german: In jenen Tagen) is a 1947 German drama film directed by Helmut Käutner and starring Gert Schäfer, Erich Schellow and Winnie Markus. It was one of the cycle of Rubble films made in the wake of Germany's defeat during World War II. The film addresses issues of collective guilt during the Nazi era, using the device of a car built in 1933 and dismantled in 1947 narrating the various experiences of its owners in a series of seven separate episodes. The film's objective was to highlight the private resistance of various figures to the Nazis even while they publicly accepted the repression of Nazi society. Production The film was produced in Hamburg in the British Zone as part of a growing post-war trend in western Germany of moving film production away from its traditional centre of Berlin. The film was made under extremely difficult conditions including a lack of raw film stock and hunger amongst the cast and technicians.Shandley, Robert R. ''Rubble Fil ...
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Günter Neumann (singer)
Günter Christian Ludwig Neumann (19 May 1913 – 17 October 1972) was a German singer, composer lyricist, cabaretist and screenwriter. He contributed to many popular songs and worked frequently in the German film industry on productions such as '' The Berliner'' (1948).Shandley p.212 Selected filmography * '' M'' (uncredited) (1931) * ''Bachelor's Paradise'' (1939) * ''Heaven, We Inherit a Castle'' (1943) * '' The Berliner'' (1948) * ''Fireworks'' (1954) * ''The Spessart Inn'' (1958) * '' Aren't We Wonderful?'' (1958) * '' The Beautiful Adventure'' (1959) * '' The Haunted Castle'' (1960) * ''Snow White and the Seven Jugglers ''Snow White and the Seven Jugglers'' (German: ''Schneewittchen und die sieben Gaukler'') is a 1962 Swiss-West German musical comedy film directed by Kurt Hoffmann and starring Caterina Valente, Walter Giller and Georg Thomalla.Bock & Bergfelder ...'' (1962) * '' Glorious Times at the Spessart Inn'' (1967) References Bibliography * Shandley, Rober ...
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Revue
A revue is a type of multi-act popular theatrical entertainment that combines music, dance, and sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely-related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, ribald publicity campaigns and the occasional use of prurient material, the revue was typically patronized by audience members who earned more and felt even less restricted by middle-class ...
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