''In Those Days'' (german: In jenen Tagen) is a 1947

German German(s) may refer to: * Germany (of or related to) ** Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ge ...

drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-g ...

directed by

Helmut Käutner Helmut Käutner (25 March 1908 – 20 April 1980) was a German film director active mainly in the 1940s and 1950s. He entered the film industry at the end of the Weimar Republic and released his first films as a director in Nazi Germany. Käu ...

and starring Gert Schäfer, Erich Schellow and

Winnie Markus Winnie Markus (1921–2002) was a Czechoslovakia-born Germany, German film actor, film and television actress. Selected filmography * ''A Mother's Love (1939 film), A Mother's Love'' (1939) - Rosl Pirlinger * ' (1939) - Juana de Alvarado * ''The ...

. It was one of the cycle of Rubble films made in the wake of Germany's defeat during

World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...

. The film addresses issues of

collective guilt Collective responsibility, also known as collective guilt, refers to responsibilities of organizations, groups and societies. Collective responsibility in the form of collective punishment is often used as a disciplinary measure in closed insti ...

during the

Nazi era Nazi Germany (lit. "National Socialist State"), ' (lit. "Nazi State") for short; also ' (lit. "National Socialist Germany") (officially known as the German Reich from 1933 until 1943, and the Greater German Reich from 1943 to 1945) was ...

, using the device of a car built in 1933 and dismantled in 1947 narrating the various experiences of its owners in a series of seven separate episodes. The film's objective was to highlight the private resistance of various figures to the Nazis even while they publicly accepted the repression of Nazi society.

Production

The film was produced in

Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal ...

in the British Zone as part of a growing post-war trend in western Germany of moving film production away from its traditional centre of

Berlin Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constitue ...

. The film was made under extremely difficult conditions including a lack of raw film stock and hunger amongst the cast and technicians.Shandley, Robert R. ''Rubble Films: German Cinema in the Shadow of the Third Reich''.

Temple University Press Temple University Press is a university press founded in 1969 that is part of Temple University (Philadelphia, Pennsylvania). It is one of thirteen publishers to participate in the Knowledge Unlatched pilot, a global library consortium approach t ...

, 2001. p. 22–23 & 51. The director, Helmut Käutner, had several of his earlier films banned by the

Nazis Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Na ...

which led to him being perceived as possessing greater

moral authority Moral authority is authority premised on principles, or fundamental truths, which are independent of written, or positive, laws. As such, moral authority necessitates the existence of and adherence to truth. Because truth does not change, the princi ...

than many of his colleagues. Consequently, the film was seen as a standard-bearer for the values of the post-war German film industry.

Reception

It was well received by the German public in 1947 who were generally receptive to its message. In the 1960s the film began to attract criticism for allegedly whitewashing ordinary Germans' acceptance of Nazi ideology. However, this criticism has in turn been challenged as being ahistorical and ignoring the conditions under which it was made - such as the constraints put on German film-makers by the Allied occupation powers and the resistance of contemporary German audiences to films that explicitly examined their possible collective guilt.

Cast

References

External links

* 1947 drama films German drama films Films set in Hamburg Films set in Berlin Films directed by Helmut Käutner Films about Nazi Germany West German films Films about automobiles German black-and-white films 1940s German-language films 1940s German films {{1940s-Germany-film-stub