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Hōgyū Jizō
are Japanese stone statues; mostly of Ksitigarbha and other kinds of stone statues made by Buddhist monk Hōgyū (around 1672–1732) between 1722 and 1732 in Kumamoto, Japan. When Hōgyū was about 14, in 1686, his father was Kiri sute gomen, killed by a samurai. Later he made stone statues for the repose of the soul of his father. Historical records In January 1686, a blacksmith called Hichizaemon, a heavy drinker, threw a bamboo blower at his son. It accidentally hit the forehead of a samurai, Ohyano Genzaemon. Despite repeated apologies, Genzaemon immediately killed Hichizaemon with a sword, that being legal at the time by kiri sute gomen. Genzaemon, the son and his sister all wrote witness statements, and the Bugyō did not punish Genzaemon. Out of grief, the son entered the Buddhist priesthood for the repose of his father, and offered a prayer with a vow that he would make 100 stone statues. He made 107 stone statues between 1722 and 1732. He died in 1732. The 100th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waka (poetry)
is a type of poetry in classical Japanese literature. Although ''waka'' in modern Japanese is written as , in the past it was also written as (see Wa, an old name for Japan), and a variant name is . Etymology The word ''waka'' has two different but related meanings: the original meaning was "poetry in Japanese" and encompassed several genres such as ''chōka'' and ''sedōka'' (discussed below); the later, more common definition refers to poetry in a 5-7-5-7-7 metre. Up to and during the compilation of the ''Man'yōshū'' in the eighth century, the word ''waka'' was a general term for poetry composed in Japanese, and included several genres such as , , and . However, by the time of the '' Kokinshūs compilation at the beginning of the tenth century, all of these forms except for the ''tanka'' and ''chōka'' had effectively gone extinct, and ''chōka'' had significantly diminished in prominence. As a result, the word ''waka'' became effectively synonymous with ''tanka'', and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Sculpture
Sculpture in Japan began with the clay figure. Towards the end of the long Neolithic Jōmon period, some pottery vessels were "flame-rimmed" with extravagant extensions to the rim that can only be called sculptural, and very stylized pottery dogū figures were produced, many with the characteristic "snow-goggle" eyes. During the Kofun period of the 3rd to 6th century CE, haniwa terracotta figures of humans and animals in a simplistic style were erected outside important tombs. The arrival of Buddhism in the 6th century brought with it sophisticated traditions in sculpture, Chinese styles mediated via Korea. The 7th-century Hōryū-ji and its contents have survived more intact than any East Asian Buddhist temple of its date, with works including a ''Shaka Trinity'' of 623 in bronze, showing the historical Buddha flanked by two bodhisattvas and also the Guardian Kings of the Four Directions. Jōchō is said to be one of the greatest Buddhist sculptors not only in the Heian perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a śramaṇa, wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but Great Renunciation, renounced his Householder (Buddhism), home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained Enlightenment in Buddhism, enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a Sangha, monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana (Buddhism), Nirvana, that is, Vimutti, freedom from Avidyā (Buddhism), ignorance, Upādāna, craving, Saṃsāra (Buddhism), rebirth, and suffering. His teachings are summarized in the Noble ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kami
are the deities, divinities, spirits, phenomena or "holy powers", that are venerated in the Shinto religion. They can be elements of the landscape, forces of nature, or beings and the qualities that these beings express; they can also be the spirits of venerated dead people. Many ''kami'' are considered the ancient ancestors of entire clans (some ancestors became ''kami'' upon their death if they were able to embody the values and virtues of ''kami'' in life). Traditionally, great leaders like the Emperor could be or became ''kami''. In Shinto, ''kami'' are not separate from nature, but are of nature, possessing positive and negative, and good and evil characteristics. They are manifestations of , the interconnecting energy of the universe, and are considered exemplary of what humanity should strive towards. ''Kami'' are believed to be "hidden" from this world, and inhabit a complementary existence that mirrors our own: . To be in harmony with the awe-inspiring aspects of nature ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma (attribute)
The lotus, ''Nelumbo nucifera'', is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism, Jainism and Sikhism. In Asian art a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular. Hinduism Hindus revere it with the divinities Vishnu and Lakshmi often portrayed on a pink lotus in iconography; historically, many deities, namely Brahma, Saraswati, Lakshmi, Kubera, usually sit on a stylized lotus throne. In the representation of Vishnu as Padmanabha (Lotus navel), a lotus issues from his navel with Brahma on it. The goddess Saraswati is portrayed on a pale pink lotus. The lotus is the symbol of what is divine or immortal in humanity, and also symbolizes divine perfection. The lotus is the attribute of sun and fire gods. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sattva
Sattva (Sanskrit: सत्त्व, meaning ''honesty'') is one of the three guṇas or "modes of existence" (tendencies, qualities, attributes), a philosophical and psychological concept understood by the Samkhya school of Hindu philosophy.James G. Lochtefeld, "Sattva", in ''The Illustrated Encyclopedia of Hinduism'': A–M, Vol. 2, Rosen Publishing, , p. 608 The other two qualities are ''rajas'' (passion and activity) and '' tamas'' (destruction, chaos). ''Sattva'' is the quality of goodness, positivity, truth, serenity, balance, peacefulness, and virtuousness that is drawn towards Dharma and '' Jnana'' (knowledge).Ian Whicher (1998), ''The Integrity of the Yoga Darśana'', State University of New York Press, pp. 86–87, 124–125, 163–167, 238–243 Hinduism In Samkhya philosophy, a is one of three "tendencies, qualities": sattva, rajas and tamas. This category of qualities has been widely adopted by various schools of Hinduism for categorizing behavior and natural phe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Prayer Beads
A japamala, , or simply mala ( sa, माला; , meaning 'garland') is a loop of prayer beads commonly used in Indian religions such as Hinduism, Jainism, Sikhism, and Buddhism for counting recitations when performing ''japa'' (reciting a mantra or other sacred sound) or for counting some other '' sadhana'' (spiritual practice) such as prostrating before a holy icon. They are similar to other forms of prayer beads used in various world religions and are sometimes referred to in Christianity as a "rosary". The main body of a mala is usually 108 beads of roughly the same size and material as each other though smaller versions, often factors of 108 such as 54 or 27, exist. A distinctive 109th "guru bead", not used for counting, is very common. Mala beads have traditionally been made of a variety of materials such as wood, stone, seeds, bone and precious metals—with various religions often favouring certain materials—and strung with natural fibres such as cotton, silk, or a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stupa
A stupa ( sa, स्तूप, lit=heap, ) is a mound-like or hemispherical structure containing relics (such as ''śarīra'' – typically the remains of Buddhist monks or nuns) that is used as a place of meditation. In Buddhism, circumambulation or ''pradakhshina'' has been an important ritual and devotional practice since the earliest times, and stupas always have a ''pradakhshina'' path around them. The original South Asian form is a large solid dome above a tholobate or drum with vertical sides, which usually sits on a square base. There is no access to the inside of the structure. In large stupas there may be walkways for circumambulation on top of the base as well as on the ground below it. Large stupas have or had ''vedikā'' railings outside the path around the base, often highly decorated with sculpture, especially at the torana gateways, of which there are usually four. At the top of the dome is a thin vertical element, with one of more horizontal discs spreadin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Censer
A censer, incense burner, perfume burner or pastille burner is a vessel made for burning incense or perfume in some solid form. They vary greatly in size, form, and material of construction, and have been in use since ancient times throughout the world. They may consist of simple earthenware bowls or fire pots to intricately carved silver or gold vessels, small table top objects a few centimetres tall to as many as several metres high. Many designs use openwork to allow a flow of air. In many cultures, burning incense has spiritual and religious connotations, and this influences the design and decoration of the censer. Often, especially in Western contexts, "censer" is used for pieces made for religious use, especially those on chains that are swung through the air to spread the incense smoke widely, while "perfume burner" is used for objects made for secular use. The original meaning of pastille was a small compressed mixture of aromatic plant material and charcoal that was l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gautama Buddha
Siddhartha Gautama, most commonly referred to as the Buddha, was a wandering ascetic and religious teacher who lived in South Asia during the 6th or 5th century BCE and founded Buddhism. According to Buddhist tradition, he was born in Lumbini, in what is now Nepal, to royal parents of the Shakya clan, but renounced his home life to live as a wandering ascetic ( sa, śramaṇa). After leading a life of begging, asceticism, and meditation, he attained enlightenment at Bodh Gaya in what is now India. The Buddha thereafter wandered through the lower Indo-Gangetic Plain, teaching and building a monastic order. He taught a Middle Way between sensual indulgence and severe asceticism, leading to Nirvana, that is, freedom from ignorance, craving, rebirth, and suffering. His teachings are summarized in the Noble Eightfold Path, a training of the mind that includes meditation and instruction in Buddhist ethics such as right effort, mindfulness, and '' jhana''. He di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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