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Hôtel Tubeuf
The Hôtel Tubeuf or Hôtel Duret-de-Chevry is a ''hôtel particulier'' located at 8 Rue des Petits Champs in the 2nd arrondissement of Paris. It was built in 1635 to the designs of the French architect Jean Thiriot for , president of the . It was unfinished, when in 1641 it was purchased by the financier Jacques Tubeuf, who sold it to Cardinal Mazarin in 1649. The latter expanded it and combined it with adjacent ''hôtels'', creating the Palais Mazarin, which in 1721 became the Bibliothèque du Roi (King's Library).Ayers 2004, pp. 57–58. The Hôtel Tubeuf is now part of the complex of buildings forming the Richelieu site of the Bibliothèque nationale de France and was declared a ''monument historique'' in 1983. The Hôtel Tubeuf is a typical ''hôtel particulier'' with a central ''corps de logis'' set between an entrance courtyard and a garden. The entrance courtyard is on the south side and was formerly enclosed on all sides. The street entrance seen today was constructed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corps De Logis
In architecture, a ''corps de logis'' () is the principal block of a large, (usually Classical architecture, classical), mansion or palace. It contains the principal rooms, state apartments and an entry.Curl, James Stevens (2006). ''Oxford Dictionary of Architecture and Landscape Architecture'', 2nd edition. Oxford and New York: Oxford University Press, p. 204. . The grandest and finest rooms are often on the first floor above the ground level: this floor is the ''piano nobile''. The ''corps de logis'' is usually flanked by lower secondary wings, such as the ''barchesse'' of Venetian villas. When the secondary wings form a three sided courtyard, the courtyard is known as the ''cour d'honneur''. Examples of a ''corps de logis'' can be found in many of the most notable Classical architecture, Classical Era buildings of Europe including the Palace of Versailles, Blenheim Palace, and the Palazzo Pitti. In France, the principal block of medieval castles and manor houses is often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quoins
Quoins ( or ) are masonry blocks at the corner of a wall. Some are structural, providing strength for a wall made with inferior stone or rubble, while others merely add aesthetic detail to a corner. According to one 19th century encyclopedia, these imply strength, permanence, and expense, all reinforcing the onlooker's sense of a structure's presence. Stone quoins are used on stone or brick buildings. Brick quoins may appear on brick buildings, extending from the facing brickwork in such a way as to give the appearance of generally uniformly cut ashlar blocks of stone larger than the bricks. Where quoins are decorative and non-load-bearing a wider variety of materials is used, including timber, stucco, or other cement render. Techniques Ashlar blocks In a traditional, often decorative use, large rectangular ashlar stone blocks or replicas are laid horizontally at the corners. This results in an alternate, quoining pattern. Alternate cornerstones Courses of large and small c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures In The 2nd Arrondissement Of Paris
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blunt, Anthony
Anthony Frederick Blunt (26 September 1907 – 26 March 1983), styled Sir Anthony Blunt KCVO from 1956 to November 1979, was a leading British art historian and Soviet spy. Blunt was professor of art history at the University of London, director of the Courtauld Institute of Art, and Surveyor of the Queen's Pictures. His 1967 monograph on the French Baroque painter Nicolas Poussin is still widely regarded as a watershed book in art history.Shone, Richard and Stonard, John-Paul, eds. ''The Books that Shaped Art History'', Introduction. London: Thames & Hudson, 2013. His teaching text and reference work ''Art and Architecture in France 1500–1700'', first published in 1953, reached its fifth edition in a slightly revised version by Richard Beresford in 1999, when it was still considered the best account of the subject. In 1964, after being offered immunity from prosecution, Blunt confessed to having been a spy for the Soviet Union. He was considered to be the "fourth man" of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dictionary Of Art
''Grove Art Online'' is the online edition of ''The Dictionary of Art'', often referred to as the ''Grove Dictionary of Art'', and part of Oxford Art Online, an internet gateway to online art reference publications of Oxford University Press, which also includes the online version of the ''Benezit Dictionary of Artists''. It is a large encyclopedia of art, previously a 34-volume printed encyclopedia first published by Grove in 1996 and reprinted with minor corrections in 1998. A new edition was published in 2003 by Oxford University Press. Scope Written by 6,700 experts from around the world, its 32,600 pages cover over 45,000 topics about art, artists, art critics, art collectors, or anything else connected to the world of art. According to ''The New York Times Book Review'' it is the "most ambitious art-publishing venture of the late 20th century". Almost half the content covers non-Western subjects, and contributors hail from 120 countries. Topics range from Julia Margare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Place Dauphine
The Place Dauphine is a public square located near the western end of the Île de la Cité in the first arrondissement of Paris. It was initiated by Henry IV in 1607, the second of his projects for public squares in Paris, the first being the Place Royale (now the Place des Vosges). He named it for his son, the Dauphin of France and future Louis XIII, who had been born in 1601. From the "square", actually triangular in shape, one can access the middle of the Pont Neuf, a bridge which connects the left and right banks of the Seine by passing over the Île de la Cité. A street called, since 1948, Rue Henri-Robert, forty metres long, connects the Place Dauphine and the bridge. Where they meet, there are two other named places, the Place du Pont-Neuf and the Square du Vert-Galant. History The Place Dauphine was laid out in 1607–10, when the Place Royale was still under construction. It was among the earliest city-planning projects of Henri IV, and was on a site created from par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel Duret De Chevry, Rue De Parc-Royal
The German Historical Institute Paris (GHIP) or Institut historique allemand (IHA) is an international research institute situated in Paris, France. Overview As one of ten research institutes in humanities worldwide funded by the German Federal Ministry of Education and Research (BMBF), the GHIP is part of the Max Weber Foundation – German Humanities Institutes Abroad, a legal entity closely linked to the German Federal Government and located in Bonn. The GHIP has the following main tasks: research, mediation, and qualification. The historical topics range from the Middle Ages to the 21st century. Besides France, Germany and Franco-German relations research projects focus on Western Europe, Africa and the digital humanities. Since 1994, the researchers of the GHIP have been working in the Hôtel Duret-de-Chevry, a hôtel particulier in the centrally located quarter Marais. History The idea to found a German Historical Institute in Paris was already “an old favorite ideaâ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Nevers (left Bank)
The Hôtel de Nevers, later the Hôtel de Guénégaud, then the Hôtel de Conti, was a French aristocratic townhouse (''hôtel particulier''), which was located on the Quai de Nevers (now the Quai de Conti), just east of the former Tour de Nesle on the site of the present day Hôtel des Monnaies, Paris, Hôtel des Monnaies in the 6th arrondissement of Paris. Construction began in 1580 to the designs of an unknown architect for Louis Gonzaga, Duke of Nevers, although it was never completed as intended. The large north pavilion on the River Seine was a prominent landmark of its part of the Rive Gauche, Left Bank. The ''hôtel'' was demolished sometime between 1768 and 1771. Hôtel de Nevers In 1572 Louis Gonzaga, Duke of Nevers, purchased from the French king, Charles IX of France, Charles IX, the Grand Nesle, an old townhouse located just east of the Tour de Nesle on the Rive Gauche, Left Bank of Paris. Nevers had it reconstructed around 1580, after which it became known as the Hà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Nevers (rue De Richelieu)
The Hôtel de Nevers was an aristocratic townhouse (''hôtel particulier'') in Paris, which was located on the right bank on the east side of the rue de Richelieu. It was previously part of Jules Mazarin's Palais Mazarin, but upon his death in 1661, the palace was divided among his heirs, and the western section along the rue de Richelieu became the Hôtel de Nevers. In 1721 it was incorporated into the Bibliothèque du Roi (Royal Library). With the growth of the library collections, the Hôtel de Nevers became inadequate for its purpose. Most of the original Hôtel de Nevers was obliterated in 1859, after Napoleon III asked the architect Henri Labrouste to remodel and extensively rebuild the entire site (now the Site Richelieu of the Bibliothèque Nationale de France). Only a remnant of the Hôtel de Nevers remains. It was declared a ''monument historique'' in 1975. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louisiana Purchase Treaty
The Louisiana Purchase (french: Vente de la Louisiane, translation=Sale of Louisiana) was the acquisition of the territory of Louisiana by the United States from the French First Republic in 1803. In return for fifteen million dollars, or approximately eighteen dollars per square mile, the United States nominally acquired a total of in Middle America. However, France only controlled a small fraction of this area, most of which was inhabited by Native Americans; effectively, for the majority of the area, the United States bought the "preemptive" right to obtain "Indian" lands by treaty or by conquest, to the exclusion of other colonial powers. The Kingdom of France had controlled the Louisiana territory from 1699 until it was ceded to Spain in 1762. In 1800, Napoleon, the First Consul of the French Republic, regained ownership of Louisiana as part of a broader effort to re-establish a French colonial empire in North America. However, France's failure to suppress a revolt i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Low-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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