Hélène (drama)
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Hélène (drama)
''Hélène'' is a drame in four acts and five tableaux of 1891, with French words by Paul Delair and incidental music by André Messager.Wagstaff J. André Messager. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. The story, found by the author in the fait divers of a newspaper concerns a child, Hélène, who, learning that her father has been murdered by his mother, swears vengeance; there are shades of ''Hamlet''. Starting with a first act march for returning soldiers, the authors of the ''Annales'' praised Messager's incidental music, despite echos of Gounod, Thomas and particularly Bizet and his '' L'Arlésienne''.Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 17eme edition, 1891.'' G Charpentier et Cie, Paris, 1886. The play was first performed at the Théâtre du Vaudeville The Théâtre du Vaudeville was a theatre company in Paris. It opened on 12 January 1792 on rue de Chartres. Its directors, Piis and Barré, mai ...
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Drama
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television.Elam (1980, 98). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's '' Poetics'' (c. 335 BC)—the earliest work of dramatic theory. The term "drama" comes from a Greek word meaning "deed" or " act" (Classical Greek: , ''drâma''), which is derived from "I do" (Classical Greek: , ''dráō''). The two masks associated with drama represent the traditional generic division between comedy and tragedy. In English (as was the analogous case in many other European languages), the word ''play'' or ''game'' (translating the Anglo-Saxon ''pleġan'' or Latin ''ludus'') was the standard term for dramas until William Shakespeare's time—just as its creator was a ''play-maker'' rather than a ''dramatist'' and the building was a ''play-house'' r ...
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French Language
French ( or ) is a Romance language of the Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French ( Francien) largely supplanted. French was also influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the ( Germanic) Frankish language of the post-Roman Frankish invaders. Today, owing to France's past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in 29 countries across multiple continents, most of which are members of the ''Organisation internationale de la Francophonie'' ...
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Paul Delair
Paul Alexandre Delair (24 October 1842 – 19 January 1894) was a 19th-century French playwright, poet, chansonnier and novelist. An administrator at the Académie des Beaux-Arts, he took an active part to the organization of the Exposition universelle of 1889. His plays were presented on the most important Parisian stages of the 19th-century, including the Théâtre du Vaudeville and the Comédie-Française. Works *1868: ''La Découverte, ode sur la navigation'' *1870: ''Les Nuits et les réveils'' *1872: ''L’Éloge d'Alexandre Dumas'' *1872: ''La Voix d'en haut'', one-act à-propos dramatique, in verse *1879: ''La Louve d'Alençon'', historical novel *1880: ''Théâtre de campagne'' *1880: ''Garin'', five-act drama, in verse *1881: ''Le Fils de Corneille'', à propos in verse *1882: ''Le Fils du charpentier'', tale in verse *1883: ''Les Rois en exil'', 5-acts play, in 7 tableaux, with Alphonse Daudet *1884: ''Le Centenaire de Figaro'', à-propos in verse *1884: ''Les Conte ...
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André Messager
André Charles Prosper Messager (; 30 December 1853 – 24 February 1929) was a French composer, organist, pianist and conductor. His compositions include eight ballets and thirty opéra comique, opéras comiques, opérettes and other stage works, among which his ballet ''Les Deux Pigeons (ballet), Les Deux Pigeons'' (1886) and opéra comique ''Véronique (operetta), Véronique'' (1898) have had lasting success; ''Les p'tites Michu, Les P'tites Michu'' (1897) and ''Monsieur Beaucaire (opera), Monsieur Beaucaire'' (1919) were also popular internationally. Messager took up the piano as a small child and later studied composition with, among others, Camille Saint-Saëns and Gabriel Fauré. He became a major figure in the musical life of Paris and later London, both as a conductor and a composer. Many of his Parisian works were also produced in the West End theatre, West End and some on Broadway theatre, Broadway; the most successful had long runs and numerous international revival ...
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News Items
''News Items'' (french: Faits divers) is a 1983 French documentary film, directed by Raymond Depardon, about daily life at police station in the fifth arrondissement of Paris. It was screened in the Un Certain Regard section at the 1983 Cannes Film Festival The 36th Cannes Film Festival was held from 7 to 19 May 1983. The Palme d'Or went to the '' Narayama Bushiko'' by Shōhei Imamura. In 1983, the new building for the main events of the festival, the Palais des Festivals et des Congrès, was inaug .... It was selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival. References External links * 1983 films 1980s French-language films French documentary films Documentary films about law enforcement Films directed by Raymond Depardon 1983 documentary films Documentary films about Paris 5th arrondissement of Paris Law enforcement in France 1980s French films {{France-documentary-film-stub ...
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Hamlet
''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. ''Hamlet'' is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". There are many works that have been pointed to as possible sources for Shakespeare's play—from ancient Greek tragedies to Elizabethan plays. The editors of the Arden Shakespeare question the idea of "source hunting", pointing out that it presupposes that authors always require ideas from other works for their own, and suggests that no author can have an original idea or be an originator. When ...
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Incidental Music
Incidental music is music in a play, television program, radio program, video game, or some other presentation form that is not primarily musical. The term is less frequently applied to film music, with such music being referred to instead as the film score or soundtrack. Incidental music is often background music, and is intended to add atmosphere to the action. It may take the form of something as simple as a low, ominous tone suggesting an impending startling event or to enhance the depiction of a story-advancing sequence. It may also include pieces such as overtures, music played during scene changes, or at the end of an act, immediately preceding an interlude, as was customary with several nineteenth-century plays. It may also be required in plays that have musicians performing on-stage. History The use of incidental music dates back at least as far as Greek drama. A number of classical composers have written incidental music for various plays, with the more famous e ...
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Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ...
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Ambroise Thomas
Charles Louis Ambroise Thomas (; 5 August 1811 – 12 February 1896) was a French composer and teacher, best known for his operas ''Mignon'' (1866) and ''Hamlet'' (1868). Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, ''La double échelle'', in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad. Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré from influencing t ...
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Bizet
Georges Bizet (; 25 October 18383 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, ''Carmen'', which has become one of the most popular and frequently performed works in the entire opera repertoire. During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many thea ...
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L'Arlésienne (Bizet)
''L'Arlésienne'' is incidental music composed by Georges Bizet for Alphonse Daudet's drama of the same name, usually translated as ''The Girl from Arles''. It was first performed on 30 September 1872 at the Théâtre du Vaudeville in Paris. Macdonald, Hugh, The Bizet Catalog' Bizet's music consists of 27 numbers for chorus and small orchestra, ranging from pieces of background music (mélodrames) only a few measures long, to entr'actes. Macdonald, Hugh, The Bizet Catalog' The score achieves powerful dramatic ends with the most economic of means. Still, the work received poor reviews in the wake of the unsuccessful premiere and is not often performed now in its original form, although recordings are available. However, key pieces of the incidental music, most often heard in the form of two suites for orchestra, have become some of Bizet's most popular compositions. History Composition history In July 1872, Léon Carvalho, director of the Théâtre du Vaudeville in Paris, com ...
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Les Annales Du Théâtre Et De La Musique
''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and necrology. It was co-edited by Édouard Noël (1848–1926) and Edmond Stoullig (1845–1918) and was published in Paris by Charpentier from 1876 to 1895 and Berger-Levrault in 1896. Beginning in 1897 it was published annually by Paul Ollendorff (with Stoullig as the sole editor) up to 1914 with the penultimate volume published in 1916 (covering the years 1914–1915) and the final volume in 1918 (covering the year 1916). A total of 41 volumes were published.Listings
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