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Hélio Delmiro
Hélio Delmiro (born May 20, 1947) is a Brazilian guitar player and composer. Delmiro started playing the guitar in early childhood. Since then, he has played with many of the best Brazilian musicians, among whom are Moacyr Silva, Márcio Montarroyos, Luíz Eça, Elis Regina, Elza Soares and Elizeth Cardoso. With César Camargo Mariano, he recorded in 1981 the album ''Samambaia'', which still holds as a landmark for Brazilian instrumental music. Discography * ''Emotiva'' (1980) * ''Samambaia'' (1981) with César Camargo Mariano * ''Chama'' (1984) * ''Romã'' (1991) * ''Symbiosis'' (1999) with Clare Fischer * ''Violão Urbano'' (2002) * ''Compassos'' (2004) With Gato Barbieri Leandro "Gato" Barbieri (November 28, 1932 – April 2, 2016) was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spa ... *'' Chapter Two: Hasta Siempre'' (Impulse!, 1973–7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moacyr Silva
Moacyr, also spelled Moacir, is a Brazilian masculine name of Tupi origin. According to the Brazilian philologist Eduardo de Almeida Navarro, it means "regret", "repentance". It can refer to: * Moacir Barbosa Nascimento (1921–2000), nicknamed Barbosa, Brazilian footballer * Moacyr Claudino Pinto da Silva (born 1936), nicknamed Moacir or Moacyr, Brazilian former footballer * Moacir Costa da Silva (born 1986), nicknamed Moacir, Brazilian footballer * Moacyr Brondi Daiuto (1915–1994), Brazilian basketball coach * Moacyr Filho Domingos Demiquei (born 1981), nicknamed Moacyr Filho or Nenê, Brazilian footballer * Moacyr Grechi OSM (1936–2019), Brazilian Roman Catholic archbishop * Moacyr José Vitti CSS (1940–2014), Roman Catholic archbishop * Moacyr Scliar Moacyr Jaime Scliar (March 23, 1937February 27, 2011) was a Brazilian writer and physician. Most of his writing centers on issues of Jewish identity in the Diaspora and particularly on being Jewish in Brazil. Scliar is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Márcio Montarroyos
Márcio Montarroyos (8 July 1948 – 12 December 2007) was a Brazilian jazz trumpet player. Starting his studies with classical piano, he later went to trumpet and jazz. In the 1970s, he traveled to the US to study at Berklee School of Music. In 1988, the Swiss TV invited Montarroyos to produce two one-hour concerts together with the German guitar player Sigi Schwab, bassist Marc Egan, percussionist Freddie Santiago and drummer Guillermo Marchena. In 1992, the German TV network ZDF invited him, together with Sigi Schwab, to play live concert. In the same year both artists played at the Munich Studio 2000+2 . He played with artists including Stevie Wonder, Sérgio Mendes, Sarah Vaughan, Hermeto Pascoal, Nancy Wilson, Egberto Gismonti, Carlos Santana, Milton Nascimento, Ella Fitzgerald, Tom Jobim and Ney Matogrosso Ney de Souza Pereira (born 1 August 1941), known professionally as Ney Matogrosso (), is a Brazilian singer who is distinguished for his uncommon countertenor voi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elis Regina
Elis Regina Carvalho Costa (March 17, 1945 – January 19, 2002), known professionally as Elis Regina (), was a Brazilian singer of MPB and jazz music. She is also the mother of the singers Maria Rita and Pedro Mariano. She became nationally renowned in 1965 after singing "Arrastão" (composed by Edu Lobo and Vinícius de Moraes) in the first edition of TV Excelsior festival song contest and soon joined ''O Fino da Bossa'', a television program on TV Record. She was noted for her vocalization as well as for her interpretation and performances in shows. Her recordings include "Como Nossos Pais" ( Belchior), "Upa Neguinho" (E. Lobo and Gianfrancesco Guarnieri), "Madalena" (Ivan Lins), "Casa no Campo" ( Zé Rodrix and Tavito), "Águas de Março" (Tom Jobim), "Atrás da Porta" (Chico Buarque and Francis Hime), "O Bêbado e a Equilibrista" (Aldir Blanc and João Bosco), "Conversando no Bar" (Milton Nascimento). Her untimely death, at the age of 56, shocked Brazil. Her son Gabriel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elza Soares
Elza da Conceição Soares ( née Gomes; 23 June 1930 – 20 January 2022), known professionally as Elza Soares (), was a Brazilian samba singer. In 1999, she was named Singer of the Millennium along with Tina Turner by BBC Radio. Elza was deemed dangerous by the Military dictatorship in Brazil (1964–1985), and in 1970 her house in the Jardim Botânico neighborhood, in Rio de Janeiro, was machine-gunned by regime agents. Inside were her partner Garrincha and their children. The living room, where the young children were, was destroyed by the blasts. She and Garrincha had to flee to Italy, where they were received by Chico Buarque de Hollanda also in exile. Biography Elza Gomes da Conceição was born on 23 June 1930 in Padre Miguel, Rio de Janeiro. Her father Avelino Gomes was a factory worker and guitarist, and her mother Rosária Maria da Conceição was a washerwoman. She was born in the Moça Bonita, a favela in the Padre Miguel neighborhood of Rio de Janeiro. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizeth Cardoso
Elizeth Moreira Cardoso (sometimes listed as Elisete Cardoso) (July 16, 1920 – May 7, 1990), was a singer and actress of great renown in Brazil. Biography Cardoso was born in Rio de Janeiro; her father was a serenader who played guitar, and her mother was an amateur singer. Elizeth began working at an early age and between 1930 and 1935 was a store clerk and hairdresser among other things. She was discovered by Jacob do Bandolim at her 16th birthday party, to which he was brought by her cousin Pedro, a popular figure among the musicians of the day. Jacó took her to ''Rádio Guanabara'' where, in spite of her father's initial opposition, she appeared on the ''Programa Suburbano'' with Vicente Celestino, Araci de Almeida, Moreira da Silva, Noel Rosa and Marília Batista on August 18, 1936. The week after she was hired by the station to appear on a weekly program. Following this, she continued to perform on various shows with multiple radio stations. In the 1960s she had her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
César Camargo Mariano
César Camargo Mariano (born 19 September 1943) is a Brazilian pianist, arranger, composer and music producer. Biography Mariano was born in São Paulo. In June 1957 the American trombone player Melba Liston invited thirteen-year-old Mariano to participate in her concert at a jazz club in Rio de Janeiro, and he appeared in a program on Rio's Globo Radio called "The Boy Prodigy Who Plays Jazz". Thar same year, Mariano met Johnny Alf, who went to live with Mariano's family due to their great friendship. Together at the family home in São Paulo, Mariano became familiar with arranging, composing, and the arts of cinema and theatre, thanks to Johnny Alf's encouragement. Through his own instincts, tenacity and raw talent, Mariano formed amateur instrumental and vocal groups, when Rede Record, TV Record in São Paulo invited him for a special called "Passport to Stardom" (Passaporte para o Estrelato). In the early 1960s, a teenaged Mariano became famous for his ability to swing and fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clare Fischer
Douglas Clare Fischer (October 22, 1928 – January 26, 2012) was an American keyboardist, composer, arranger, and bandleader. After graduating from Michigan State University (from which, five decades later, he would receive an honorary doctorate), he became the pianist and arranger for the vocal group the Hi-Lo's in the late 1950s. Fischer went on to work with Donald Byrd and Dizzy Gillespie, and became known for his Latin and bossa nova recordings in the 1960s. He composed the Latin jazz standard "Morning", and the jazz standard "Pensativa". Consistently cited by jazz pianist and composer Herbie Hancock as a major influence ("I wouldn't be me without Clare Fischer"Hancock, Herbie; as told to Michael J. West"Herbie Hancock Remembers Clare Fischer" ''JazzTimes''. April 5, 2013. Retrieved 2013-05-24.), he was nominated for eleven Grammy Awards during his lifetime, winning for his landmark album, '' 2+2'' (1981), the first of Fischer's records to incorporate the vocal ensemble writin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gato Barbieri
Leandro "Gato" Barbieri (November 28, 1932 – April 2, 2016) was an Argentine jazz tenor saxophonist who rose to fame during the free jazz movement in the 1960s and is known for his Latin jazz recordings of the 1970s. His nickname, Gato, is Spanish for "cat". Biography Born to a family of musicians, Barbieri began playing music after hearing Charlie Parker's "Now's the Time". He played the clarinet and later the alto saxophone while performing with Argentine pianist Lalo Schifrin in the late 1950s. By the early 1960s, while playing in Rome, he also worked with the trumpeter Don Cherry. By now influenced by John Coltrane's late recordings, as well as those from other free jazz saxophonists such as Albert Ayler and Pharoah Sanders, he began to develop the warm and gritty tone with which he is associated. In the late 1960s, he was fusing music from South America into his playing and contributed to multi-artist projects like Charlie Haden's ''Liberation Music Orchestra'' and Carl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasta Siempre
"Hasta Siempre, Comandante," ("Until Forever, Commander" in English) or simply "Hasta Siempre," is a 1965 song by Cuban composer Carlos Puebla. The song's lyrics are a reply to revolutionary Che Guevara's farewell letter when he left Cuba, in order to foster revolution in the Congo and later Bolivia, where he was captured and killed. The lyrics recount key moments of the Cuban Revolution, describing Che Guevara and his role as a revolutionary commander. The song became iconic after Guevara's death, and many left-leaning artists did their own cover versions of the song afterwards. The title is a part of Guevara's well known saying "''¡Hasta la victoria siempre!''" ("Until victory, always!"). The song has been covered numerous times. Metrical structure Like many of the songs of the author and in line with the tradition of the Cuban and Caribbean music, the song consists of a refrain plus a series of five verses (quatrain), rhyming ABBA, with each line written in octosyllabic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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