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Hát Xoan
''Xoan'' singing or ''hát xoan'' (, Chữ Nôm: 咭春) is a genre of Vietnamese folk music performed in spring during the first two months of the lunar new year (''Tết'') in Phú Thọ Province.Ellen Koskoff, ed. (2008). ''The Concise Garland Encyclopedia of World Music: The Middle East, South Asia, East Asia, Southeast Asia, Volume 2'', p.1307. . and Terry E. Miller, Sean Williams, eds. (2008). ''The Garland Handbook of Southeast Asian Music'', p.265. . The genre includes acting, ceremony, chant, dancing, drumming, and singing; with themes involve romance, riddles, and work. Traditionally occurring in temples, shrines, and communal homes, the songs are performed by a guild, led by a ''trùm'', consisting of male instrumentalists, or ''kép'', and female singers, or ''đào''.Intangible Cultural Heritage:Xoan singing of Phú Thọ Province, Viet Nam, ''UNESCO.org''. A guild consists of ten to fifteen performers, but there are few remaining, increasingly aging, guilds and teacher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unesco Cultural Heritage Logo
The United Nations Educational, Scientific and Cultural Organization is a specialized agency of the United Nations (UN) aimed at promoting world peace and security through international cooperation in education, arts, sciences and culture. It has 193 member states and 12 associate members, as well as partners in the non-governmental, intergovernmental and private sector. Headquartered at the World Heritage Centre in Paris, France, UNESCO has 53 regional field offices and 199 national commissions that facilitate its global mandate. UNESCO was founded in 1945 as the successor to the League of Nations's International Committee on Intellectual Cooperation.English summary). Its constitution establishes the agency's goals, governing structure, and operating framework. UNESCO's founding mission, which was shaped by the Second World War, is to advance peace, sustainable development and human rights by facilitating collaboration and dialogue among nations. It pursues this objective th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another. Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Prehistory", 1990, ''UNESCO International Scientific Committee for the Drafting of a Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Intangible Cultural Heritage In Need Of Urgent Safeguarding
UNESCO established its Lists of Intangible Cultural Heritage with the aim of ensuring better protection of important intangible cultural heritages worldwide and the awareness of their significance.Compare: This list is published by the Intergovernmental Committee for the Safeguarding of Intangible Cultural Heritage, the members of which are elected by State Parties meeting in a General Assembly. Through a compendium of the different oral and intangible treasures of humankind worldwide, the programme aims to draw attention to the importance of safeguarding intangible heritage, which UNESCO has identified as an essential component and as a repository of cultural diversity and of creative expression. The list was established in 2008 when the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage took effect. the programme compiles two lists. The longer, Representative List of the Intangible Cultural Heritage of Humanity, comprises cultural "practices and expressio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clapper (musical Instrument)
A clapper is a basic form of percussion instrument. It consists of two long solid pieces that are struck together producing sound. A straightforward instrument to produce and play, they exist in many forms in many different cultures around the world. Clappers can take a number of forms and be made of a wide variety of material. Wood is most common, but metal and ivory have also been used. The plastic thundersticks that have recently come to be popular at sporting events can be considered a form of inflated plastic clapper. Several specific forms of clapper have their own names, such as the Chinese ''guban'', Japanese '' hyoshigi'', or the Korean '' bak''. In the classical music of Thailand, a similar instrument is called ''krap''. In India cooking tongs or चिमटा itself is often used to provide rhythm while singing religious hymns in many cultures (sometimes tongs made specifically for the purpose are also equipped with bell In Vietnam, the coin clapper called '' Sên ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fourth
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Texture (music)
In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and range, or width, between lowest and highest pitches, in relative terms as well as more specifically distinguished according to the number of voices, or parts, and the relationship between these voices (see Common types below). For example, a thick texture contains many 'layers' of instruments. One of these layers could be a string section or another brass. The thickness also is changed by the amount and the richness of the instruments playing the piece. The thickness varies from light to thick. A piece's texture may be changed by the number and character of parts playing at once, the timbre of the instruments or voices playing these parts and the harmony, tempo, and rhythms used. The types categorized by number and relationship of parts are an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tutelary Deity
A tutelary () (also tutelar) is a deity or a spirit who is a guardian, patron, or protector of a particular place, geographic feature, person, lineage, nation, culture, or occupation. The etymology of "tutelary" expresses the concept of safety and thus of guardianship. In late Greek and Roman religion, one type of tutelary deity, the ''genius'', functions as the personal deity or ''daimon'' of an individual from birth to death. Another form of personal tutelary spirit is the familiar spirit of European folklore. Ancient Greece Socrates spoke of hearing the voice of his personal spirit or ''daimonion'': The Greeks also thought deities guarded specific places: for instance, Athena was the patron goddess of the city of Athens. Ancient Rome Tutelary deities who guard and preserve a place or a person are fundamental to ancient Roman religion. The tutelary deity of a man was his Genius, that of a woman her Juno. In the Imperial era, the Genius of the Emperor was a focus of Imperia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hùng King
Hùng king (c. 2524 BC – ?; Chữ Hán: 雄王; vi, Hùng Vương (雄王) or ''vua Hùng'' (𤤰雄); ''Vương'' means "king" and ''vua'' means "monarch; could mean emperor or king") is the title given to the ancient Vietnamese rulers of the Hồng Bàng period. Traditional Vietnamese account Etymology It is likely that the name Hùng Vương is a combination of the two Sino-Vietnamese words ''Hùng'' 雄 "masculine, virile, fierce, powerful, grand" and ''Vương'' 王, which means "king". The name Hùng Vương might have originally been a title bestowed on a chieftain. The Hùng Vương was allegedly the head chieftain of Văn Lang which at the time was composed of feudal communities of rice farmers. Hùng kings' narrative According to the Hùng kings narrative, the eighteen Hùng kings belonged to the Hong Bang dynasty (c. 2879–258 BCE) that ruled over the northern part of modern Vietnam in antiquity. Their progenitors were Lạc Long Quân and his consort F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guild
A guild ( ) is an association of artisans and merchants who oversee the practice of their craft/trade in a particular area. The earliest types of guild formed as organizations of tradesmen belonging to a professional association. They sometimes depended on grants of letters patent from a monarch or other ruler to enforce the flow of trade to their self-employed members, and to retain ownership of tools and the supply of materials, but were mostly regulated by the city government. A lasting legacy of traditional guilds are the guildhalls constructed and used as guild meeting-places. Guild members found guilty of cheating the public would be fined or banned from the guild. Typically the key "privilege" was that only guild members were allowed to sell their goods or practice their skill within the city. There might be controls on minimum or maximum prices, hours of trading, numbers of apprentices, and many other things. These rules reduced free competition, but sometimes mainta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chữ Nôm
Chữ Nôm (, ; ) is a logographic writing system formerly used to write the Vietnamese language. It uses Chinese characters (''Chữ Hán'') to represent Sino-Vietnamese vocabulary and some native Vietnamese words, with other words represented by new characters created using a variety of methods, including phono-semantic compounds. This composite script was therefore highly complex, and was accessible only to the small proportion of the Vietnamese population who had mastered written Chinese. Although formal writing in Vietnam was done in classical Chinese until the early 20th century (except for two brief interludes), chữ Nôm was widely used between the 15th and 19th centuries by the Vietnamese cultured elite for popular works in the vernacular, many in verse. One of the best-known pieces of Vietnamese literature, ''The Tale of Kiều'', was written in chữ Nôm by Nguyễn Du. The Vietnamese alphabet created by Portuguese Jesuit missionaries, with the earliest known usage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shrine
A shrine ( la, scrinium "case or chest for books or papers"; Old French: ''escrin'' "box or case") is a sacred or holy sacred space, space dedicated to a specific deity, ancestor worship, ancestor, hero, martyr, saint, Daemon (mythology), daemon, or similar figure of respect, wherein they are veneration, venerated or worshipped. Shrines often contain Cult image, idols, relics, or other such objects associated with the figure being venerated. A shrine at which votive offerings are made is called an altar. Shrines are found in many of the world's religions, including Christianity, Islam, Hinduism, Buddhism, Chinese folk religion, Shinto, indigenous Philippine folk religions, and Germanic paganism, Asatru as well as in secular and non-religious settings such as a war memorial. Shrines can be found in various settings, such as Church (building), churches, temples, cemetery, cemeteries, Conservation of South Asian household shrines, museums, or in the home. However, portable shrine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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