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Hustler (song)
"Hustler" is a single from Simian Mobile Disco's debut album '' Attack Decay Sustain Release''. It features Char Johnson on lead vocals. It was featured in DJ Hero 2 as part of the "Electro Hits" DLC pack, mixed with " Pump Up The Jam" by Technotronic. Track listings 12" # "Hustler ( Armand Van Helden remix)" 5:41 # "Hustler (Extended Club Mix)" 6:36 Download # "Hustler" 3:42 # "Hustler ( Armand Van Helden remix)" 5:41 # "Hustler (A-Trak Remix)" 5:37 # "Hustler (Extended Club Mix)" 6:36 # "Hustler (Jesse Rose Remix)" 6:08 Music video The video for "Hustler” depicts numerous girls sitting in a circle playing chinese whispers Chinese whispers (some Commonwealth English) or telephone (American English and Canadian English) is an internationally popular children's game. It is also called transmission chain experiments in the context of cultural evolution research, and ... before devolving into kissing each other in succession. References {{authority control 2006 sing ...
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Simian Mobile Disco
Simian Mobile Disco are an English electronic music duo and production team, formed in 2003 by James Ford and Jas Shaw of the band Simian. Musically, they are known for their analogue production. Ford is also known for his production work. History Early history Simian Mobile Disco originally formed as a DJ duo, on the side of their early four-piece band Simian. They released a number of early tastemaker singles, such as "The Mighty Atom / Boatrace / Upside Down" on ''I'm a Cliché'' and "The Count", on Kitsuné, but gained more fame for their remixes of artists such as Muse, Klaxons, The Go! Team, Air and others. In 2006, Kitsuné released the duo's underground hit "Hustler", which features guest vocals from New York singer Char Johnson. 2007: ''Attack Decay Sustain Release'' The band's debut album, '' Attack Decay Sustain Release'' was released on 18 June 2007 on Wichita Recordings. Among the tracks included on it are "Sleep Deprivation", "Hustler", "Tits and Acid", "I B ...
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Attack Decay Sustain Release
''Attack Decay Sustain Release'' is the debut album from Simian Mobile Disco. It was released on June 18, 2007 on Wichita Recordings and reached #59 in the UK album charts. History The title of the album is a reference to the ADSR envelope, a component of many synthesizers, samplers, and other electronic musical instruments the function of which is to modulate some aspect of the instrument's sound—often its volume—over time. Five of the album's ten tracks ("Hustler", "Tits & Acid", "I Believe", "Hotdog" and lead single "It's The Beat") were available prior to the album's release. A double-disc version of the album contains six alternate versions on a separate CD. Initial copies bought from Rough Trade Shops came with a bonus 4-track rarities CD. Legacy The Swedish heavy metal band Ghost covered "I Believe" for their ''Popestar ''Popestar'' is the second EP by the Swedish rock band Ghost. It consists mainly of covers and was produced by Tom Dalgety. The EP was rele ...
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Wichita Recordings
Wichita Recordings is an independent record label located in London, founded in 2000 by Mark Bowen and Dick Green. Its most notable signees include Bloc Party, The Cribs, Clap Your Hands Say Yeah, Bright Eyes, My Morning Jacket, Yeah Yeah Yeahs, Best Coast, Los Campesinos! and Peter Bjorn and John. The label signed Clap Your Hands Say Yeah for a UK distribution deal for the group's debut album. They also signed the UK producers Simian Mobile Disco for the UK. The label's first release was the Bright Eyes album '' Fevers and Mirrors'', released in 2000. Wichita Management runs alongside the label, and currently represents Gold Panda, Brolin, Shannon And The Clams, Open Mike Eagle, Cloud Nothings, Dan Tombs, Luke Abbott, Frankie & The Heartstrings, Peggy Sue, Star Slinger, Dam Mantle and Theo Verney. 2015 saw Wichita Recordings celebrate 15 years as a label, and have released new music from FIDLAR, Cheatahs, Meg Baird, Frankie & The Heartstrings, Girlpool, Waxahat ...
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The Count (Simian Mobile Disco Song)
Count (or Countess) is a title of nobility. Count or The Count may also refer to: People ''Used as a nickname, not denoting nobility'' Music * The Count, a performance name for English deejay Hervé * Count Basie (1904–1984), American jazz musician * Count Bass D (born 1973), American rapper * Count Lasher (c.1921–1977), Jamaican singer and songwriter * Count Matchuki (c.1929–1995), Jamaican deejay * Count Ossie (1926–1976), Jamaican Rastafari drummer and band leader * Count Prince Miller (1934–2018), Jamaican-born British actor and musician Sports * Michael Bisping (born 1979), English mixed martial arts fighter * Count Campau (1863–1938), American baseball player * Count Dante (1939–1975), American martial artist figure * Count Gedney (1849–1922), American baseball player * Count Grog (born 1961), American professional wrestling manager * Ted Hankey (born 1968), English darts player * John Montefusco (born 1950), American baseball player * Count Sensenderfer (18 ...
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Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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DJ Hero 2
''DJ Hero 2'' is a rhythm video game and a sequel to ''DJ Hero'', a spinoff of the ''Guitar Hero'' series. ''DJ Hero 2'' uses a special turntable-controller, the same as introduced in ''DJ Hero'', to simulate turntablism, the act of creating a new musical work from one or more previously recorded songs using record players and sound effect generators. The game is developed by FreeStyleGames and is published by Activision, and was released worldwide in October 2010. Similar to ''DJ Hero'', players in ''DJ Hero 2'' follow specific actions on the turntable controller in time to marked scrolling indicators on the game's screen, earning points for correctly performing actions in time. The game includes a new freestyle mode, giving the player the chance to freely crossfade between tracks, scratch a section of a mix, or add sample effects during marked sections. The game features 83 mixes on disc comprising over 100 different songs, with further mixes available as downloadable conten ...
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Mashup (music)
A mashup (also mesh, mash up, mash-up, blend, bastard pop or bootleg) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. Such works are considered "transformative" of original content and in the United States they may find protection from copyright claims under the "fair use" doctrine of copyright law. History The 1967 Harry Nilsson album ''Pandemonium Shadow Show'' features what is nominally a cover of the Beatles' "You Can't Do That" but actually introduced the "mashup" to studio-recording. Nilsson's recording of "You Can't Do That" mashes his own vocal recreations of more than a dozen Beatles songs into this track. Nilsson conceived the combining of many overlaying songs into one track after he played a chord on his guitar and realized how many Beatles songs it could apply to. This recordi ...
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Technotronic
Technotronic was a Belgian electronic music project formed in 1987 by Jo Bogaert, who originally gained popularity in Europe as a solo artist with various new beat projects, including Acts of Madmen and Nux Nemo. Together with rapper Manuela Kamosi, he produced the single " Pump Up the Jam", which was originally an instrumental released under the name The Pro 24s. Based on Farley Jackmaster Funk's "The Acid Life", this instrumental initially included vocal samples from Eddie Murphy's "Delirious" live set from 1983 and was months later replaced by newer music, along with lyrics from Kamosi (Ya Kid K) prior to the song's international release in September 1989. With Bogaert adopting the name Thomas De Quincey, a front for the act was put together (in a way similar to other Eurodance/Europop products like Black Box or Milli Vanilli), utilizing Congolese-born fashion model Felly Kilingi who was presented as the group's rapper, appearing on the single's cover art and in the music v ...
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A-Trak
Alain Macklovitch (born March 30, 1982), known by his stage name A-Trak, is a Canadian DJ, record producer, and record executive. He came to prominence in the late 2000s as an international club DJ and remix artist, known for incorporating highly technical turntable skills and scratching into his genre-spanning work. He is also president of the record label Fool's Gold, which was founded in 2007, and is credited for developing the careers of artists such as Kid Cudi, Danny Brown, and Flosstradamus. Among other collaborative projects, he is part of the DJ duo Duck Sauce with Armand Van Helden and was nominated for a Grammy in 2012 for their song "Barbra Streisand". A-Trak's professional career has spanned over two decades and is built off his early success as a World Champion turntablist as well as Kanye West's original tour DJ. He was named one of the 50 Most Important People in EDM by ''Rolling Stone'' and has been called the Global Ambassador of DJ Culture, appearing on the co ...
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Chinese Whispers
Chinese whispers (some Commonwealth English) or telephone (American English and Canadian English) is an internationally popular children's game. It is also called transmission chain experiments in the context of cultural evolution research, and is primarily used to identify the type of information that is more easily passed on from one person to another. Players form a line or circle, and the first player comes up with a message and whispers it to the ear of the second person in the line. The second player repeats the message to the third player, and so on. When the last player is reached, they announce the message they heard to the entire group. The first person then compares the original message with the final version. Although the objective is to pass around the message without it becoming garbled along the way, part of the enjoyment is that, regardless, this usually ends up happening. Errors typically accumulate in the retellings, so the statement announced by the last playe ...
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