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Hungarian Rhapsody No. 6
Hungarian Rhapsody No. 6 in D-flat major is the sixth work of the 19 Hungarian Rhapsodies composed by Franz Liszt. This work was dedicated to Count Antoine of Appony and uses the form of lassan and friska like many other of his rhapsodies. This piece was later arranged for orchestra. Form The piece is divided into three main sections: * Introduction (Tempo giusto – Presto) * Lassan (Andante) * Friska (Allegro) The first part of the rhapsody is an introduction (Tempo giusto), where the left hand of the player plays a steady bassline made up of the chords in the D-flat major scale. Due to the overlapping of the melody over the bars, the piece does not sound as though it is in a rhythm. This is because Liszt did not start the first chord of the piece as an upbeat, which is what many composers have done to relate to the time signature of the piece. The melody of the first part is repetitive, leading to a brief prelude of the friska section's main theme and ending with a long ca ...
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D-flat Major
D-flat major (or the key of D-flat) is a major scale based on D, consisting of the pitches D, E, F, G, A, B and C. Its key signature has five flats. It is enharmonically equivalent to C-sharp major. The D-flat major scale is: : Its relative minor is B-flat minor. Its parallel minor, D-flat minor, is usually replaced by C-sharp minor, since D-flat minor features a B ( B-double-flat) in its key signature making it impractical to use. C-sharp major, the enharmonic equivalent to D-flat major, has a similar problem as it contains seven sharps. Therefore, D-flat major is often used as the parallel major for C-sharp minor. (The same enharmonic situation occurs with the keys of A-flat major and G-sharp minor). For example, in his Prelude No. 15 in D-flat major ("Raindrop"), Frédéric Chopin switches from D-flat major to C-sharp minor for the middle section in the parallel minor, while in his '' Fantaisie-Impromptu'' and Scherzo No. 3, primarily in C-sharp minor, he sw ...
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Octaves
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by pla ...
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Hungarian Rhapsodies By Franz Liszt
Hungarian may refer to: * Hungary, a country in Central Europe * Kingdom of Hungary, state of Hungary, existing between 1000 and 1946 * Hungarians, ethnic groups in Hungary * Hungarian algorithm, a polynomial time algorithm for solving the assignment problem * Hungarian language, a Finno-Ugric language spoken in Hungary and all neighbouring countries * Hungarian notation, a naming convention in computer programming * Hungarian cuisine Hungarian or Magyar cuisine is the cuisine characteristic of the nation of Hungary and its primary ethnic group, the Magyars. Traditional Hungarian dishes are primarily based on meats, seasonal vegetables, fruits, bread, and dairy products. ..., the cuisine of Hungary and the Hungarians See also * * {{disambiguation Language and nationality disambiguation pages ...
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If You Go Away
"If You Go Away" is an adaptation of the 1959 Jacques Brel song "Ne me quitte pas" with English lyrics by Rod McKuen. Created as part of a larger project to translate Brel's work, "If You Go Away" is considered a pop standard and has been recorded by many artists, including Greta Keller, for whom some say McKuen wrote the lyrics. The complex melody is partly derivative of classical music: the "But if you stay..." passage comes from Franz Liszt's Hungarian Rhapsody No. 6. Lyrics A sad but hopeful ballad, the lyrics are told from the perspective of someone telling their lover how much they'd be missed if they left. This is described in vivid, hyperbolic terms, such as "''there'll be nothing left in the world to trust''". If the lover stays, the narrator promises them both devotion and good times ("''I'll make you a day / Like no day has been, or will be again''"). Some lines show that the narrator is speaking to the lover as they are already leaving, or considering doing so ( ...
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Ne Me Quitte Pas
"Ne me quitte pas" (''"Don't leave me"'') is a 1959 song by Belgian singer-songwriter Jacques Brel. It has been covered in the original French by many artists and has also been translated into and performed in many other languages. A well-known adaptation, with English lyrics by Rod McKuen, is " If You Go Away". Background "Ne me quitte pas" is considered by some as "Brel's ultimate classic". It was written after Brel's mistress "Zizou" (Suzanne Gabriello) threw him out of her life. Zizou was pregnant with Brel's child, but Brel refused to acknowledge the child as his own. Zizou later had an abortion due to Brel's actions. Brel first recorded the song on 11 September 1959, and it was released on his fourth album ''La Valse à Mille Temps''. It was published by Warner-Chappell Publishing. In 1961 a Dutch-language version sung by Brel was released on the Philips label; entitled "''Laat me niet alleen''", with lyrics by Ernst van Altena, it was a B-side to Marieke (also a Dutc ...
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Jacques Brel
Jacques Romain Georges Brel (, ; 8 April 1929 – 9 October 1978) was a Belgian singer and actor who composed and performed literate, thoughtful, and theatrical songs that generated a large, devoted following—initially in Belgium and France, later throughout the world. He is considered a master of the modern chanson. Although he recorded most of his songs in French and occasionally in Dutch, he became an influence on English-speaking songwriters and performers, such as Scott Walker, David Bowie, Alex Harvey, Marc Almond, Neil Hannon, and Rod McKuen. English translations of his songs were recorded by many performers, including Bowie, Walker, Ray Charles, Judy Collins, John Denver, The Kingston Trio, Nina Simone, Shirley Bassey, James Dean Bradfield, Frank Sinatra, and Andy Williams. Brel was a successful actor, appearing in 10 films. He directed two films, one of which, '' Le Far West'', was nominated for the Palme d'Or at the Cannes Film Festival in 1973. Hav ...
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Belgians
Belgians ( nl, Belgen; french: Belges; german: Belgier) are people identified with the Kingdom of Belgium, a federal state in Western Europe. As Belgium is a multinational state, this connection may be residential, legal, historical, or cultural rather than ethnic. The majority of Belgians, however, belong to two distinct ethnic groups or ''communities'' ( nl, gemeenschap, links=no; french: communauté, links=no) native to the country, i.e. its historical regions: Flemings in Flanders, who speak Dutch; and Walloons in Wallonia, who speak French or Walloon. There is also a substantial Belgian diaspora, which has settled primarily in the United States, Canada, France, and the Netherlands. Etymology The 1830 revolution led to the establishment of an independent country under a provisional government and a national congress. The name "Belgium" was adopted for the country, the word being derived from '' Gallia Belgica'', a Roman province in the northernmost part of ...
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Vitus (film)
''Vitus'' is a drama film written and directed by Fredi M. Murer. It was released on 2 February 2006 in Switzerland. It stars real-life piano prodigy Teo Gheorghiu, Bruno Ganz, Julika Jenkins, and Urs Jucker. Plot Vitus, played by Teo Gheorghiu, is a highly gifted pianist at the age of 12. His parents mean well, but are over-protective, so Vitus rebels and seeks refuge with his grandfather (Bruno Ganz), who loves flying. After faking a head injury, Vitus secretly amasses a fortune on the stock market. The money allows his grandfather to purchase a Pilatus PC-6 and his father to return triumphantly to the company that fired him. Vitus pursues his former babysitter, Isabel, but she prefers someone older and does not return his affections. Vitus returns to his piano and performs Robert Schumann's Piano Concerto on stage with the Zurich Chamber Orchestra. Reception Critical response Western critics gave ''Vitus'' generally favorable reviews. Review aggregation website Rotte ...
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Film
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ...
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Switzerland
; rm, citad federala, links=no). Swiss law does not designate a ''capital'' as such, but the federal parliament and government are installed in Bern, while other federal institutions, such as the federal courts, are in other cities (Bellinzona, Lausanne, Lucerne, Neuchâtel, St. Gallen a.o.). , coordinates = , largest_city = Zurich , official_languages = , englishmotto = "One for all, all for one" , religion_year = 2022 , religion_ref = , religion = , demonym = , german: link=no, Schweizer/Schweizerin, french: link=no, Suisse/Suissesse, it, svizzero/svizzera or , rm, Svizzer/Svizra , government_type = Federal assembly-independent directorial republic , leader_title1 = Federal Council , leader_name1 = , leader_title2 = , leader_name2 = Viktor Rossi , legislature = Federal Assembly , upper_house = Counci ...
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Gypsy Scale
The term ''Gypsy scale'' refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music: * Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale. * Hungarian minor scale, minor scale with raised fourth and seventh degrees, also known as Double Harmonic minor scale. * Phrygian dominant scale In music, the Phrygian dominant scale is the fifth musical mode, mode of the minor scale#Harmonic and melodic minor, harmonic minor scale, the fifth being the dominant (music), dominant.Dave Hunter (2005). ''Play Acoustic'', San Francisco: Backbe ..., also known as Freygish or Jewish scale; Spanish Gypsy or Spanish Phrygian scale. References {{DEFAULTSORT:Gypsy scale Heptatonic scales Romani music Musical scales Musical scales with augmented seconds ...
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Musical Scale
In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. Due to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can ...
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