Hungarian Rhapsodies
The Hungarian Rhapsodies, S.244, R.106 (french: Rhapsodies hongroises, german: Ungarische Rhapsodien, hu, Magyar rapszódiák), is a set of 19 piano pieces based on Hungarian folk themes, composed by Franz Liszt during 1846–1853, and later in 1882 and 1885. Liszt also arranged versions for orchestra, piano duet and piano trio. Some are better known than others, with Hungarian Rhapsody No. 2 being particularly famous and No. 6, No. 10, No. 12 and No. 14 (especially as arranged for piano and orchestra as the Hungarian Fantasy) also being well known. In their original piano form, the ''Hungarian Rhapsodies'' are noted for their difficulty (Liszt was a virtuoso pianist as well as a composer). Form Liszt incorporated many themes he had heard in his native western Hungary and which he believed to be folk music, though many were in fact tunes written by members of the Hungarian upper middle class, or by composers such as József Kossovits, often played by Roma (Gypsy) ba ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Compositions By Franz Liszt (S
Hungarian Romantic composer Franz Liszt (1811–1886) was especially prolific, composing more than 700 works. A virtuoso pianist himself, much of his output is dedicated to solo works for the instrument and is particularly technically demanding. The primary cataloguing system for his compositions was developed by Humphrey Searle; it has been thoroughly revamped by Michael Short and Leslie Howard. Legend The table below gives the following information for works by Franz Liszt (where applicable): # S. — numbering as given in Humphrey Searle, ''The Music of Liszt'', 1966 (with additions by Sharon Winklhofer and Leslie Howard). A number sign (#) signifies that a number is no longer in use. # LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in '' Grove Music Online'' (2010) # Title — normally following the New Liszt Edition' and Library of Congress', as well as other authoritative sources # Forces — the instrumentation used (seAbbreviations for Instruments # ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cimbalom
The cimbalom (; ) or concert cimbalom is a type of chordophone composed of a large, trapezoidal box on legs with metal strings stretched across its top and a damping pedal underneath. It was designed and created by V. Josef Schunda in 1874 in Budapest, based on his modifications to the existing Hammered dulcimer instruments which were already present in Central and Eastern Europe. Today the instrument is mainly played in Hungary, Slovakia, Moravia, Romania, Moldova, and Ukraine. The cimbalom is typically played by striking two sticks, often with cotton-wound tips, against the strings which are on the top of the instrument. The steel treble strings are arranged in groups of 4 and are tuned in unison. The bass strings which are over-spun with copper, are arranged in groups of 3 and are also tuned in unison. The Hornbostel–Sachs musical instrument classification system registers the cimbalom with the number 314.122-4,5. The name “cimbalom” is also sometimes used to descr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kornél Ábrányi
Kornél Ábrányi (; 15 October 1822 – 20 December 1903) was a Hungarian pianist, music writer and theorist, and composer. He was born in Szentgyörgyábrány. A pupil of Frédéric Chopin, and a close friend of Franz Liszt, whose music he championed, Ábrányi chiefly wrote music for piano, but also composed chamber music, choral works, and '' lieder.'' He began teaching at the Franz Liszt Academy of Music at its founding in 1875 and became its secretary. He was one of several people to use the pseudonym Kákay Aranyos. Ábrányi died in Budapest Budapest (, ; ) is the capital and most populous city of Hungary. It is the ninth-largest city in the European Union by population within city limits and the second-largest city on the Danube river; the city has an estimated population ..., aged 81. His grandson was the composer Emil Ábrányi. References * External links * 1822 births 1903 deaths 19th-century classical composers 19th-century classical ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Mihály Munkácsy
Mihály Munkácsy (20 February 1844 – 1 May 1900) was a Hungarians, Hungarian Painting, painter. He earned international reputation with his Genre works, genre pictures and large-scale Christian art, biblical paintings. Early years Munkácsy was born as ''Mihály Leó Lieb'' ( hu, Lieb Mihály Leó) to Mihály Lieb, an bureaucrat of Bavarian origin, and Cecília Reök, in Munkács, Kingdom of Hungary (1526–1867), Hungary, Austrian Empire, the town from which he later adopted his pseudonym. After being apprenticed to itinerant painter Elek Szamossy, Munkácsy went to Pest (city), Pest, the largest city in Hungary (now part of Budapest), where he sought the patronage of established artists. With the help of the landscape artist Antal Ligeti, he received a state grant to study abroad. In 1865, he studied at the Academy of Vienna under Karl Rahl. In 1866, he studied at the Munich Academy, and in 1868 he moved to the Kunstakademie Düsseldorf to study with the popular Genre ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rákóczi March
The "Rákóczi March" ( Hungarian: ''Rákóczi-induló''), sometimes known as the "Hungarian March" was one of the unofficial state anthems of Hungary before Ferenc Kölcsey wrote the Himnusz. It was most likely composed by Nikolaus Scholl in 1820. The melody later used in many famous compositions, most notably: La damnation de Faust (Hector Berlioz) and Hungarian Rhapsody No. 15 (Franz Liszt). Origins The "Rákóczi March" originates from the "Rákóczi Song" (Hungarian: ''Rákóczi-nóta),'' a melody that first appeared in the mid-17th century with various lyrics. The first widely known lyrics of this song is a Kuruc poem that was a lament complaining about the misfortune of the Magyars and the Habsburg oppression, and it called back Francis Rákóczi II, the leader of the Hungarian uprising between 1703 and 1711, to save his people. Although tradition says that this version was the favourite song of Francis Rákóczi II and his court violinist, Mihály Barna, was theoretized ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hans Von Bülow
Freiherr Hans Guido von Bülow (8 January 1830 – 12 February 1894) was a German conductor, virtuoso pianist, and composer of the Romantic era. As one of the most distinguished conductors of the 19th century, his activity was critical for establishing the successes of several major composers of the time, especially Richard Wagner and Johannes Brahms. Alongside Carl Tausig, Bülow was perhaps the most prominent of the early students of the Hungarian composer, virtuoso pianist and conductor Franz Liszt; he gave the first public performance of Liszt's Sonata in B minor in 1857. He became acquainted with, fell in love with and eventually married Liszt's daughter Cosima, who later left him for Wagner. Noted for his interpretation of the works of Ludwig van Beethoven, he was one of the earliest European musicians to tour the United States. Life and career Bülow was born in Dresden into an old and prominent House of Bülow. He was the son of novelist Karl Eduard von Bülow ( ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Joachim
Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century. Joachim studied violin early, beginning in Buda at age five, then in Vienna and Leipzig. He made his debut in London in 1844, playing Beethoven's Violin Concerto, with Mendelssohn conducting. He returned to London many times throughout life. After years of teaching at the Leipzig Conservatory and playing as principal violinist of the Gewandhausorchester, he moved to Weimar in 1848, where Franz Liszt established cultural life. From 1852, Joachim served at the court of Hanover, playing principal violin in the opera and conducting concerts, with months of free time in summer for concert tours. In 1853, he was invited by Robert Schumann to the Lower Rhine Music Festival, where he met Clara ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Béni Egressy
Béni Egressy (; born Galambos Benjámin; 21 April 1814 – 17 July 1851 in Sajókazinc) was a Hungarian composer, librettist, translator and actor. He created a number of popular melodic compositions, including the one to Mihály Vörösmarty's patriotic poem ''Szózat.'' He also authored the librettos of the operas ''Hunyadi László'' and ''Bánk bán'' by Ferenc Erkel. Biography Egressy was born in 1814 in Sajókazinc, today a part of Kazincbarcika, Borsod-Abaúj-Zemplén County, Hungary, to a Protestant pastor. He entered the stage in 1834, like his older brother Gábor Egressy, and in 1837 became a member of the national theatre in Prague. During the Revolution of 1848, he took part in the fighting and became a member of the Hungarian Honvéd resistance. He was wounded in the Battle of Kápolna and was present during the defense of Komárom under György Klapka, where he wrote the Klapka March. After the rebellion, he received amnesty and returned to the stage. Works ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Heinrich Wilhelm Ernst
Heinrich Wilhelm Ernst (8 June 18128 October 1865) was a Moravian-Jewish violinist, violist and composer. He was seen as the outstanding violinist of his time and one of Niccolò Paganini's greatest successors. He contributed to polyphonic playing and discovered new ways to compose polyphonic violin music. His most famous, and technically difficult, compositions include the sixth of his ''Polyphonic Studies'' "Die letzte Rose", and ''Grand Caprice'' on Schubert's "Erlkönig". Biography Ernst was born in Brno, Moravia on 8 June 1812.Most articles concerning Heinrich Wilhelm Ernst say he was born on 6 May 1814. Mark W. Rowe, in his 2008 work, concluded that this date could not be correct. The pressure, as a prodigy, to be young, coupled with the absence of a birth certificate and unreliability of the marriage certificate, makes Rowe think that Ernst was actually born on 8 June 1812, and was therefore nearly two years older than is normally thought. He began playing violin at the ag ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leó Festetics
Count Leó Festetics de Tolna (8 October 1800, Pécs, Hungary15 November 1884), was a patron of music and an amateur composer, from a prominent Croatian Hungarian family, Festetics. He was a friend and correspondent of Franz Liszt, who dedicated to him his Hungarian Rhapsody No. 13 in A minor (1847, pub. 1853). Liszt based his ''Spanisches Ständchen'' (S. 487) on a melody provided by Count Festetics. In 1856, Festetics published his designs for a theatre (British Library The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British ... collection). References 1800 births 1884 deaths Hungarian composers Hungarian male composers People from Pécs Leo 19th-century composers 19th-century male musicians {{Hungary-composer-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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László Teleki
Count László Teleki IV de Szék (11 February 1811 – 8 May 1861) was a Hungarian writer and statesman. He is remembered as the author of the drama ''Kegyencz'' ("The Favourite", 1841). In older books in English he is given the name "Ladislas Teleky". Teleki was born in Pest to László Teleki III and Johanna Mészáros. On his father's death in 1821 he was raised by his elder half-brother József Teleki (1790–1855). Throughout the 1830s he travelled through Europe. On returning to Hungary he became a politician, first in Transylvania (where his brother became governor) and then in the National Assembly, with a particular concern for the equitable representation of different nationalities within the Empire. In 1848 came news of the revolution in Paris, and he travelled to Paris as envoy. The failure of the Hungarian revolution led to his banishment, and in 1851 he was sentenced to death ''in absentia''. During the 1850s he lived in Switzerland and did what he could to a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ede Szerdahelyi
Ede Szerdahelyi (1820–1880) was a Hungarian pianist and composer who had been imprisoned in Olmütz for his participation in the Hungarian uprising of 1848. He studied with Franz Liszt in Weimar, Germany, from January to 13 July 1851, when he moved to London and subsequently to the United States The United States of America (U.S.A. or USA), commonly known as the United States (U.S. or US) or America, is a country primarily located in North America. It consists of 50 states, a federal district, five major unincorporated territori .... On his return to Pest in 1877 he visited his friend Liszt who had dedicated his ''Hungarian Rhapsody Nr. 1'' in E major S. 244/1, which had been composed by 1846 as ''Rêves et fantaisies'' S. 243b and first published about November 1851, to him. References 1820 births 1880 deaths Hungarian pianists Hungarian composers Hungarian male composers 19th-century composers 19th-century pianists Male pianists 19th-century male m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |