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Hungama Hai Kyon Barpa
"Hungama Hai Kyon Barpa" is a popular ghazal, most prominently sung by Ghulam Ali. It is written by Akbar Allahabadi and is composed in Raag Darbari Kanada. This ghazal was used for the first time in a Pakistani film ''Aap Ka Khadim'', which was directed by Wazir Ali. Its music was composed by Khalil Ahmed and sung by Mehdi Hassan Mehdi Hassan Khan ( ur, مہدی حسن خاں , translit=) 18 July 1927 – 13 June 2012) was a Pakistani ghazal singer and playback singer for Lollywood. Widely considered one of the greatest and most influential figures in the history of gh ..., but the lyrics were credited to Tasleem Fazli, the lyricist for the remainder of the songs in the film. Later Ghulam Ali adopted it with the same basic music composition and made it popular. References Pakistani songs Ghazal songs 1990 songs {{1990s-song-stub ...
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Ghulam Ali (Ghazal Singer)
Ustad Ghulam Ali ( ur, ; 5 December 1940) is a Pakistani ghazal singer of the Patiala Gharana. He has also been a prominent playback singer in Bollywood. Ghulam Ali was a disciple of Bade Ghulam Ali Khan (elder Ghulam Ali Khan). Ali was also trained by Bade Ghulam Ali's younger brothers – Barkat Ali Khan and Mubarak Ali Khan. Ghulam Ali is considered to be one of the best ghazal singers of his era. His style and variations in singing Ghazals has been noted as unique, as he blends Hindustani classical music with ghazals, unlike any other ghazal singer. Highly popular in Pakistan, India, Afghanistan, Nepal, Bangladesh, as well as among South Asian diaspora in the US, the UK and the Middle Eastern countries. Many of his hit ghazals have been used in Bollywood movies. His famous ghazals are ''Chupke Chupke Raat Din'', '' Kal Chaudhvin Ki Raat Thi'', '' Hungama Hai Kyon Barpa'', Chamakte Chand Ko, ''Kiya Hai Pyar Jisé'', ''May Nazar Sé Pee Raha Hoon'', ''Mastana Peeyé'', ''Y ...
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Mehdi Hassan
Mehdi Hassan Khan ( ur, مہدی حسن خاں , translit=) 18 July 1927 – 13 June 2012) was a Pakistani ghazal singer and playback singer for Lollywood. Widely considered one of the greatest and most influential figures in the history of ghazal singing, Hassan is referred to as the "Shahenshah-e-Ghazal" (Emperor of Ghazal). Known for his "haunting" baritone voice,Mehdi Hassan profile on Encyclopedia Britannica
Retrieved 31 March 2018
Hassan is credited with bringing ghazal singing to a worldwide audience. He is unique for his melodic patterns and maintaining integrity of the in an innovative way. Born into a family of Kalawant musicians, Hassan was naturally incline ...
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Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ...
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Akbar Allahabadi
Syed Akbar Hussain, popularly known as Akbar Allahabadi (16 November 1846 – 9 September 1921) was an Indian Urdu poet in the genre of satire. Life and career Akbar Allahabadi was born in the town of Bara, eleven miles from Allahabad, to a family of Sayyads who originally came to India from Persia as soldiers. His father, Moulvi Tafazzul Hussain served as a Naib Tehsildar and his mother belonged to a zamindar family of Jagdishpur village from the Gaya district in Bihar. Akbar received his early education from his father at home. In 1855, his mother moved to Allahabad and settled in Mohalla Chowk. Akbar was admitted to the Jamuna Mission School for an English education in 1856, but he abandoned his school education in 1859. However, he continued to study English and read widely. On leaving school, Akbar joined the Railway Engineering Department as a clerk. While in service, he passed the exam qualifying him as a Vakeel (barrister) and subsequently worked as a Tehsildar and ...
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Ghazal
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ...
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The Hindu
''The Hindu'' is an Indian English-language daily newspaper owned by The Hindu Group, headquartered in Chennai, Tamil Nadu. It began as a weekly in 1878 and became a daily in 1889. It is one of the Indian newspapers of record and the second most circulated English-language newspaper in India, after '' The Times of India''. , ''The Hindu'' is published from 21 locations across 11 states of India. ''The Hindu'' has been a family-owned newspaper since 1905, when it was purchased by S. Kasturi Ranga Iyengar from the original founders. It is now jointly owned by Iyengar's descendants, referred to as the "Kasturi family", who serve as the directors of the holding company. The current chairperson of the group is Malini Parthasarathy, a great-granddaughter of Iyengar. Except for a period of about two years, when S. Varadarajan held the editorship of the newspaper, the editorial positions of the paper were always held by members of the family or held under their direction. Histo ...
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Raag Darbari Kanada
Darbari Kanada, or simply Raga Darbari, (pronounced darbāri kānada), is a raga in the Kanada family, which is thought to have originated in Carnatic music and brought into Hindustani classical music by Miyan Tansen, the legendary 16th-century composer in emperor Akbar's court. This tradition is reflected in the name itself; ''Darbar'' is the Persian derived word in Hindi meaning "court." As the most familiar raga in the Kanada family, it may sometimes also be called Shuddha Kanada or ''pure Kanada''. It belongs to the Asavari thaat. This raag is called raaga Kaanada in Yakshagana Karnataka state dance It is also sometimes written as Durbari and Durbarikanada.''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras In Hindustani classical music Darbari is a grave raga, played deep into the night, considered to be one of the more difficult to master, and with the potential for profound emotional impact. Darbari is a very serious raga and hence, slow a ...
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Ghazal Songs
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive nature, ...
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