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Hugo Hasslo
Hugo Hasslo (16 May 1911 Bohuslän - 20 January 1994 Stockholm) was a Swedish operatic baritone. Hasslo studied in Stockholm with Hjaldis Ingebjart and Joseph Hislop and made his debut at the Stockholm Opera, as Guglielmo in ''Cosi fan tutte'', in 1940, where he remained until 1964, quickly establishing himself as first baritone. He was particularly admired in the Italian repertory singing roles such as Figaro in ''Il barbiere di Siviglia'', Belcore in ''L'elisir d'amore'', Malatesta in ''Don Pasquale'', the title role in ''Macbeth'' and ''Rigoletto'', di Luna in ''Il trovatore'', Riccardo in ''Un ballo in maschera'', Marcello in ''La boheme'', etc. He also sang in Mozart and Wagner operas, and attempted the tenor role of Cavaradossi in ''Tosca'', in 1943. In Stockholm, he took part in the creation of Natanael Berg's ''Genoveva'', in 1947, and in Kurt Atterberg's ''Der Sturm'', in 1948. He made guest appearances in Hamburg, the Royal Opera House in London, the Edinburgh Festiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cosi Fan Tutte
Cosi, COSI or CoSi may refer to: * ''Così'', a 1992 play by Louis Nowra ** ''Cosi'' (film), 1996, based on the play * Così (restaurant), an American fast-casual restaurant chain * Compton Spectrometer and Imager, or COSI, a NASA telescope to be launched in 2025 * COSI (Center of Science and Industry), a science museum and research center in Columbus, Ohio, U.S. * COSI Toledo, now Imagination Station, a science museum in Toledo, Ohio, U.S. *Cobalt monosilicide, a material with the chemical formula CoSi * Julián Cosi (born 1998), an Argentine footballer * Valerio Cosi (born 1985), an Italian musician See also * * Così fan tutte (other) '' Così fan tutte'' is a 1790 Italian-language comic opera by Mozart. Così fan tutte or variations may also refer to: * ''Così fan tutte'' (film), or ''All Ladies Do It'', a 1992 Italian sex-comedy * ''Così fan tutte'' (TV series), an Italia ... * Così è (se vi pare) (other) {{disambiguation, surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Greindl
Josef Greindl (23 December 1912 - 16 April 1993) was a German operatic bass, remembered mainly for his performances of Wagnerian roles at Bayreuth beginning in 1943. Josef Greindl was born in Munich and studied at the Munich Music Academy with Paul Bender. His opera debut was in 1936, as Hunding in Wagner's ''Die Walküre'' in the State Theatre in Krefeld. In 1944, Adolf Hitler included him in the Gottbegnadeten list ("God-gifted list" or "Important Artist Exempt List" of artists considered crucial to Nazi culture), which exempted him from the requirement to serve in the German military. He played the part of King Marke in the 1952 Furtwängler recording of ''Tristan und Isolde''. This vintage recording often appears in critics list of the top 100 greatest recordings, since Kirsten Flagstad was also in the cast. He sang at the Metropolitan Opera in 1952–3. He sang in Wieland Wagner's last ''Ring''. In 1973, he became a professor at the Vienna Hochschule and later died in that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Libero De Luca
Libero De Luca (13 March 1913 – 1998) was a Swiss tenor of Italian descent particularly associated with the French repertory. Life and career De Luca was born in Kreuzlingen, Switzerland, and studied voice at the Zurich Conservatory with Alfredo Cairati. After winning a first prize at an international voice competition in Geneva, in 1941, he made his professional debut the following year at the Solothurn Municipal Theatre. After one season at the Bern Municipal Theatre, he joined the Zurich Opera where he was first tenor from 1943 to 1949. During that period, he also appeared regularly to great acclaim at the Teatro San Carlo in Naples, the Royal Opera House in London, at La Monnaie in Brussels, and at the Teatro Colón in Buenos Aires. In 1949, he made his debut at both the Opéra-Comique and the Palais Garnier, where he established himself as a lead tenor in the French repertoire. Libero De Luca was fluent in German, French and Italian, and excelled in all three repertoir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Schüchter
Wilhelm Schüchter (15 December 1911 – 27 May 1974) was a German conductor. He was Generalmusikdirektor in Dortmund and left a legacy of opera recordings. Career Born in Bonn, Schüchter studied piano at the Hochschule für Musik Köln, composition with Philipp Jarnach, and orchestral conducting with Hermann Abendroth. His debut was at the Landestheater Coburg Mascagni's ''Cavalleria rusticana'' and Leoncavallo's ''Pagliacci''. In 1940, he was at the Mainfranken Theater Würzburg, a year later he worked at the Stadttheater Aachen under Herbert von Karajan. In 1943, he was first Kapellmeister of the Theater am Nollendorfplatz in Berlin. From 1945 to 1957, he was second conductor under Hans Schmidt-Isserstedt of the Sinfonieorchester von Radio Hamburg, in 1956 named NDR Sinfonieorchester. From 1953 to 1955, he was also principal conductor of the Nordwestdeutsche Philharmonie in Herford. Since 1959 he conducted the NHK Symphony Orchestra. His last position was in 1962 Generalmu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gottlob Frick
Gottlob Frick (28 July 1906 in Ölbronn-Dürrn – 18 August 1994 in Muhlacker) was a German operatic bass. He was known for his wide repertory including Wagner and Mozart roles, as well as those of Nicolai and Lortzing. Career Frick's teachers included Fritz Windgassen (father and teacher of Frick’s contemporary, the tenor Wolfgang Windgassen). He was a member of the chorus at the Stuttgart State Opera from 1927 to 1934. His first solo role was in Coburg in 1934–35,Opera. June 1954, p339 followed by Freiburg (1936–40) and Königsberg (1938) where Karl Böhm discovered him and engaged him for the Dresden State Opera in 1941, which was his base for the following decade. In 1950 he moved to the Deutsche Oper Berlin, but his international career took him to all the leading houses in Europe. His voice was instantly recognizable by its dark timbre, and was aptly described by Wilhelm Furtwängler as 'the blackest bass in Germany' (''der schwärzeste Bass in Deutschland''): ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sena Jurinac
Srebrenka "Sena" Jurinac () (24 October 1921 – 22 November 2011) was a Bosnian-born Austrian operatic soprano. Biography Jurinac was born in Travnik, Bosnia-Herzegovina (then part of the Kingdom of Yugoslavia), the daughter of a Croatian father (a doctor) and a Viennese mother. She studied at the Zagreb Academy of Music, and with Milka Kostrenčić. Her voice was pitched exactly between soprano and mezzo. Her repertoire included Poppea, Elisabetta ('' Don Carlos''), Desdemona (''Otello''), Elisabeth (''Tannhäuser''), Ilia, Iphigenia, Jenůfa, Leonora ('' La forza del destino''), the Composer (''Ariadne auf Naxos''), Marie (''Wozzeck''), Pamina (''The Magic Flute''), Mimi, Butterfly and Tosca. In many operas, her repertoire included more than one major role: Cherubino and Countess Almaviva, Donna Anna and Donna Elvira, Fiordiligi and Dorabella, Amor and Eurydice, Leonore and Marzelline (''Fidelio''), Marina and Fyodor ('' Boris Godunov''); Octavian and the Marschallin. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolf Schock
Rudolf Johann Schock (4 September 1915 – 13 November 1986) was a German tenor. Rudolf Schock was born in Duisburg, in the Prussian Rhine Province. He sang a wide repertoire from operetta to ''Lohengrin'', recording among others opera and lieder, doing television, radio and film work.Noël Goodwin, "Schock, Rudolf (Johann)", ''Grove Music Online'', version 15 May 2009. Retrieved 21 December 2009. Slim and handsome, he made many films. His voice fell almost into the heldentenor fach but was smaller and more ardent than many voices in that category. Colored distinctly with a rich baritonal quality, Schock is described by '' Grove'' as a "lyric tenor" with a warm flexible voice, and a "strong top voice" which suited him to "heroic roles". However the same source feels that his acting left something to be desired. When he was 18 and still continuing his musical studies that took him to Cologne, Hanover and Berlin, Schock joined the opera chorus at Theater Duisburg in the city of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorios
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edinburgh Festival
__NOTOC__ This is a list of arts and cultural festivals regularly taking place in Edinburgh, Scotland. The city has become known for its festivals since the establishment in 1947 of the Edinburgh International Festival and the Edinburgh Festival Fringe which runs alongside it. The latter is the largest event of its kind in the world. The term ''Edinburgh Festival'' is commonly used, but there is no single festival; the various festivals are put on by separate, unrelated organisations. However they are widely regarded as part of the same event, particularly the various festivals that take place simultaneously in August each year. The term ''Edinburgh Festival'' is often used to refer more specifically to the Fringe, being the largest of the festivals; or sometimes to the International Festival, being the original "official" arts festival. Within the industry, people refer to all the festivals collectively as the ''Edinburgh Festivals'' (plural). The festivals Listed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburg
(male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal_code_type = Postal code(s) , postal_code = 20001–21149, 22001–22769 , area_code_type = Area code(s) , area_code = 040 , registration_plate = , blank_name_sec1 = GRP (nominal) , blank_info_sec1 = €123 billion (2019) , blank1_name_sec1 = GRP per capita , blank1_info_sec1 = €67,000 (2019) , blank1_name_sec2 = HDI (2018) , blank1_info_sec2 = 0.976 · 1st of 16 , iso_code = DE-HH , blank_name_sec2 = NUTS Region , blank_info_sec2 = DE6 , website = , footnotes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
