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Hudan Mas
{{Other uses, Golden rain (other){{!Golden rain Udan Mas (sometimes written Hudan Mas, the name means "Golden Rain") is a composition for gamelan which is popular in Central Java, especially Yogyakarta. It is a bubaran, which is an ending piece played while the audience departs. In Western concert performances, it is often played as an encore. It is often one of the pieces students learn early in their studies. The piece can be played in a wide variety of pathet, including pélog pathet barang and nem, and sléndro pathet sanga and nem. It can also be played as either a lancaran or a ladrang, with related balungan. The recording of the piece on ''Javanese Court Gamelan'', possibly the most famous, is in pélog pathet barang and has a lancaran structure. Mantle Hood offers an analysis of the ladrang in ''The Nuclear Theme as a Determinant of Patet in Javanese Music''. He adduces it in his theory of the importance of cadence contours in its variation in different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Javanese Court Gamelan
''Javanese Court Gamelan'' is a recording of the gamelan of the Paku Alaman court in Yogyakarta, Java, Indonesia. It was recorded by ethnomusicologist Robert E. Brown on January 10, 1971 and released on LP later the same year. The album was issued on compact disc on April 17, 1991 with the original contents. It was remastered and reissued under the name ''Java: Court Gamelan'' on January 28, 2003 with a cover of a photograph of Borobudur. The gamelan in the recording is an heirloom gamelan, made in 1755 for Paku Alam I. The sléndro half, named ''Kyai Pengawé Sari'' ("Sir Invitation to Beauty"), is heard on tracks 1 and 3, while the pélog half, named ''Kyai Telaga Muntjar'' ("Sir Lake and Fountain"), is heard on tracks 2 and 4. The recording was made in the reception hall of the Pura Paku Alaman, by permission of Paku Alam VIII, for a radio broadcast in honor of his birthday. The sounds of sparrows that make their nests in the hall and other ambient noises are considered no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pura Pakualaman
Pura may refer to: Places * Pura, Kushtagi, a village in Koppal district, Karnataka, India * Pura, Iran, a village in Mazandaran Province, Iran * Pura, Tarlac, a municipality in the Philippines * Pura, Switzerland, a municipality in Ticino, Switzerland * Pura, Chikmagalur, a settlement in Chikmagalur district, Karnataka, India * Pura, Pakistan, ancient capital of Gedrosia present Balochistan People * Pura (given name) (including a list of people) * Stela Pura (born 1971), Romanian retired swimmer Other uses * PURA, a human protein * ''Pura'' (album), an album by Mortal * Pura (placename element), a placename suffix used in South Asia * Pura (Balinese temple) * Pura (''Crash Bandicoot''), a character from ''Crash Bandicoot'' * Providing Urban Amenities to Rural Areas (PURA), a rural development strategy in India See also * ''Pura māku'', a Japanese recycling symbol *Puro (other) Puro may refer to: People *Alec Puro (born 1975), American musician and composer * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonang
The bonang is an Indonesian musical instrument used in the Javanese gamelan. It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (''rancak''), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, while the higher ones have an arched one. Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (''tabuh''). This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze, welded and cold-hammered iron, or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gamelan. In central Javanese gamela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert E
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indonesian Language
Indonesian ( ) is the official language, official and national language of Indonesia. It is a standard language, standardized variety (linguistics), variety of Malay language, Malay, an Austronesian languages, Austronesian language that has been used as a lingua franca in the multilingual Indonesian archipelago for centuries. Indonesia is the fourth most list of countries by population, populous nation in the world, with over 270 million inhabitants—of which the majority speak Indonesian, which makes it one of the most List of languages by total number of speakers, widely spoken languages in the world.James Neil Sneddon. ''The Indonesian Language: Its History and Role in Modern Society''. UNSW Press, 2004. Most Indonesians, aside from speaking the national language, are fluent in at least one of the more than 700 indigenous languages of Indonesia, local languages; examples include Javanese language, Javanese and Sundanese language, Sundanese, which are commonly used at home a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence (music)
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mantle Hood
Mantle Hood (June 24, 1918 – July 31, 2005) was an American ethnomusicologist. Among other areas, he specialized in studying gamelan music from Indonesia. Hood pioneered, in the 1950s and 1960s, a new approach to the study of music, and the creation of the first American university program devoted to ethnomusicology, at the University of California, Los Angeles (UCLA). He was known for a suggestion, somewhat novel at the time, that his students learn to play the music they were studying. Biography Born and raised in Springfield, Illinois, Hood studied piano as a child and played clarinet and tenor saxophone in regional jazz clubs in his teens. Despite his talent as a musician, he had no plans to make it his profession. He moved to Los Angeles in the 1930s and wrote pulp fiction while employed as a draftsman in the aeronautical industry. After Army service in Europe during World War II, he returned to Los Angeles. He enrolled in the School of Agriculture at the University o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balungan
The ''balungan'' ( jv, skeleton, frame) is sometimes called the "core melody" or, "skeletal melodic outline," of a Javanese gamelan composition. This corresponds to the view that gamelan music is heterophonic: the ''balungan'' is then the melody which is being elaborated. "An abstraction of the inner melody felt by musicians," the ''balungan'' is, "the part most frequently notated by Javanese musicians, and the only one likely to be used in performance."Anderson Sutton, Richard (1991). ''Traditions of Gamelan Music in Java: Musical Pluralism and Regional Identity'', p.xix. Cambridge University. . The group of instruments which play the closest to the ''balungan'' are sometimes also called the ''balungan'', or ''balungan'' instruments. These are the ''saron'' family and the ''slenthem''. In many pieces, they play the ''balungan''. However, they can also elaborate on the parts in a variety of techniques. It is possible that there is no instrument playing the ''balungan'', although ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yogyakarta
Yogyakarta (; jv, ꦔꦪꦺꦴꦒꦾꦏꦂꦠ ; pey, Jogjakarta) is the capital city of Special Region of Yogyakarta in Indonesia, in the south-central part of the island of Java. As the only Indonesian royal city still ruled by a monarchy, Yogyakarta is regarded as an important centre for classical Javanese fine arts and culture such as ballet, ''batik'' textiles, drama, literature, music, poetry, silversmithing, visual arts, and '' wayang'' puppetry. Renowned as a centre of Indonesian education, Yogyakarta is home to a large student population and dozens of schools and universities, including Gadjah Mada University, the country's largest institute of higher education and one of its most prestigious. Yogyakarta is the capital of the Yogyakarta Sultanate and served as the Indonesian capital from 1946 to 1948 during the Indonesian National Revolution, with Gedung Agung as the president's office. One of the districts in southeastern Yogyakarta, Kotagede, was the capital of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladrang
''Colotomy'' is an Indonesian description of the rhythmic and metric patterns of gamelan music. It refers to the use of specific instruments to mark off nested time intervals, or the process of dividing rhythmic time into such nested cycles. In the gamelan, this is usually done by gongs of various size: the ''kempyang'', ''ketuk'', ''kempul'', ''kenong'', ''gong suwukan'', and ''gong ageng''. The fast-playing instruments, ''kempyang and ketuk'', keep a regular beat. The larger gongs group together these hits into larger groupings, playing once per each grouping. The largest gong, the ''gong ageng'', represents the largest time cycle and generally indicates that that section will be repeated, or the piece will move on to a new section. The details of the rhythmic patterns depend on the colotomic structure ( jv, italic=yes, bentuk), also known as ''gendhing'' structure. There are a number of different structures, which differ greatly in length and complexity; however, all of them ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
