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Hubert Le Blanc
Hubert Le Blanc (floruit, fl. 1740) was a French viol player, doctor of law and abbé. Strongly regretting that viol playing was falling out of fashion, he wrote the treatise ''Défense de la basse de viole contre les enterprises du violon et les prétentions du violoncelle'', which was published in Amsterdam by Pierre Mortier in 1740. Those who have written about him are unanimous in considering him an eccentric: his German translator (Erhard, 1951) called him "a somewhat sarcastic old gentleman"; his English translator (Jackson, 1973) said he had a "colorful and eccentric personality"; his only biographer (Fétis, 1863) tells us that when he learned that his treatise was to be published in Amsterdam, he was so transported with joy that he set off immediately (presumably from Paris), attired as he was when he received the news, in bathrobe, slippers, and nightcap. Despite his reputation for eccentricity and his purple prose, larded with mythological allusions, he provides a wealth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abbé
''Abbé'' (from Latin ''abbas'', in turn from Greek , ''abbas'', from Aramaic ''abba'', a title of honour, literally meaning "the father, my father", emphatic state of ''abh'', "father") is the French word for an abbot. It is the title for lower-ranking Catholic clergy in France. History A concordat between Pope Leo X and King Francis I of France (1516) cites III under Kinds of Abbot gave the kings of France the right to nominate 255 commendatory abbots () for almost all French abbeys, who received income from a monastery without needing to render service, creating, in essence, a sinecure. From the mid-16th century, the title of ''abbé'' has been used in France for all young clergy, with or without consecration. Their clothes consisted of black or dark violet robes with a small collar, and they were tonsured. Since such ''abbés'' only rarely commanded an abbey, they often worked in upper-class families as tutors, spiritual directors, etc.; some (such as Gabriel Bonnot de M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marin Marais
Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colombe for six months. In 1676 he was hired as a musician to the royal court of Versailles and was moderately successful there, being appointed in 1679 as ''ordinaire de la chambre du roy pour la viole,'' a title he kept until 1725. He was the father of the composer Roland Marais (c. 1685 – c. 1750). Career Marin Marais was a master of the viol, and the leading French composer of music for the instrument. He wrote five books of '' Pièces de viole'' (1686–1725) for the instrument, generally suites with basso continuo. These were quite popular in the court, and for these he was remembered in later years as he who "founded and firmly established the empire of the viol" ( Hubert Le Blanc, 1740). His other works include a book of ''Pièces en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antoine Forqueray
Antoine Forqueray (September 1672 – 28 June 1745) was a French composer and virtuoso of the viola da gamba. Forqueray, born in Paris, was the first in a line of composers which included his sons Jean-Baptiste (1699–1782) and Nicolas Gilles (1703–1761) as well as his brother Michel (1681–1757). Career at Versailles Forqueray's exceptional talents as a player led to his performing before Louis XIV at the age of ten. The king was so pleased with him that he arranged for Forqueray to have music lessons at his own expense and then, seven years later, in 1689, named him ''musicien ordinaire'' of ''La chambre du Roy'', a position Forqueray held until the end of his life. To supplement his official income he gave lucrative private lessons to members of the royal family and the aristocracy. In Louis XIV's later years the normal routine of concerts at the court of Versailles was augmented by Mme de Maintenon. She arranged almost daily performances in her apartments by such musicians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuileries Palace
The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from Henry IV to Napoleon III, until it was burned by the Paris Commune in 1871. Built in 1564, it was gradually extended until it closed off the western end of the Louvre courtyard and displayed an immense façade of 266 metres. Since the destruction of the Tuileries, the Louvre courtyard has remained open and the site is now the location of the eastern end of the Tuileries Garden, forming an elevated terrace between the Place du Carrousel and the gardens proper. History Plan of Catherine de Medici (16th C.) The site of the Tuileries palace was originally just outside the walls of the city, in an area frequently flooded by the Seine as far as the present Rue Saint-Honore. The land was occupied by the workshops and kilns craftsmen who ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Spirituel
The Concert Spirituel ( en, Spiritual Concert) was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790. Later, concerts or series of concerts of the same name occurred in Paris, Vienna, London and elsewhere. The series was founded to provide entertainment during the Easter fortnight and on religious holidays when the other spectacles (the Paris Opera, Comédie-Française, and Comédie-Italienne) were closed. The programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated ''Salle des Cent Suisses'' (Hall of the Hundred Swiss Guards) in the Tuileries Palace. They started at six o’clock in the evening and were primarily attended by well-to-do bourgeois, the lower aristocracy, and foreign visitors. In 1784 the concerts were moved to the stage area of the ''Salle des Machines'' (an enormous former opera house in the Tuileries), and in 1790, when t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Somis
Giovanni Battista Somis (December 25, 1686 – August 14, 1763) was an Italian violinist and composer of the Baroque music era. He studied under Arcangelo Corelli between 1703 and 1706 or 1707. He was later appointed solo violinist to the king at Turin and leader of the royal band, and seems scarcely ever to have left Turin after these appointments. A trip to Paris in 1731 to play at the Concert Spirituel produced a report in the April 1733 ''Le Mercure'' praising his playing. He published eight opus numbers in all: *Opus 1 - 12 sonatas for violin and figured bass (1717 Amsterdam, published by J. Roger) *Opus 2 - 12 sonatas for violin and figured bass (1723 Turin) *Opus 3 - 12 sonatas for violin and figured bass (1725 Turin) *Opus 4 - 12 sonatas for violin and figured bass (1726 Paris) *Opus 5 - 6 trio sonatas for two violins and figured bass (1733 Paris, published by Boisvin) *Opus 6 - 12 sonatas for violin and figured bass (1734 Paris) *Opus 7 - "Ideali trattiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Geminiani
230px Francesco Saverio Geminiani (baptised 5 December 1687 – 17 September 1762) was an Italian violinist, composer, and music theorist. BBC Radio 3 once described him as "now largely forgotten, but in his time considered almost a musical god, deemed to be the equal of Handel and Corelli." Life Born at Lucca, he received lessons in music from Alessandro Scarlatti, and studied the violin under Carlo Ambrogio Lonati in Milan and afterwards under Arcangelo Corelli. From 1707 he took the place of his father in the Cappella Palatina of Lucca. From 1711, he led the opera orchestra at Naples, as Leader of the Opera Orchestra and concertmaster, which gave him many opportunities for contact with Alessandro Scarlatti. After a brief return to Lucca, in 1714, he set off for London in the company of Francesco Barsanti, where he arrived with the reputation of a virtuoso violinist, and soon attracted attention and patrons, including William Capel, 3rd Earl of Essex, who remained a consiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Musicians
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century French People
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
