Huapango (film)
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Huapango (film)
is a family of Mexican music styles. The word likely derives from the Nahuatl word that literally means 'on top of the wood', alluding to a wooden platform on which dancers perform dance steps. It is interpreted in different forms, the most common being the classic interpreted by a trio of musicians (); the interpreted by a group (); and the , which can be performed by a large group of musicians. () The classical brings together a violin, a and a . The classical is characterized by a complex rhythmic structure mixing duple and triple metres which reflect the intricate steps of the dance. When the players sing (in a duet, in a falsetto tone), the violin stops, and the (the rhythm provided by heels hitting the floor) softens. The is danced by men and women as couples. A very popular is , in which two singers alternate pert and funny repartées. Huapango arribeño or son arribeño is a style of music played in the "zona media" region (part of San Luis Potosi, Qu ...
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Norteño Music
Norteño (Spanish: "northerner") may refer to: * Norteño (music) is a style of Mexican music related to polka and corridos * Norteño refers to the people originally from Northern Mexico and Southwestern U.S. * Norteño (band) is a ''tango nuevo'' band from Ottawa, Ontario, Canada * Norteño is an alcoholic beverage (aguardiente), from Ecuador * Norteño refers to the people and the culture of north central and north eastern New Mexico. * The Norteños Norteños (Spanish: meaning ''Northerners''; ''Norteñas'' for females) are the various, affiliated gangs that pay tribute to Nuestra Familia while in California state and federal correctional facilities. Norteños may refer to Northern Calif ... are a large organization of largely Mexican-American street gangs in the United States {{DEFAULTSORT:Norteno Spanish words and phrases ...
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Folk Dance Of Mexico
Folk dance of Mexico, commonly known as baile folklorico or Mexican ballet folk dance, is a term used to collectively describe traditional Mexican folk dances. Ballet folklórico is not just one type of dance, it encompasses each region's traditional dance that has been influenced by their local folklore and has been entwined with ballet characteristics to be made into a theatrical production. Each dance represents a different region in Mexico illustrated through their different zapateado, footwork, having differing stomps or heel toe points, and choreography that imitates animals from their region such as horses, iguanas, and vultures. History Mexico's modern folk dance tradition is a blending of elements from its Indigenous, African, and European heritage. Before the arrival of the Spanish, indigenous dance developed with strong ties to the religious practices. For the Aztecs, there were two levels of dance, one for the common people, often related to the agricultural cycle and ...
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Veracruz
Veracruz (), formally Veracruz de Ignacio de la Llave (), officially the Free and Sovereign State of Veracruz de Ignacio de la Llave ( es, Estado Libre y Soberano de Veracruz de Ignacio de la Llave), is one of the 31 states which, along with Mexico City, comprise the 32 Federal Entities of Mexico. It is located in eastern Mexico and is bordered by seven states, which are Tamaulipas, San Luis Potosí, Hidalgo, Puebla, Oaxaca, Chiapas, and Tabasco. Veracruz is divided into 212 municipalities, and its capital city is Xalapa-Enríquez. Veracruz has a significant share of the coastline of the Gulf of Mexico on the east of the state. The state is noted for its mixed ethnic and indigenous populations. Its cuisine reflects the many cultural influences that have come through the state because of the importance of the port of Veracruz. In addition to the capital city, the state's largest cities include Veracruz, Coatzacoalcos, Córdoba, Minatitlán, Poza Rica, Boca Del Río and Or ...
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José Pablo Moncayo
José Pablo Moncayo García (June 29, 1912 – June 16, 1958) was a Mexican pianist, percussionist, music teacher, composer and conductor. "As composer, José Pablo Moncayo represents one of the most important legacies of the Mexican nationalism in art music, after Silvestre Revueltas and Carlos Chávez." He produced some of the masterworks that best symbolize the essence of the national aspirations and contradictions of Mexico in the 20th century. Biography Born in Guadalajara, Jalisco, José Pablo Moncayo was introduced to music by his elder brother Francisco. Eduardo Hernández Moncada is reported as the first teacher of José Pablo Moncayo in 1926, when the teenager was fourteen years old. According to Aurelio Tello, Hernández Moncada suggested his pupil Moncayo study at the National Conservatory.Torres-Chibras 2002, 86. Tello reports that Moncayo was admitted to the conservatory in 1929; meanwhile, in order to finance his studies, he worked as a jazz pianist. According ...
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Malagueña Salerosa
— also known as — is a well-known Son Huasteco or Huapango song from Mexico, which has been cover version, covered more than 200 times by recording artists. The song is that of a man telling a woman (from Málaga, Spain) how beautiful she is, and how he would love to be her man, but that he understands her rejecting him for being too poor. is attributed to Elpidio Ramírez and Pedro Galindo, Music publisher (popular music), published by Ralph Peer, Peer International in 1947 in music, 1947 (monitored by Broadcast Music Incorporated, BMI), although Mexican composer Nicandro Castillo questions the validity of that authorship. As he mentions: : The issue is controversial because ... [ composer] don Nicandro Castillo wrote that several tunes from la Huasteca which in decades past were known as , composed by Elpidio Ramírez, Roque Ramírez and Pedro Galindo, were actually anonymous songs, as was the case of and , which like or , were in the public domain, written "long befo ...
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Cucurrucucú Paloma
"Cucurrucucú paloma" (Spanish for ''Coo-coo dove'') is a Mexican huapango-style song written by Tomás Méndez in 1954. The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness. Over the years the song has been used in the soundtrack of several films and has gained international popularity. It initially appeared in the classic Mexican comedy ''Escuela de vagabundos'' screened in 1955, where it was sung by the star of the film, Pedro Infante. The song also gave its name to the 1965 Mexican film '' Cucurrucucú Paloma'', directed by Miguel Delgado, in which it was performed by Lola Beltrán, who starred as "Paloma Méndez". In Pedro Almodovar's film '' Talk to Her'' (2002) the piece is rendered by the Brazilian singer Caetano Veloso in an art-song style quite different from the mariachi folk-kitsch of its original cinema presentation. Other films in which the song is used incl ...
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Falsetto
''Falsetto'' (, ; Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal or modal voice. The typical tone of falsetto register or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound comparatively "breathy" o ...
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Son Jaliscience
Son jalisciense is a variety of Mexican son music from which modern mariachi music is derived. This ''son'' also relied on the same basic instruments, rhythms and melodies as the sones of Veracruz and other locations, using the same string instruments. By the 19th century, Son jalisciense developed to be played with one vihuela, two violins and a guitarrón (which replaced the harp). The best known song of this type of ''son'' is called “La Negra”. Modern mariachi developed when brass instruments such as trumpets were added. Son jalisciense has both instrumental and vocal songs in this form, mostly in major keys. It is performed by mariachi ensembles. It has an alternating rhythmic pattern in the harmony (guitars, vihuela) and guitarrón. Basic pattern consists of one measure of with the next measure of . See also *Mariachi *Mexican son music *Son calentano *Son jarocho *Son huasteco Son huasteco is one of eight Mexican song styles and is a traditional Mexican musica ...
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Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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